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Artist: Peter Milton
Medium: Etching
Points of Departure: Mary's Turn, by Peter Milton
Points of Departure: Mary's Turn, by Peter Milton

Points of Departure: Mary's Turn, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Peter Milton’s Mary’s Turn reimagines a scene where Mary Cassatt and Edgar Degas engage in a game of billiards, reflecting their real-life friendship and rivalry. Cassatt leans forwa...

Category

1990s Contemporary Etching Interior Prints

Materials

Engraving, Etching

Interiors IV: Hotel Paradise Cafe
Interiors IV: Hotel Paradise Cafe

Interiors IV: Hotel Paradise Cafe

By Peter Milton

Located in San Francisco, CA

Artist: Peter Milton (American, 1930-) Title: Interiors IV: Hotel Paradise Café Year: 1987 Medium: Resist-ground etching and engraving on copper Paper: BFK Rives Image size: 23.5 x ...

Category

1980s Realist Etching Interior Prints

Materials

Paper, Etching

Daylilies, by Peter Milton
Daylilies, by Peter Milton

Daylilies, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Peter Milton’s Daylilies is a haunting meditation on memory, mortality, and the layered complexity of personal and cultural history. Like much of Milton’s work, the print operates le...

Category

1990s Contemporary Etching Interior Prints

Materials

Engraving, Etching

Les Belles et la Bête: Before the Hunt
Les Belles et la Bête: Before the Hunt

Les Belles et la Bête: Before the Hunt

By Peter Milton

Located in Middletown, NY

Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...

Category

1970s American Modern Etching Interior Prints

Materials

Archival Paper, Engraving, Etching

Interiors VII: The Train from Munich
Interiors VII: The Train from Munich

Interiors VII: The Train from Munich

By Peter Milton

Located in Middletown, NY

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

Category

1990s American Modern Etching Interior Prints

Materials

Charcoal, ABS, Engraving, Etching

Les Belles et La Bête I: The Rehearsal
Les Belles et La Bête I: The Rehearsal

Les Belles et La Bête I: The Rehearsal

By Peter Milton

Located in Middletown, NY

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

Category

1970s American Modern Etching Interior Prints

Materials

Archival Paper, Engraving, Etching

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea

By Peter Milton

Located in Middletown, NY

Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...

Category

1980s American Modern Etching Interior Prints

Materials

Engraving, Etching

Interiors VI: Soundings Etching, Surrealist, Signed, 1989
Interiors VI: Soundings Etching, Surrealist, Signed, 1989

Interiors VI: Soundings Etching, Surrealist, Signed, 1989

By Peter Milton

Located in New York, NY

Contemporary artist Peter Milton created this etching and engraving entitled "Interiors VI: Soundings" in 1989. The printed image size is 29 7/8 x 23 13/16 and paper size is 36 x 29 inches. This impression is signed, dated, and titled in pencil and inscribed “93/175” – the 93 impression of 175. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul." – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...

Category

Late 20th Century Surrealist Etching Interior Prints

Materials

Etching, Engraving

Garden With Henry, by Peter Milton
Garden With Henry, by Peter Milton

Garden With Henry, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Medium: Resist Ground Etching & Engraving          Image Size: 9.5 x 12 inches Year: 1993 Signed, titled and numbered by the artist, this print was specially made by Milton to accom...

Category

Early 2000s Contemporary Etching Interior Prints

Materials

Engraving, Etching

Hidden Cities III: Continuum, by Peter Milton
Hidden Cities III: Continuum, by Peter Milton

Hidden Cities III: Continuum, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Peter Milton’s Hidden Cities: Continuum transforms the grandeur of the Galleria Vittorio Emanuele into a layered meditation on architecture, memory, and the passage of time. The Gall...

Category

Early 2000s Contemporary Etching Interior Prints

Materials

Engraving, Etching

Europa, by Peter Milton
Europa, by Peter Milton

Europa, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper Medium: Resist Ground Etching & Engraving Edition of 125 Year: 1982 One o...

Category

1980s Contemporary Etching Interior Prints

Materials

Engraving, Etching

Interiors IV: Hotel Paradise Cafe, Signed Contemporary Etching
Interiors IV: Hotel Paradise Cafe, Signed Contemporary Etching

Interiors IV: Hotel Paradise Cafe, Signed Contemporary Etching

By Peter Milton

Located in New York, NY

“INTERIORS IV : HOTEL PARADISE” Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...

Category

Late 20th Century Contemporary Etching Interior Prints

Materials

Engraving, Etching

INTERIORS IV: HOTEL PARADISE CAFE.

INTERIORS IV: HOTEL PARADISE CAFE.

By Peter Milton

Located in Portland, ME

Milton, Peter (American, born 1930). INTERIORS IV: HOTEL PARADISE CAFE. Milton 110. Resist-ground etching and engraving on copper, 1987. Edition of 175. Signed and dated in pencil. P...

Category

1980s Etching Interior Prints

Materials

Engraving, Etching

INTERIORS VII: THE TRAIN FROM MUNICH

INTERIORS VII: THE TRAIN FROM MUNICH

By Peter Milton

Located in Portland, ME

Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...

Category

1990s Etching Interior Prints

Materials

Engraving, Etching

Les Belles et la Betes II: Before The Hunt, by Peter Milton
Les Belles et la Betes II: Before The Hunt, by Peter Milton

Les Belles et la Betes II: Before The Hunt, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Peter Milton’s Les Belles et la Bête: Before the Hunt shows his ability to weave together fantasy, art history, and the subconscious into a single intricate vision. The print stages ...

Category

1970s Contemporary Etching Interior Prints

Materials

Engraving, Etching

Related Items
"King of the Friendly Islands" (Tonga); Engraving from Captain Cook's 3rd Voyage
"King of the Friendly Islands" (Tonga); Engraving from Captain Cook's 3rd Voyage

"King of the Friendly Islands" (Tonga); Engraving from Captain Cook's 3rd Voyage

By John Webber

Located in Alamo, CA

"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava. This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

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1780s Realist Etching Interior Prints

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Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal

Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal

By John Webber

Located in Alamo, CA

A grouping of four framed engravings of Hawaii, Tahiti, Tonga and Vancouver Island from the atlas of the official British Admiralty sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42. These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

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THE LAMP Vintage Lithograph Poster, 1984, 1st Printing, Civil Rights, Justice
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Located in Union City, NJ

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1980s Contemporary Etching Interior Prints

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GREETINGS FROM THE HOUSE OF WEYHE. Many Known Artists Inside the Gallery

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Located in Santa Monica, CA

MAYBEL DWIGHT (1875 - 1955) GREETINGS FROM THE HOUSE OF WEYHE, 1928 Lithograph, signed in the plate. Image 7 1/8 x 8 3/8” + printed title. Sheet 8 ¼ x 9” as issued. Xmas card iss...

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HONKY TONK Signed Lithograph, 1996, Black Musician Collage Portrait, Guitar
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Located in Union City, NJ

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Kabuki actor Nakamura Shikan II by Utagawa Kunisada Edo Japanese Woodblock Print
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Located in Soquel, CA

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Located in Soquel, CA

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Category

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Materials

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N. Lambert Seigneur de Thorigny: 17th C. Engraved Portrait After Largillière
N. Lambert Seigneur de Thorigny: 17th C. Engraved Portrait After Largillière

N. Lambert Seigneur de Thorigny: 17th C. Engraved Portrait After Largillière

By Nicolas de Largillière

Located in Alamo, CA

This is a 17th century engraving entitled "Messire Nicolas Lambert Seigneur de Thorigny, Conseiller du Roy" by Pierre Drevet after a painting by Noicolas de Largillière, published in Paris in 1698. This portrait depicts a three-quarter length view of Nicolas Lambert de Thorigny, who is dressed in elaborate robes and collar of a wealthy Parisian nobleman of the time. He is seated directed to the left and looking directly at the viewer. He is holding an inscribed note in his right hand. A magnificent billowing curtain is in the background. Lambert's coat of arms is shown in the center of the lower inscription area. In the inscription area is lettered with title, production detail: "Nic. Largilliere pinxit" and "Petr. Drevet sculpsit", and publication detail: "Se vend a Paris chez Drevet rüe du Foin au coin du College de Maître Gervais". Nicolas Lambert, Seigneur de Thorigny (1600-1664), was a French nobleman and military commander who lived in the 17th century. He served in the French army during the Thirty Years' War, a conflict that took place from 1618 to 1648 and involved many European powers. Lambert fought in several battles during the war and rose to the rank of colonel. After the war, Lambert returned to France and became involved in politics. He served as a member of the Estates General, a legislative body that advised the king, and as a governor of several provinces. He was a counsellor and confidant of King Louis XIV. He had the title of Président de la Chambre des Comptes. He also became a member of the French Academy of Sciences, a prestigious institution that promotes scientific research and scholarship. Lambert was known for his military expertise, his intelligence, and his commitment to public service. He iInherited the Hôtel Lambert in Paris from his brother Jean Baptiste in 1644 and hired some of the most prominent artists of the time, including Charles Le Brun to decorate and furnish the building. This beautiful old master engraving was created with impressive detailed technique. It is printed on laid, chain-linked paper. The sheet measures 18.5" high and 13.38" wide. The sheet is adhered to an archival backing paper at the top. There is a faint horizontal center fold and mild discoloration in the inscription area and in the upper margin on the right, with mild wrinkling here. The print is otherwise in very good condition, considering its age. This engraving is so rare, that no comparable prints could be identified for sale online. It is currently only listed in museum collections, including: The Metropolitan Museum of Art, The British Museum, The Louvre, The Riksmuseum, The Victoria & Albert Museum, The Fitzwilliam Museum at the U. of Cambridge, The Boston Museum of Fine Arts, Harvard Art Museums, The Finnish National Museum, The Philadelphia Museum. It is shown in the Metropolitan Museum's Cataloque of French paintings entitled: "French Paintings in The Metropolitan Museum of Art, published in 2018, page 36. The page is included in the photos. Nicolas de Largillière (1656-1746) was a French portrait painter who achieved great success and acclaim during the late Baroque and Rococo periods. He was born in Paris and trained under the painter Antoine Goubeau. He studied in Antwerp and London before returning to France. While in England he was a favorite painter of King Charles II and King James II of England...

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Late 17th Century Etching Interior Prints

Materials

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"Sanity Hearing" Satirical Etching
"Sanity Hearing" Satirical Etching

Charles Bragg"Sanity Hearing" Satirical Etching, circa 1980

$440Sale Price|20% Off

H 20.32 in W 22.63 in D 1.25 in

"Sanity Hearing" Satirical Etching

By Charles Bragg

Located in Soquel, CA

"Sanity Hearing" Satirical Etching Satirical etching by Charles Bragg (American, 1931-2017). This scene depicts a chaotic courtroom, ostensibly the location of this "Sanity Hearing." A man wearing a suit of armor sits with his hand raised taking an oath of honesty on top of three books labeled "Bible," "Holy Bible," and "Cookbook." The judge sits behind him, holding a fly swatter with a glass tankard of beer in front of him. A man in the bottom right corner reads the Bill of Rights but he holds it upside down. Other guests of the courtroom include multiple kittens, a man gnawing on the bench, and a toucan on a leash. Numbered as "104/300" in bottom left corner. Titled "Sanity Hearing" in center edge. Signed "Charles Bragg" in bottom right corner. Frame size: 20.32" H x 22.63" W Image size: 10.27" H x 12.75" W Charles Bragg (American, 1931-2017) was a painter, sculptor, and illustrator of commentary on human behavior, based out of Los Angeles, California. Bragg often injected his sense of humor and appreciation of satire into his subjects, many of which are cartoonish and seem half human and half animal. He also depicted serious subjects, ones that become poignant commentaries on the human condition. Bragg was born in St. Louis Missouri in 1931. His parents were vaudeville performers, and he spent most of his young life traveling on tour with them. During his teenage years, he went to New York's High School of Music & Art in Harlem. At 18, he ran away with his high school sweetheart, fellow artist Jennie Tomao...

Category

1980s Other Art Style Etching Interior Prints

Materials

Paper, Ink, Etching

Le Chat et Les Fleurs
Le Chat et Les Fleurs

Le Chat et Les Fleurs

By Édouard Manet

Located in Middletown, NY

Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...

Category

1860s Realist Etching Interior Prints

Materials

Etching, Aquatint

Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato
Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato

Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato

By Giovanni Volpato

Located in Alamo, CA

This is an original 18th century hand-colored framed copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and v...

Category

Late 18th Century Old Masters Etching Interior Prints

Materials

Engraving

New Orleans Go Greyhound original vintage travel poster
New Orleans Go Greyhound original vintage travel poster

New Orleans Go Greyhound original vintage travel poster, 1960s

$580Sale Price|20% Off

H 38.25 in W 28 in D 0.05 in

New Orleans Go Greyhound original vintage travel poster

Located in Spokane, WA

Orignal NEW ORLEANS GREYHOUND vintage travel poster; larger format size. Excellent condition that has acid-free archival linen backing; ready to frame. This image is from the old French Quarter section of New Orleans. It features two women entering into the courtyard and in the background, the old stairs leading to the upstairs area. A bright and colorful image that would compliment any room or office. A great New Orleans vintage poster...

Category

1960s American Modern Etching Interior Prints

Materials

Offset

Previously Available Items
Garden With Henry
Garden With Henry

Garden With Henry

By Peter Milton

Located in Palm Springs, CA

Signed, titled and numbered by the artist,, this print was specially made by Milton to accompany the deluxe edition of Henry James' The Aspern Papers. Peter Milton is one of the mos...

Category

Early 2000s Contemporary Etching Interior Prints

Materials

Engraving, Etching

Io and Jupiter

Io and Jupiter

By Peter Milton

Located in Palm Springs, CA

Signed, titled and numbered in pencil from the edition of 100. Image of a young nude woman with the sun and breeze entering her room. It refers to the Greek myth about one of Jupite...

Category

Early 2000s Contemporary Etching Interior Prints

Materials

Engraving, Etching

Interiors I: Family Reunion
Interiors I: Family Reunion

Peter MiltonInteriors I: Family Reunion, 1984

Sold

H 30 in W 45.5 in D 0.1 in

Interiors I: Family Reunion

By Peter Milton

Located in Long Island City, NY

Artist: Peter Milton, American (1930 - ) Title: Interiors I : Family Reunion Year: 1984 Medium: Etching and engraving, signed, numbered, dated, and titl...

Category

1990s American Modern Etching Interior Prints

Materials

Etching, Engraving

Etching interior prints for sale on 1stDibs.

Find a wide variety of authentic Etching interior prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add interior prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Robert A. Birmelin, George Cruikshank, Peter Milton, and Franco Gentilini. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching interior prints, so small editions measuring 0.1 inches across are also available Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $250,000, while the average work can sell for $788.