Realist Landscape Prints

HM King Charles III (b.1948) Windsor Castle North Aspect 1995 Limited Edition Lithograph Printed by the Curwen Press Image: 23.0 x 41.0 cm Frame: 39.0 x 55.5 cm King Charl...

DAVID ROBERTS RA Tiberias Looking Towards Hermon 1796 - 1864 First Edition and Subscription Edition lithographs available Full plate: 38 Presented in a acid free mount Modern hand-...

Christopher Pratt (1935-2022) is one of Canada’s most prolific and recognizable Maritime artists. Born in St. John's, Pratt has dedicated the majority of his artistic practice to d...

This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...

OLD STONE BRIDGE II is an original, hand drawn stone lithograph printed using hand lithography techniques on archival Arches paper 100% acid free paper, by the artist Ido Ben-Porat. ...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 44 x 62 cm This engraving was originally published by the Society of Antiquaries of London, an...

This realistic limited edition print by John Harris captures a close up view of water rippling over rocks in a riverbed. Natural light reflects off the surface of the water, enhancin...

High Quality Print of New York Rain III Painting by leading British Urban Artist, Angela Wakefield. Part of her New York Series. Hand signed by the artist. Art measures 16 x 12 inc...

"Mapping the Walk, July 2015" by Judith Allen-Efstathiou is an exquisite photographic cyanotype print in deep blue and white of wildflowers abstracted printed on mulberry paper and m...

HM King Charles III (b.1948) Wensleydale From Moorcock Limited Edition Lithograph Printed by the Curwen Press Image: 24.0 x 38.0 cm Frame: 40.0 x 51.0 cm King Charles III i...

This is a framed original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high, 30.5" wide and 1.25" deep. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...

Paris: Gazette des Beaux-Arts, 1856. Drypoint etching on cream laid paper, 4 7/8 x 8 3/8 inches (124 x 245 mm), full margins. In good condition with light uniform age tone. Fourth s...

Subscription edition lithographs in stock Full plate: 8 Presented in a acid free mount The Mosque of Omar, more usually known as the Dome of the Rock, was built by Caliph Abd-el-Mal...

This is an original 19th century duotone lithograph entitled "Edfou, Nov. 24, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London...

Limited Edition Print of Chrysler Building New York City NYC by Contemporary British Artist, Angela Wakefield. This is a striking, colourful and vibrant depiction of the Chrysler Bui...

High Quality Print of New York Rain III Painting by leading British Urban Artist, Angela Wakefield. Part of her New York Series. Hand signed by the artist. Art measures 16 x 12 inc...

Parisian Café Eiffel Tower Paris France Limited Edition Print by British Artist. A high quality limited edition print of Angela's European Series, incorporating the Eiffel Tower - on...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 60 x 44 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter Architectural fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter Architectural details of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an o...

From the Pasture Paper, etching, 13x19 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

James Basire & Robert Blemmel Schnebbelie The Holy Sepulchre at Northwold in the county of Norfolk Engraving 45 x 60 cm This engraving was originally published by the Society of ...

James Basire & Robert Blemmell Schnebbelie The Holy Sepulchre at Heckington in Lincoln Engraving 45 x 30 cm This engraving was originally published by the Society of Antiquaries ...

A set of three hand-colored engravings from "Metropolitan Improvements; or London in the Nineteenth Century", published in London, England in 1828. The scenes were drawn by Thomas Ho...

David Roberts RA The Entrance to the Citadel of Cairo 1796 - 1864 Subscription & first edition lithographs in stock Full plate: 228 Presented in an acid free mount The viewpoint is ...

Subscription Edition lithograph Full plate: 16 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F....

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

Available in subscription edition Full plate: 24 Presented in a acid free mount We have both Subscription and First Edition lithographs in stock. The subscription edition was printe...

This artwork Titled "Wind Chimes #2" 1983 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 30.25 x 22.75 inches, sheet size is 32.75 x 25.25 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

This artwork titled "Kreuzenstein Courrtyard, Austria" c. 1960 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil by the artist at the lower center. The image (plate mark) size is 15.75 x 17.35 inches, framed size is 25.25 x 26 inches. Custom framed in a wooden antique silver frame, with decorated matting. It is in excellent condition, the colors are fresh and bright, the frame has minor restorations, practically invisible. About the artist. Born in Vienna in 1914, Robert Kasimir began drawing at age 4, taught by his grandfather Alois. He made his first etching at age 5. He graduated from Vienna schools and attended the Technological College before switching to the Academy for Graphic Art, where he studied under Professor Hans Frank, a painter and graphic artist. Robert inherited the talent of his famous parents. His technique and subject matter are quite similar to those of his father. He signed his early etchings with the pseudonym "F.O. Robert" until he became established as a successful artist in his own right. Only then did he begin signing his etchings with his own name. In 1936 he came to the United States for a year of study at the Academy of Fine Arts, Philadelphia. During that year he made drawings for his American etchings, including the Capitol in Washington, Yale University, Broad Street, New York, and the University of California in Berkeley. He completed the actual etchings after his return to Vienna. In 1938 he was drafted into the army. He was sent to several fronts (Belgium, Holland, France, Russia) as a war reporter. He did many drawings during the war. In 1945 he returned to Vienna. For the next several years industrial commissions comprised most of his work, though he did several of his Viennese and Austrian scenes such as the Vienna Opera House...

ABSTRACT ARCTIC LANDSCAPE is an original, hand drawn stone lithograph printed using hand lithography techniques on archival Arches paper 100% acid free paper, by the artist Ido Ben-P...

This artwork titled "Golden Gate, San Francisco, California" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand sig...

This is an original 19th century duotone lithograph entitled "Part of the Ruins of a Temple on the Island of Bigge, Nubia" in southern Egypt by David Roberts, from his Egypt and Nubi...

This realistic nautical limited edition print by Michel Brosseau captures the bow of a ship, with the sail tied down and a lightly cloudy blue sky behind it. The artist pays hyper at...

STEAM TRAIN is an original, hand drawn, limited edition lithograph by the American painter Wayne Cooper printed in NYC using traditional hand lithography ...

David Roberts RA Interior Of The Mosque Of The Sultan Hassan 1796 - 1864 Subscription Edition lithograph Full plate: 220 Presented in a acid free mount Open media 1 in modal Regular...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. We also have a series of prints and original oil paintings by Trevelyan. Julian Otto Trevelyan, RA (1910 -1988) Peterhouse, Cambridge College (1959/1962) Proof print aside from the edition of 70. Signed by the artist and numbered in pencil. 38 x 44 cm (15×17 in.) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex...

This is a coastal Limited Edition print titled "Beach Along Dune Road" by Daniel Pollera. The print depicts a sandy walk with wooden fencing and grass on either side, leading to a beach with two Adirondack chairs and a beach umbrella overlooking a body of water and hills on the horizon. Light clouds float in a blue sky, and clusters of sailboats can be seen on the water. This Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and ready to hang. Other floater frame options are available in gold, black, white, and walnut. For additional sizes and alternate frame options, please contact us. This print comes with a Certificate of Authenticity and ships for free. The artist granted permission to Sorelle Gallery to produce his Limited Edition prints which are printed with pigment ink on a Premium Fine Art Matte Canvas 410g/m2, designed to meet museum longevity requirements and ensure consistency. Please allow additional time for printing prior to shipping. Daniel Pollera was born in 1953 in the coastal town of Freeport, New York. His interest in art began at a very young age, gravitating toward drawing and painting the surrounding coastline of Long Island. After a short study at SUNY Farmingdale in Commercial Art, he left to enter the family business. For almost 15 years, Daniel took a sabbatical from painting, but this didn’t affect his love for the sea. He obtained a Captain’s License in 1977 from the United States Coast Guard and took passengers for hire on the open ocean. Through this experience and visual knowledge he was drawn to begin painting again. Although Daniel was primarily self-taught, he worked with Frances Norris Streit, a portrait and mural artist, assisting her on a 14’ x 30’ historical mural for the Roslyn Savings Bank. He also studied with Everett Molinari, a well-respected President of the National Mural Society. Museum collections include Long Island Museum, Parrish Art Museum, and Guild Hall Museum. Daniel split his time between his home in East Quogue...

Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...

Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...

Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed winter landscape drawing depicting a snow covered hilltop with a lone, English style horseback rider and nature details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth. Print size - 32 x 27 inches, unframed, excellent condition, hand signed in pencil by Peter Sculthorpe, numbered PP (Printers Proof) aside from the edition of 275 Edition size - 275, plus proofs Year published - 1989 Printer - J K Fine Art Editions Co. NY Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...

This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...

This is an original 19th century duotone lithograph entitled "Lateral View of the Temple Called the Typhonaeum at Dendera" by David Roberts, from his Egypt and Nubia volumes of the l...

Etching, 1908. Image Dimensions: 30 x 17 cm Hand signed and signed on plate. Provenance: Galleria Prandi 26/10/1976. Jean-Émile Laboureur was a French painter, illustrator and engra...

Jean-Emile Laboureur (1877-1943), Dimanche en Bretagne, etching, 1939, signed in pencil lower left and inscribed “ep d’artite” lower right. Reference: Laboureur 543, second state (of...

DAVID ROBERTS RA Jacob’s Well at Schechem 1796 - 1864 First Edition lithograph Full plate: 40 Presented in a acid free mount Modern hand-coloured lithograph for the first edition o...

PROJECT FOR A FOLLY IN A PARK 1989 is an impressive, finely detailed architectural drawing image depicting a garden folly structure. PROJECT FOR A FOLLY IN A PARK 1989 presents a fin...

This is an original 19th century duotone lithograph entitled "Ruins of Karnack" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by ...

Artist: David Smith-Harrison– American (1959-) Title: Orchard Year: circa 1988 Medium: Multiple Plate Intaglio etching Plate size: 19.75 x 27.5 inches. Sheet size: 26.5 x 35.5 inches. On Arches Cover White paper Matted size: 28.75 x 37.25 inches Framed Size: 31.25 x 38.75 inches Signature: Signed lower right Edition: 2nd state. Edition of 85. This one: 5/85 Condition: Very good This large etching is by the noted American artist David Smith-Harrison (1959-). It is framed with a light olive green linen mat. It is signed in the lower right and titled and numbered in the lower left margin, all in pencil. The print is in excellent condition, not examined out of the frame. The frame is in very good condition with a few very tiny, virtually invisible nicks. David Smith-Harrison’s approach to printmaking relies on drawing and alludes to past renaissance style architecture. He was awarded the Utah State Sterling Scholarship, before going on to be educated at the South Glamorgan Institute in Cardiff, Wales and at the University of Utah. He has participated in numerous shows, nationally and internationally. Juried exhibitions include Ashland University Printmaking Invitational Exhibition in Ohio, National Printmaking College of New Jersey, Trenton, Tokyo International Mini-Print Triennial, Japan, Society of American Graphic Artists at Federal Plaza, New York and US-UK Print Connection, Barbican Centre in London. COLLECTIONS (partial list) The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, San Francisco, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan The Cleveland Museum of Art, Cleveland Ohio EDUCATION 1984 University of Utah, Salt Lake City, Utah 1983 South Glamorgan Institute, Cardiff, Wales, U.K. 1977-78, 1981-83 Utah State University, Logan, Utah 1977 Utah State Sterling Scholar SOLO EXHIBITIONS 2014 Old Town Gallery, Park City, Utah 2007 Waterworks Gallery, Friday Harbor, WA 2006 The Dovetail Collection, Healdsburg, CA 2005 Couturier Gallery, Los Angeles, CA 2005 Tula Prints, Cordoba, Spain 1999 The Artful Eye, Calistoga, CA 1998 The Artful Eye, Healdsburg, CA Evolving Space, San Francisco, CA Hallside Gallery, Univerity Medical Center, Salt Lake City, UT 1997 Evolving Space, San Francisco, CA 1996 Couturier Gallery, Los Angeles, CA Evolving Space, San Francisco, CA 1995 Pioneer Memorial Theatre, University of Utah, Salt Lake City, Utah Rasmussen Art Gallery, Pacific Union College, Angwin, CA 1994 J.D. Neumann, San Francisco, CA 1993 Sala d'art Josep Bages, Torre Muntadas, El Prat de Llobregat, Barcelona, Spain LeCelle Gallery, San Anselmo, CA 1990 Loge Gallery, University of Utah, Salt Lake City, Utah 1988 Contemporary Realist Gallery, San Francisco, CA Old Town Gallery, Park City, Utah GROUP EXHIBITIONS (selected) 2004 Studio 7 Gallery, Pleasanton, CA 2003 Studio 7 Gallery, Pleasanton, CA Waterworks Gallery, Friday Harbor, WA The Hayward Arts Council, Hayward, CA 2002 Present Art IX, Couturier Gallery, Los Angeles, CA 1999 Richard Reed Armstrong, Chicago, Illinois Ashland University Printmaking Invitational Exhibition, Ashland University, Ashland, OH University of Dallas National Print Invitational, Waco, TX 1998 Waterworks Gallery, Friday Harbor, WA Religious and Spiritual Art of Utah, Springville Museum of Art, Springville, UT Printmaking: People and Process, The California Society of Printmakers, Contra Costa College, CA 1997 Long Beach Museum of Art, Long Beach, CA Pacific Edge Print Exhibition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beauty's Plea, Long Beach Museum of Art, Long Beach, CA Davidson Gallery, Seattle, WA Art and Architecture, Nortel Northern Telecom, Santa Clara, CA Beyond Boundaries Preview Exhibition, Bank of America Concourse Gallery, San Francisco, CA Printwork /96, Barrett House Galleries, Dutchess County Art Association, Poughkepsie, NY Network General, Architecture in Art Exhibit, Menlo Park, CA 1995 Present Art III, Couturier Gallery, Los Angeles, CA Synopsys Inc., Architecture in Art Exhibit, Mountain View, CA Waterworks Gallery, Friday Harbor, WA 1994 Gump's Gallery, San Francisco, CA Bartlett Gallery, Pleasanton, CA 1993 Evergreen Graphic Art Association, Taipei Cultural Center, Taipei, Taiwan Republic of China 1990 Gump's Gallery, San Francisco, CA 1989 Intaglio, New Mexico State University, Las Cruces, NM 1988 Contemporary Works on Paper, William Gallery, St. Helena, CA Ornamentation in Architecture, American Institute of Architects San Francisco Chapter, San Francisco, CA 1987 Intaglio, Lawson Galleries, San Francisco, CA Fine Print Exhibition, Convergence Gallery, San Francisco, CA JURIED EXHIBITIONS (selected) 2005 Impressions: Matrix and Image, Alameda Art Center, Alameda, CA 2004 Delta National Small Prints Exhibition, Arkansas State University 2003 Delta National Small Prints Exhibition, Arkansas State University 1999 Ashland University Printmaking Invitational Exhibition, Ashland, OH 1998 74th Utah Spring Solan, Springville Museum of Art, Springville, UT 1997 The 15th University of Dallas National Print Invitational, University of Dallas, Irving, TX From Coast to Coast, Center for Visual Arts, Oakland, CA Janet Turner National Print Competition, Janet Turner Print Gallery and CA State University, Chico, CA The Fantastic Image, the Art of Intaglio, CA Society of Printmakers, Vallejo Community Arts Foundation, Vallejo, CA 73rd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Edge Print Competition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beyond Boundaries, North America Printmaking Exhibition, San Francisco, CA Printwork 96, Barrett House Galleries, Dutchess County Art Association, Poughkeepsie, NY 72nd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Prints 1996, 8th Biennial Print Competition and Exhibition, Palo Alto, CA 1995 Janet Turner National Print Competition, Janet Turner Print Gallery and CSU Chico, CA Tokyo International Mini-Print Triennial '95, Tokyo, Japan Impressions: The Medium Extended, ProArts, Oakland, CA 71st Utah Spring Salon, Springville Museum of Art, Springville, UT Print & Draw: Biennial, Triton Museum of Art, Santa Clara, CA 1994 10th Annual Exhibition, Part II, Berkeley Art Center Association, Berkeley, CA 1st Internet Art...

This is an original 19th century duotone lithograph entitled "Entrance to the Temple of Amun, Thebes" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...

This is an original 19th century duotone lithograph entitled "Grand Approach to the Temple of Philae, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edi...

This is an original 19th century duotone lithograph entitled "Ruins of the Temple of Medamout, Near Thebes" by David Roberts, from his Egypt and Nubia volumes of the large folio edit...

New York Sunshine Figurative Cityscape Limited Edition Print of 'New York Woman' - Cityscape Painting by Leading British Urban Landscape Artist. 'New York Woman' illustrates Angela W...

Limited Edition Print of Chrysler Building New York City NYC by Contemporary British Artist, Angela Wakefield. This is a striking, colourful and vibrant depiction of the Chrysler Bui...

Limited Edition Print of Westminster from Trafalgar Square with Big Ben, London, by leading British urban landscape artist, Angela Wakefield. Print measures 12.5 x 10.5 inches Pape...

This is an original 19th century duotone lithograph entitled "General View of the Island of Philae, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio editi...

This is an original 19th century duotone lithograph entitled "Group of Nubians at Wady Kardassy" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...