Etching Portrait Prints

Electronic Man by Max Papart French (1911–1994) Date: circa 1982 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of HC Image Size: 22 x 29.5 inches ...

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...

Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and...

Leonard Tsuguharu FOUJITA The Fortune Teller, 1960 Original woodcut Signature printed in the plate On vellum 37 x 28 cm (c. 15 x 11 in) REFERENCES : Catalogue Raisonne Sylvie Buiss...

Artist: Pablo Picasso Title: Head of a Man in Broken Lines (Plate XXXIV) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18...

Edouard MANET (after) Spanish Guitar Player, 1873 Original Etching Engraved by Courtry under the supervision of MANET Printed signature in the plate ...

Etching and aquatint in colors on wove paper. Hand signed in pencil lower right. Signed and titled in plate lower center. Superb impression in vibrant colors. Full margins.  A st...

Self-Portrait is an etching realized by Edouard Dufeu (1840-1900). Proof artist. Signed and dated on the upper left corner. Edouard Jacques Dufeu , bo...

Judith Grasping The Head Of Holofernes By The Hair And Looking To The Left, and Old Woman to the Right. circa 1640 Etching on cream laid paper with a foolscap watermark, 10 x 7 inche...

A young female angel contemplating thorny rose.Signed, titled and numbered from the edition of 10. While the images have some resemblance to traditional Japanese Ukiyo-e prints, thei...

Jim DINE (1935) Nancy outside in july XIV (Wrestling with Spirits), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 19 / 30 On BFK Rives vellum ...

One of David Hockney’s Six Fairy Tales from the Brothers Grimm illustrations, taken from the story of ‘The Little Sea Hare’. This tower was likely inspired by Hockney’s travels throu...

Market is an etching artwork on paper, realized in 1940 ca. by Henry Leriche. Hand-signed on the lower right. In good conditions. Here the artwork represents several figures in th...

Kumadori by Makoto Ouchi, Japanese etching 18 of 60 Kabuki contemporary orange wear shows on the paper Ouchi Makoto (大内マコト) was born in Kawasaki, Kanag...

Jack Levine 1963 portrait etching print titled Ashkenazi I by Jack Levine (American; 1915-2010). Hand signed and denoted as Artist's Proof lower edge, titled and dated verso. Measur...

Deuchar, David (after van Ostade). Les paysans tuant un porc. Edinburgh: c1800. Etching on thin cream laid paper, 4 11/16 x 4 11/16 inches (117 x 117 mm), narrow margins. Horizontal edge tear extending approximately 1-inch into the image area at the center left sheet edge. Skinning at the bottom-center sheet edge, verso, and adhesive residue at the top two corners, verso. Etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. "The pig killers is one of van Ostade’s most striking, both for its circular format and unusual lighting. Pictorial representations of pig slaughtering were known in medieval book illumination where they were incorporated into depictions of activities relating to the month of November or December. In this intimate, nocturnal scene, illuminated by torchlight, van Ostade combines coarse, barnyard realism with tender observation as a peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months. As the eldest son kneels on the animal, the farmer’s wife collects the blood in her long handled pan...

Sharon Augusta Mitchell created "Cena Ultima" as if guinea vultures were the apostles in a "last supper" pose arrayed around a carcass in an edition of 100. This is impression #9 fr...

Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...

Deuchar, David, (after van Ostade). Little Girl Playing with a Baby in its Mother's Arms; Mother with Two Children. Edinburgh: c 1800. Etching on cream laid paper, 3 3/4 x 2 3/4 inch...

By Wenceslaus Hollar, after Jan Van Bylert (Biler) Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...

Lithograph realized by Sigfrido Oliva. Hand signed and hand colored. Artist Proof. Very good condition.

Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...

Buffon, Histoire Naturelle, Planche VIII (p. 536) Copper engraving depicting five studies of human facial expressions, each head shown in three-quarter view and numbered (Figs. 1–5)...

Invitation to a party on the occasion of John and Dolly Sloan's twenty-fifth wedding anniversary. Sante Fe: Printed by Peter J. Platt, 1926. 100. Etching on cr...

Portrait after Raphael is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowled...

Etching on paper. This original print is hand signed. This is an edition of 50 pieces. Giacomo Porzano  (1925 – 2006) was an Italian painter.  He lived and worked in Rome. He exhib...

Etching on thick, hand made laid paper, 8 1/8 × 5 13/16 inches (206 × 148 mm), full margins. Scattered light age tone surface soiling, dog-eared corners, and minor edge nicks. An imp...

Self Portrait is an etching realized After Rembrandt Van Rijn in the early 20th century. Good Conditions. The artwork is depicted through free stroke...

Deuchar, David (after van Ostade). The School Master. Edinburgh: c1800. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue a...

Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...

"Prelato di Mantelletta" is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate on the right marg...

Lovis Corinth (German, 1859-1925) Rare Etching c.1920 Fine etching by noted German Expressionist artist Lovis Corinth. This striking imag...

The Study of Hand after Bouchardon is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The...

Etching on paper. Hand signed lower right by Al Hirschfeld. Hand numbered 66/125 lower left. Sheet size: 24.5 x 28 inches. Frame size: 28 x 30.5 inches. Artwork is in excellent ...

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...

La Cardeuse (Woman Carding Wool). c. 1858. Etching. Delteil, Melot 15. only state. 10 x 7 (sheet 12 3/8 x 9 1/2). Illustrated: Print Collector's Quarterly 25 (1938): 146; Keppel, The...

In Juana, Stephen Lawlor presents a solitary female figure set against a deep, atmospheric ground. The face is intentionally obscured, allowing gesture, posture, and costume to carry...

A bright and silvery impression with warm plate tone by a female icon of the Union Square group. New York: Associated American Artists, 1943. Etching on cream wove paper, 5 7/8 x 3 ...

Medium: Silkscreen Year: 2025 Image Size: 21.25 x 15.75 inches Edition Size: 30 Lavinia by Stephen Lawlor is a contemplative figurative color silkscreen featuring a solitary female...

Karl Brandstätter Tache Jaune Year: 1975 Etching and aquatint Signed and numbered by the artist Edition: E.A. (from an edition of 60) Size: 26 x 19.5 inches COA provided Karl Brands...

Etching and aquatint in colors on wove paper. Hand signed in pencil lower right. Signed and titled in plate lower center. Superb impression in vibrant colors. Full margins.  A st...

Etching and drypoint, circa 1630s. Cream laid paper. Narrow margins.

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit. His face is obscured by a mass of hair, tangles of whi...

Etching realized by Sigfrido Oliva in 1991. Hand signed and numberd in pencil. Edition of 50. Very good condition.

Etching and aquatint in colors on wove paper. Hand signed in pencil lower right. Signed and titled in plate lower center. Superb impression in vibrant colors. Full margins.  A st...

GEOGRAPHY, SOUTH Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of ...

One of 6 prints of fish created by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegorical representation for mankind. Marjan has a contemporary...

JR (aka Jean René) The Louvre Pyramid Heliogravure Not signed On Somerset vellum 58.5 x 90 cm (c. 23.04 x 35.44 inch) INFORMATION : Published by the Chalcographie du Louvre and a...

Prefect of the Pontifical Ceremonial is an artwork realized by Giuseppe Capparoni (1800-1879), realized in 1828. Etching hand colored on ivory paper. Signed on plate and dated on th...

Medium: Aquatint, Drypoint, Etching Year: 2013 Image Size: 8.66 x 10.6 inches Edition Size: 50 Beautiful impressionist scene of birch trees in calming greens and browns. Lawlor's e...

This evocative print is part of a series of twenty-two created by Georges Rouault between 1918 and 1928. The series was commissioned by art dealer Ambroise Vollard to accompany 'Rein...

Pablo PICASSO Carmen, The Square Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog ...

Napoleon is an Etching realized by P.Bellange in 1837 by Pierre-François Tardieu. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs t...

Wonderful mezzotint and etching on China paper applied. The inscription reads: "Le matin/ J. J. Tissot Sc. et ex. 1886". Titled, signed and dated on plate on the lower margin, below ...

Pablo PICASSO Carmen, The Oval Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog ra...

The Physiognomy - The Silhouette Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowl...

An 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798. The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition. Edward Montagu, the 1st Earl of Sandwich...

Etching realized by Sigfrido Oliva in 1990s. Hand signed and numbered in pencil. Edition of 50. Very good condition.

Artist: Peter Max Title: Angel with heart Medium: Unique etching with hand-finished mixed media Date: 2003 Edition: One of a kind Image Size: 21 1/4" x 18" Frame Size: 32" x 39" Sign...

"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...