1965-66
Ufizzi Gallery etching by Julian Trevelyan
By Julian Trevelyan
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Etching
$2,488
H 14.18 in W 18.12 in
Julian Trevelyan, Notre Dame de Paris, etching and aquatint
By Julian Trevelyan
Located in London, GB
Julian Trevelyan (1910-1988) Notre Dame Etching and aquatint, stamped signature, numbered 42/50 35 x 48 cm Nephew of the historian G M Trevelyan, he was educated at Bedales and Tri...
Etching, Aquatint
View of Florence, Modern Folk Lithograph by Guy Charon
By Guy Charon
Located in Long Island City, NY
View of Florence Guy Charon, French (1927) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 250, EA Image Size: 18 x 22 inches Si...
Lithograph
View of Florence, Modern Lithograph by Guy Charon
By Guy Charon
Located in Long Island City, NY
Guy Charon, French (1927 - 2021) - View of Florence, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 18 x 22 inches, Size: 22 x 3...
Lithograph
$2,349
H 13.78 in W 18.9 in D 0.4 in
Julian Trevelyan, Westminster, Etching and Aquatint
By Julian Trevelyan
Located in London, GB
To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...
Etching, Aquatint
$1,313
H 14.57 in W 20.08 in
Caius College Cambridge: Julian Trevelyan - lithograph Modern British Art
By Julian Trevelyan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Julian Otto Trevelyan, RA (1910 -1988) Caius College II, Cambridge (1959/1962) Signed by the artist and inscribed in pencil Artist's Proof, aside from the edition of 70. The edition consisted of 70 numbered proofs and 30 artist’s proofs. We also have listed one of the 70 numbered proof prints, which is in a purple colourway - rather than the blue here. 37x51cm (14.5×20 inches) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex...
Lithograph
Florence Ponte Vecchio etching by Valerie Thornton
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Valerie Thornton (1931 - 1991) Ponte Vecchio, Florence (1972) Etching and aquatint 33 x 20 cm Numbered 1/60 lower left, titled below, and signed and dated lower right, all in pencil. Here, Thornton muses on the dramatic differences in tone and texture between the water of the River Arno, the smooth paleness of the Ponte Vecchio, and the dark terracotta of the city's roofs. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture. Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Center. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers. Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael...
Etching, Aquatint
$1,313
H 14.57 in W 20.08 in
Caius College Cambridge: Julian Trevelyan - lithograph Modern British Art
By Julian Trevelyan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Julian Trevelyan, RA (1910 -1988) Caius College II, Cambridge (1959/1962) 37 x 51 cm Signed by the artist and numbered 4/70 in pencil. The edition consisted of 70 numbered proofs and 30 artist’s proofs. This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College, and Sidney Sussex...
Lithograph
Venice Cityscape - Lithograph - 1960s
Located in Roma, IT
Venice Cityscape is an original lithograph on paper realized in 1960 ca. by an anonymous artist of the 20th Century. Hand-signed on the lower right in pencil, illegible. Numbered ...
Paper, Lithograph
$236
H 19.1 in W 13.39 in D 0.04 in
The Cathedral - Offset Print by Franco Gentilini - 1970s
By Franco Gentilini
Located in Roma, IT
The Cathedral is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in the 1970s. The state of preservation of the artwork is...
Paper, Offset
Duomo (Florence)
By Julian Trevelyan
Located in Fairlawn, OH
Duomo (Florence) Etching & aquatint , 1965-66 Signed, titled and annotated "artist's proof" (see photos) Edition: 100, this impression an artist's proof Reference: Silvie Turner. Ju...
Etching
The Duomo, Florence
By Donald Shaw MacLaughlan
Located in Fairlawn, OH
The Duomo, Florence Watercolor, 1914 Signed and dated lower center edge (see photo) Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. Condition: Excellent Image size: 16 3/4 x 14 1/2 inches Frame size: 24 1/4 x 22 inches Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters. Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year. He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...
Watercolor
Palazzo, Florence
By Rudy O. Pozzatti
Located in Fairlawn, OH
Palazzo, Florence Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954 Signed in pencil lower right (see photo) Edition 250 plis 10 on Rives wove paper, printed by the artist Published by The Print Club of Cleveland, No. 33 for 1955 REFERENCE: Geske #32 Condition: Mint Image size: 9 3/16 x 13 1/8 inches Impressions of this image can be found in the following museums: National Gallery of Art, Washington Toledo Museum of Art Oberlin, Allen Museum of Art Cornell Univeristy Cleveland Museum of Art Indianapolis Museum of Art Baltimore Museum of Art Georgetown University Indiana Univeristy, Eskenazi Museum of Art David Museum of Art at Wellesley College "Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...
Aquatint
City Scene, XXe Siecle, famous French woman artist, 1966
By Maria Helena Vieira da Silva
Located in Fairlawn, OH
Ville espagnole (Spanish City) Color lithograph on wove paper, 1966 Unsigned (as issued) Unsigned and unnumbered, as issued Printed by Mourlot, Paris Published by Gualtieri di San La...
Lithograph
Ponte Vecchio Florence
By Robert Hallowell
Located in Fairlawn, OH
Ponte Vecchio Florence Oil on canvas, 1927 Signed and dated lower right corner Titled upper left NOTE: this offering is UNFRAMED Condition: Excellent Conservation by Monica Radecki, ...
Oil
Italian Cityscape
By Victoria Hutson Huntley
Located in Fairlawn, OH
Italian Cityscape Pastel on Strathmore paper, 1968 Signed and dated lower right with the estate signature with the initials RH Image size: 13 3/4 x 10 inches Condition: Excellent Pro...
Pastel
