19th Century Prints and Multiples

In the golden twilight of the 19th century, when print culture merged with the rising tide of decorative modernism, Alphonse Mucha emerged as a visionary who would forever redefine t...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall lithograph is presented in a cream-colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tuko-See-Mathla, A Seminole Chief, No. 106", published by Rice, Rutter & Co. in 1865. For his portrait, painted by Charles Bird King, Tuko-See-Mathla wore a colorful outfit, primarily of red and blue with tassels and a matching headdress, a necklace including his presidential peace medal, two metallic bands on each arm, beautiful high moccasin boots and he carries a rifle. He appears to be standing in a desert landscape. This original beautifully hand-colored McKenney and Hall lithograph is presented in a cream colored mat (adhered at the top), suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is one tiny spot in the lower portion of the left and right margins and minimal discoloration at the left and right edges (obscured by the mat), but the print is otherwise in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

Ménagerie Parisienne is an Original Lithograph realized by Gustave Doré (1832-1883). Very good condition included a white cardboard passpartout (50x62.5 ...

This is an original 19th century duotone lithograph entitled "The Great Temple of Aboo Simble, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Hyland Ellis The Gay Parisienne, 1897 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 123 of "Les Maîtres de l'Affic...

The Prince of Borbone is an original lithograph by Antonio Zezon. Naples 1851. Interesting colored lithograph which describes the Prince Francesco II di Borbone riding his horse, in...

Portrait of Rembrandt's Mother is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt. This wonderful piece of art belongs to a late ed...

Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...

Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 3 1/2 x 6 7/8 inches (88 x 175 mm...

Medium: original etching. This impression was published in Boston in 1887 by Estes and Lauriat for the "Nature and Art" portfolio and is printed on cream laid paper. Size: 4 3/4 x 6 ...

Théophile-Alexandre Steinlen's "Motocycles Comiot Paris" poster, created for Les Maîtres de l'Affiche as plate number 190, is a remarkable work of poster art from the period. Théoph...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Arctic Tern is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by L...

Colour lithograph, 1890. 210mm by 285mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Etching and aquatint realized by Henry Alken in 1822. Table from "The Sporting Repository", first edition. Very good condition. Henry Alken (1765-1851) was en english painter and e...

Rouen: Rouen Augé, 1880. Etching and engraving on Arches laid paper with a partial watermark, 9 3/4 x 6 1/4 inches (241 x 157 mm), full margins. In very good condition with an exper...

Conversation Lithograph, 1893-1894 Signed and numbered in pencil lower left (see photo) Edition: (57/100) 100 Printed on wove paper Published by Edouard Kleinmann An early Nabi schoo...

Toyokuni III A Modern Shuihuzhuan / Kinsei Suiko Den 近世水滸伝 夏目子僧新助 Tattoo Size: Oban 36 x 25 cm 文久2年（1862） 　

Alphonse Mucha's "Gismonda" poster, featured as Plate 27 in "Les Maîtres de l'Affiche," stands as a testament to the harmonious convergence of visual arts and theatrical brilliance. ...

Whistler, James A. M. OLD WESTMINSTER BRIDGE. Etching and Drypoint, 1859. Glascow 47,Kennedy 39 .Third State of four. Printed on thin laid paper with watermark (Pro Patria?). The dry...

'A Galop with Jem Hills from Bradwell Grove' Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter. 340mm by 430mm (sheet)

This image was an integral part of the Maitres de L'Affiche series of posters created for a subscription audience in the late 1890's. It showcased the most influential posters of the...

"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...

'Cactus' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand an...

1866 Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...

'1. Parnassius apollo 2. Aporia cratoegi' Late 19th century colour lithograph of butterflies.

Ancient View of Niagara Falls is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in capital lett...

Lancaster Castle is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters:...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Jesus College...

This 1895 original poster by Maurice Réalier-Dumas was created to promote Champagne Jules Mumm & Co and was featured in the prestigious "Les Maîtres de l’Affiche" (Plate 111) series....

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Landscape is an original artwork realized by Pio Joris, in 1870s. Beautiful etching on ivory paper. conditions: diffused foxings. Pio Joris (1843 - 1921) was an Italian painter, e...

'1. 2. Catagramma astarte 3. 4. Haematera pyramus' Late 19th century colour lithograph of butterflies.

'Basilica di St Maria Maggiore. Veduta della facciata principale' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870...

"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...

Fish and seahorse, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...

Fine print with sheet in perfect conditions, on vélin blanc fort, belonging to the Bertauts Edition. Perfect and vivid impression. Full margins. Ref. Delteil 2. Prov. Collection Hen...

Zorn and His Wife. 1890. Etching. Hjert and Hjert catalog 31 state ii. 12 1/2 x 8 3/8 (sheet 23 1/2 x 18). Edition 40-50. A fine impression on simili-Japan paper. Signed in pencil. ...

Artist: Louis van Houtte (Belgian, 1810-1876) Titles: "Azalea Indica vittata (Rhododendron Indicum) (Vol. 9, Plate 887)", "Azalea Ind. Crispiflora (Rhododendron Indicum) (Vol. 9, Pla...

Ethel REED (1874-1912) The Quest of the Golden Girl, 1897 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4"...

Lithograph on paper realized in 1862. Hand colored. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws, o...

'Gloxinia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

JEAN-BAPTISTE CAMILLE COROT (1876 - 1875) LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42) Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....

Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1] ______ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...

Steinlen, Theophile "Lait Pur Sterilise de la Vingeanne" Original lithograph, c. 1894 Rennert 12 Printed by Charles Verneau, Paris Bright Fresh Colors, RARE...

Pierre-Auguste Renoir Le chapeau épinglé - 3e planche (Delteil, Stella 8), circa 1894 Etching on laid paper. Signed in the plate lower left. From La Vie Artistique by Gustave Geffroy...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Le Soldat Du Chene, An Osage ...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Medium: lithograph (after the original menu illustration). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 12 1/4 x 9 inches (310 x 230 mm). The artist was also known as Henry Gerbault...

Everywhere Eyeballs Are Ablaze is an original lithograph on Chine collé, realized by Odilon Redon in 1888, plate 7 “Les tentations de St.Antoine”(1ère série), unique state, 1st edition printed...

The Rob Roy Tartan Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.

Antique hand colored engraving of grass or Panicum Sanguinale by W.Curtis, circa 1820. Artwork was intended to be actual size of specimen. Original artwork on paper displayed on a w...

Christo and Jeanne-Claude, Bulgarian (1935 - 2020) - Running Fence Postcard, Medium: Postcard, signed in marker, Size: 4 x 6 in. (10.16 x 15.24 cm), Description: Image by Wolfgang V...

This exquisite lithographic portrait depicts Her Imperial Majesty, Empress Alexandra Feodorovna, consort of Nicholas II, the last Tsar of Russia. Rendered in finely detailed monochrome, this original poster was commissioned by the renowned French department store Le Bon Marché as a commemorative tribute to the Russian empress—an exceptional symbol of imperial elegance, international diplomacy, and Franco-Russian cultural exchange in the late 19th century. The Empress is portrayed with striking poise and regal serenity. Her attire is unmistakably that of a Romanov sovereign: adorned with an opulent kokoshnik tiara...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 10 3/8 x 5 inches (263 x 125 mm). Sheet size: 11 ...

'Picotees' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...