Impressionist Figurative Prints

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Une Bergerie is a black and White etching realized by Albert Brendel in 1862.  Titled in the lower Image Size: 23x32 Very good impression. Realized by Cadart for the "Société des...

Mary Cassatt, After, American (1844 - 1926) - The Lamp, Year: Date: 1991; Original Published: 1890 - 1891, Medium: Color Etching on Arches Paper, Image Size: 12.25 x 9.5 inches, F...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Robert Peak’s rendering of children playing soccer in a grassy field while the light of sunset shines through autumn-tinted trees was created as a commemoration of the fifteenth anni...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

This print by Robert Peak features a figure running along the beach with waves crashing in the background, serving as a commemoration for the fifteenth anniversary of the Special Oly...

"Twilights Last Gleaming" - Vintage 1980's Etching Vintage etching depicting the characters from the 1977 movie "Twilights Last Gleaming" by Claudett...

Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...

Vilhelmina Fjallen. Vilhelminafjällen Sverige. Original Scandinavian vintage poster lithograph. Mounted on acid-free archival linen. A city located on the edge of Lapland in the Västerbotten area.. This region has a subarctic climate, suitable for reindeer. Artist: Folke Ricklund. Printed by: Tullbergs Esselte STHLM Very good to excellent condition, linen-backed, ready to frame. Mid Century Modern. This poster advertises travel to a mountainous region of Northern Sweden, where Laplanders can live off the reindeer. A rare travel poster...

Keying Up - The Court Jester Etching with drypoint, 1879 Signed in the plate lower left corner (see photos) Proof before engraved title and engraved names Printed on thin light golden Japanese tissue paper In the final state, with engraved titled and typeface engraved artist’s signature below the image Condition: excellent Plate size: 6-5/8 x 4-1/4" According to Pisano, this image was very popular during Chase’s life. It is based on his famous painting, Keying Up-The Court Jester, in the collection of the Pennsylvania Academy of Fine Arts. The painting was created in Munich during the artist’s studies there. It was exhibited in the 1876 Centennial Exhibition in Philadelphia where it won a Medal of Honor and helped establish the artist’s reputation as a leading American painter. Chase, always conscious of self promotion, created the etching and had numerous impressions printed. He sold them for a modest price to increase his fame. The etching was later published in Sylvester R. Koehler, American Art Review, September 1878. It was for this American Art Review printing that the engraved titled and type face signature below the image were added to the plate. This example was part of a group of impressions that came down in the Chase family via his daughter Dorothy Bremond Chase, his third daughter. They were acquired at auction in a single auction lot, housed in a paper board folder. The consignor was Associated American Artist’s as they were liquidating their stock prior to closing the gallery. Dorothy was the subject of Chase’s painting, My Little Daughter Dorothy. C. 1894, in the collection of the Detroit Institute of Arts as well as numerous other portraits of her. Reference: Pisano/Bake, Volume 1, Pr. 3, illustrates the rare 1st state, this being a 2nd state before any other the engraved title and Chase's name in the bottom margin which are found in the third state. Artist bio in file (Chase) In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn where their first child was born. The couple would parent six daughters and two sons and it was only his family that could rival his devotion to his art. Indeed, Chase often combined his two loves by painting several portraits of his wife and children in Brooklyn parks before the couple relocated to Manhattan. Later Period Between 1891 and 1902, Chase and his family spent their summers at a purpose-built home and studio in Shinnecock Hills, a close suburb of the upmarket town of Southampton on the south shore of Long Island (roughly 100 miles east of New York). Chase set up, and taught two days a week, at the nearby Shinnecock Hills Summer School of Art which benefitted from the financial backing of local art collectors. It was at Shinnecock that Chase, taken in by the region's striking natural surroundings, painted several Impressionistic landscapes. As Bettis put it, "There, among the dunes, in the bright sunlight and sea air his painterly impulse was given free sway, and he produced some of his freest and loveliest work". His passion for the area was so felt he even gave his daughter Hazel the middle name of Neamaug, in honor of the rich Native American history of Shinnecock. Chase was equally focused on the students that came to the School and who he encouraged to paint in the modern plein air style favored by the French Impressionists. Although Chase was making a name for himself as an Impressionist, he never abandoned his commitment to the sombre tones and academic tropes he had learned in Munich, though these he reserved for his portraits, and for his series of striking still lifes featuring dead fish. Chase was in fact a successful society portraitist - he painted fashionable women for a fee of $2,000 - and would paint his students as "samples" which he then donated to leading art institutions (such as Lady in Black (1888) which he donated to the Metropolitan Museum in 1891). In 1896, facing financial difficulties, Chase flirted with the idea of giving up his teaching in New York and traveled with his family to Madrid where he developed a passion for bullfighting. Chase returned however to Shinnecock in June to teach his yearly summer art class, and in the fall of that year, established his own art school in Manhattan: the Chase School which was modelled on the Académie Julian in Paris. Chase lacked business savvy, however, and the Chase School lasted only two years before it was placed under new management. It continued as the New York School of Art (changed to Parsons School of Design starting 1941) with Chase as head the School for eleven more years. Chase also taught during this period at the Pennsylvania Academy of Fine Arts. In 1902, following the premature death of his friend John Twachtman, Chase was invited to join the Ten American Painters group (who included amongst its members, Frank Weston Benson, Thomas Wilmer Dewing...

In Juana, Stephen Lawlor presents a solitary female figure set against a deep, atmospheric ground. The face is intentionally obscured, allowing gesture, posture, and costume to carry...

Medium: Silkscreen Year: 2025 Image Size: 21.25 x 15.75 inches Edition Size: 30 Lavinia by Stephen Lawlor is a contemplative figurative color silkscreen featuring a solitary female...

Artist: Jean Gabriel Domergue (French, 1885-1927) Title: Zeppelinade Year: 1915 Medium: Lithograph Edition: Numbered 2/90 in pencil Paper: Japan Image size: 11.25 x 14 inches paper s...

This artwork titled " Paris, Le Pantheon" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 134/250 i...

General Washington Saying Farewell to His Officers in Fraunces Tavern, New York This etching, 'General Washington Saying Farewell to His Officers in Fraunces Tavern, New York', was ...

This artwork titled " Paris, Saint Germain Des Pres" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbere...

Vibrant screen print of people gathering around a pond by Jane Leddy (American, 1925-2019). People and various animals - including goats, ducks, and cows - ...

Artist: David Rosenthal (American 1876-1949) Title: Bay Harbor Year: c.1930 Medium: Etching Image (Plate mark) size: 6 x 8.25 inches Sheet size: 8.25 x 10.5 inches Signature: Hand signed in pencil by the artist Condition: Very good About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...

Edouard Manet Le Chat et les Fleurs (from "Les Chats par Champfleury") 1869 Etching and aquatint on Rives paper Image: 6.25 x 5.125 (17.3 × 13 cm) Plate: 8 x 6 inches (20.3 x 15.2 c...

Medium: Aquatint, Drypoint, Etching Year: 2013 Image Size: 8.66 x 10.6 inches Edition Size: 50 Beautiful impressionist scene of birch trees in calming greens and browns. Lawlor's e...

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...

Lithograph of a figure of a woman by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "3/12", "Study 8", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Charles Banks Wilson (American, 1918-2013) was an American artist. Born in Springdale, AK in 1918, he moved to Oklahoma, where he spent his childhood. He was a painter, printmaker, t...

Edouard MANET (1832-1883) Exotic flower (or Woman with a Mantilla) 1869 Original etching Signed in the plate On vellum 36 x 26 cm REFERENCES: - Catalogue raisonné Guérin #51 - Cata...

Hand signed and numbered by the artist. From School Days portfolio. Artwork size 26 x 20 inches. Frame size approx 30 x 26 inches. Edition of 200. Artwork is in excellent condi...

This artwork titled "Warming Up" c.1990 in an original color serigraph by American artist John Asaro, b.1937. It is hand signed and numbered 147/195 in penc...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Million Dollar Strike (Earl Anthony) Year: 1982 Medium: Serigraph, Signed by the artist and Earl Ant...

This artwork titled " Paris, l"Opera c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 163/250 in pen...

Artist: Georges Lambert (French, 1919-1998) Title: Femme Au Bouquet Year: Circa 1975 Medium: Color lithograph Edition: Numbered 90/275 in pencil Paper: Wove Image size: 13 x 20....

"The Bridge" is a drypoint by Frank Benson created in 1923. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size is 13 1/2 x 10 5/8" (34.2 x 26.8 cm) and sheet size 16 1/2 x 13 1/16" (41.8 x 33.3 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Artist: Harold Altman (American, 1924-2003) Title: Afternoon Year: c.1980 Medium: Original color lithograph Edition: Numbered 62/225 in pencil Paper: Arches Image size: 10.75 x...

Courtesan at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper Full color woodcut print of two women in elaborate gowns by Utagawa Yoshiiku (Ochiai Yoshiiku) (Japanese, 1833-1904). Two women are dressed in colorful robes with crossed arms. They are underneath a plum blossom tree in bloom, at night. In the background there is a building with many rooms. Valuable polychrome woodblock print of vertical large oban (大判) format made by Utagawa Yoshiiku (歌川芳幾), the famous artist also known as Ochiai Yoshiiku (落合芳幾), and depicting the courtesan Shizuka (しづか), of the house of pleasure Matsumotoro (松本楼), together with her young kamuro (禿) assistant. The couple is escorted by a kanabohiki (金棒引き) watchman holding a lantern and a metal rod with rings to make noise and alert the crowd. The work, produced in August 1869 by the publisher Tsunajima Kamekichi (綱島亀吉), is taken from the “Twelve Months of Yoshiwara” (よし原十二ヶ月のうち), an elegant series of prints dedicated to the famous red light district of Edo (江戸), and is paired with the “month of leaves” Hazuki (葉月), that is August. Ochiai Yoshiiku (Japanese, 1833-1904) was an ukiyo-e artist from the end of the Edo Period to the Meiji Period. He has created works which are essential to the history of ukiyo-e, such as“Twenty-eight Famous Murders with Verse”, a series of chimidoro-e (bloody paintings) which Yoshiiku and Tsukioka Yoshitoshi collaborated together, and “Shimbun (newspaper) Nishiki-e” that illustrated Meiji news articles with ukiyo-e. Born the son of teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master. Yoshiiku's earliest works were portraits of actors (yakusha-e), beauties (bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the Tokyo Nichi Nichi...

This artwork titled "La Plage Normande" c.1950 is an original color lithograph on Arches paper by noted French artist Maurice Brianchon, 1899-1979. It is hand signed and numbered XV/XX in pencil by the artist. The image size is 18.5 x 15.5 inches, framed size is 30.5 x 26 inches. Custom framed in a wooden black and gold frame, with gold color spacer and fabric matting. It is in excellent condition. About the artist: Maurice Brianchon was born in 1899, in the town of Fresnay-sur-Sarthe. Very early on, he showed many plastic predispositions. As a result, he was accepted in 1917 at the École Nationale Supérieure des Beaux-Arts de Paris and joined the studio of Fernand Cormon, renowned for his history painting. A year later, he moved to the École Nationale Supérieure des Arts Décoratifs. There he followed the education of Paul Renouard - a painter and engraver renowned for his portraits and figures of dancers - and that of Eugène Edouard Morand, a teacher since 1908. In this context, he frequented artists such as Joseph Inguimberty...

This artwork titled "Chemin de Halage" c.1930 is a color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943. It is hand signed and titled in penci...

This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...

Original Impressionistic Monotype of Dancers This dynamic print by Linda O'Hagan captures the movement of a dancer with out arm outstretched and the other lifting her skirt. The fo...

Jules Pascin, After, Bulgarian/French (1885 - 1930) - Marionette, Medium: Lithograph on Arches, Stamp-Signed and Numbered in pencil, Edition: 125, Size: 21.5 in. x 29 in. (54.61 c...

Figurative landscape capturing dock workers' afternoon break by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Drowsy Bu...

Berthe Morisot, After, French (1841 - 1895) - The Lesson, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 8 x 5.5 inch...

This artwork titled "Cherish One" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 3...

This artwork titled " Paris, Tehatre Du Chatelet" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 1...

This artwork titled "Alexandria" 1991 is an original color serigraph by noted American artist Susan Rios, b.1950. It is hand signed and numbered H.C 50/70 in pencil by the artist. With the blind stamp of the publisher Martin Lawrence Editions, Printed by American Serigraph, Los Angeles, CA. The image size is 27 x 22 inches, sheet size is 34 x 27.85 inches. It is in excellent condition. About the artist: Susan Rios was born in Terre Haute, Indiana, and spent her early years nurturing her natural artistic talent, eventually earning an art scholarship to California State University, Northridge in Los Angeles. Upon graduating, Rios began working for an advertising agency and later became a floral designer. This influence can be seen in her unique artwork, which does not ring true of any particular artistic style; instead, Rios blends realism and impressionism to her own personal techniques, creating something novel that appeals to all kinds of people. “No heart is so hard that it doesn’t respond to flowers,” Rios explained. Her warmth and gentle also touch countless people because her creations depict “the private times. They’re the details that people remember. Her beautiful, delicate creations are collected worldwide and her fans include Walter Matthau, Patty Duke Astin, and Priscilla Presley...

Original Italian movie poster: American Graffiti - Italian style. Anche Tu negli anne '60's Linen-backed offset lithograph. A great George Lucas film. American Graffiti, voted in 1998 to the American Film Institute's list of 100 superlative films. This one should be in your collection. This original Italian size (39.5" x 54.75') is ready to frame. Original movie poster theatrical issued fold marks restored during linen backing. Overall condition is very good with very minor printing flaws. The vintage poster features a silhouette of a football jersey with a big glass of Coca-Cola balanced as the head of the image. This was a George Lucas film with Richard Dreyfuss and Ron Howard. A Francis Ford Coppola production. This is a genuine Italian one-sheet ORIGINAL MOVIE POSTER issued by the studio when the film was released and meant for theatrical display. (Italian posters of this size may also be referred to as a 2-sheet because of their size; it is, however, printed on a single sheet.) a.k.a. (an Italian duo foglio.) This is an Original Lithograph Vintage Italian Poster...

This artwork titled " Paris, Place De La Concorde" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered ...

About the artist: Bay Area artist, Carson Gladon's "transparent collages" combine the elements of nature with a mix of computer graphics and traditional painting using vivid and pastel colors. Seeming, "to infuse the techniques of the European impressionists with a hint of the delicacy of a Chinese or Japanese silk screen...

Artist: Manuel Robbe, French (1872 - 1936) Title: Carrot Harvest Year: circa 1955 Medium: Etching with Aquatint, signed in pencil Image Size: 17.5 x 23 inches Size: 24 x 28.5 inches

Original American Red Cross vintage poster. Linen backed and ready to frame. The Red Cross nurse warming thousands, feeding thousands, hea...

Original U.S. one-sheet film poster for The Great St. Louis Bank Robbery, issued in 1959 (NSS 59/54), directed by Charles Guggenheim and John Stix and fea...

This artwork titled "Paysage de Normandie" c.1910 Is an original color aquatint by noted French artist Maurice Levis, 1860-1940. It is hand signed and numbered 245/350 in pencil by the artist. The plate mark (image) size is 17.5 x 24.85 inches, sheet size is 19.75 x 26.75 inches. It is in excellent condition, especially considering the age of the piece. About the artist: Born in Paris on 11 November1860, Maurice Levis was an accomplished landscape and genre painter for nearly sixty years. His career spanned not only the early years of modernism, but also the twentieth century developments of cubism and surrealism. Levis' artistic education began in the late 1870s at the Académie Julian where he studied with Jules Lefebvre. He also studied with Henri Harpignies and with Pierre Billet...

Original American work incentive poster: ‘HE IS RISEN”. Artist: Willared Frederick Elmes. This isn't actually a war/propaganda poster per se, but it was produced by Mather & Co. Elmes was an artist similar to Mather in that they were both prolific with their morale + work incentive posters in the 1930s. Elmes also created other pieces done for the early railway posters. The poster with the stained-glass panel in the back and the ray of light shining in is the last Mather & Company poster printed (1930). All others were printed in 1929 and earlier. The very last in the Work Incentive Mather’s posters...

Original vintage Badajoz Fiesta de San Juan linen backed poster. Very good condition, ready to frame. Printed: Lit. Ortega, Valencia. Archival linen backed. No tears, no stain...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 295. Str...

Original, WHAT WILL YOUR ANSWER BE when your boy asks you -- "Father, - what did you do to help when Britain fought for freedom in 1916?" horizontal, linen-backed, excellent condition ENLIST NOW. Poster showing, in silhouette, a boy in scout uniform addressing his father. This poster was also printed with the same text but using "Ireland" in the text. Iconic British World War 1...

Some of his prints were published by the WPA. it is a wood engraving signed in pencil. From a small edition. Albert Abramovitz (1879-1963), born in Riga, Latvia, on January 24, 187...

Raoul Dufy, French (1877 - 1953) - Pecheurs de crevettes, Portfolio: Album La Mer, Year: 1925, Medium: Lithograph on BFK Rives, signed in pencil, Image Size: 13.25 x 17.25 inches...

Paul GAUGUIN (after) Tahitian Ladies Lithograph and Watercolor stencil Printed signature of the Monogram in the plate On thin vellum 47 x 58 cm (c. 19 x 25 inch) Edited by Jacomet ...