19th Century Portrait Prints

English School, 19th century The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none. London: Thoma...

John Colborne, 1st Baron Seaton Mezzotint by James Scott (1809-1889) after GW Fisher (1817-1895) . 1864. Proof, before letters. Blindstamp of Printsellers' Association lower left ...

Original Ambassadeurs Les Cinq Demi-Vierges. Linen backed in B condition. It was folded at one time with the fold marks laid down during the linen backing process. There are som...

The White Arab is an etching on ivory-colored paper realized after an etching by Rembrandt dated 1630. This specimen belongs to a late edition of the 19th century. Good conditions ...

Etching with engraving on cream laid paper which is watermarked with a fancy "M," 9 1/2 x 12 3/16 inches (240 x 308 mm), narrow margins. In good condition with some scattered light a...

Copper-line engraving by Jacobus Houbraken (1698-1780) after Holbein. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Sir Thomas Smythe...

This refined 1841 engraving by Alfred Edward Chalon presents a formal portrait of Alexander II Romanov, future Emperor of Russia, at a moment when dynastic imagery still played a cen...

Hamburg: Lippmann, 1895. Copperplate engraving on cream wove paper with a deckle edge, 10 1/8 x 13 1/2 inches (256 x 342 mm), full margins. In generally good condition with some lig...

Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and...

This framed hand-colored etching and aquatint entitled "A Great Man on The Turf or Sir Solomon in all his Glory" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on July 7th 1803. The print is signed in the plate in the lower right. It depicts a man, possibly a caricature of the racehorse breeder Sir Solomon. However, there has been some controversy about the identity of the central figure on the mound. Traditionally the man has been thought to represent John Russell, 6th Duke of Bedford...

Renoir portrait that is a quality limited edition print, unnumbered, and is plate signed. It is in good condition and nicely framed

An Alphabet is a Wood engraving, realized by the Artist William Nicholson in the 1890s. Titled, the artwork belongs to the series "Almanach' Guidance of Editions is written on the l...

Visage de Femme is a modern artwork realized by Ignace Joseph de Claussin in the early 19th century. Original etching portraying the face of an old woman. Collection: Dikeos. Dime...

Y se le quema la casa is plate n. 18 (of 80) of the series Los Caprichos by Goya. This etching is an excellent proof of the first edition of 1799, before the bevels. Plate 17,9x12,...

Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi" (Revenge at the Denka Teahouse), by Shigeharu, Ryusai (also called Kuniyoshi) Tokyo: Horie Ichiba Wataki, 1835. Woodcut on la...

'Un Barbier Distrait' A Distracted Barber Photogravure by Goupil after Jules Worms, 1879. Jules Worms (1832-1924) was a 19th century French painter. He was born in Paris and began ...

Deuchar, David (after van Ostade). Les paysans tuant un porc. Edinburgh: c1800. Etching on thin cream laid paper, 4 11/16 x 4 11/16 inches (117 x 117 mm), narrow margins. Horizontal edge tear extending approximately 1-inch into the image area at the center left sheet edge. Skinning at the bottom-center sheet edge, verso, and adhesive residue at the top two corners, verso. Etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. "The pig killers is one of van Ostade’s most striking, both for its circular format and unusual lighting. Pictorial representations of pig slaughtering were known in medieval book illumination where they were incorporated into depictions of activities relating to the month of November or December. In this intimate, nocturnal scene, illuminated by torchlight, van Ostade combines coarse, barnyard realism with tender observation as a peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months. As the eldest son kneels on the animal, the farmer’s wife collects the blood in her long handled pan...

'John Evelyn Esq' Copper-line engraving, by WH Worthington after Robert Walker. John Evelyn FRS was an English writer, landowner, gardener, courtier and minor government official, ...

Deuchar, David, (after van Ostade). Little Girl Playing with a Baby in its Mother's Arms; Mother with Two Children. Edinburgh: c 1800. Etching on cream laid paper, 3 3/4 x 2 3/4 inch...

Daumier was a master of French satire and caricatures. In this lithograph entitled "TYPES PARISIENS NO. 1, Eh bien malin! comment le trouvez vous celui-là! - Oui, oui, mais enfin - O...

J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...

Lithograph realized in 1970s, after the original work by Toulouse-Lautrec of 1896. Limited edition of 1000. Excellent condition.

Original vintage poster: Vichy travel poster. This is a stunning stone-lithographic turn-of-the-century poster. It advertises a train route to Vichy, France. The poster has been a...

Hungarian Customs is a lithograph made by Auguste Wahlen in 1844. Drawing in black and white. Good condition. At the center of the artwork is the original title "Costumi Ungheresi...

Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...

Etching on thick, hand made laid paper, 8 1/8 × 5 13/16 inches (206 × 148 mm), full margins. Scattered light age tone surface soiling, dog-eared corners, and minor edge nicks. An imp...

Deuchar, David (after van Ostade). The School Master. Edinburgh: c1800. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue a...

Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...

Rajon began his career as a photographer while studying at Ecole des Beaux-Arts Paris. This original etching of Alma Tadema was etched by Rajon on one of h...

Self-Portrait, Bare-Headed is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edit...

This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer. This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image. "The Pool of Bethesda...

An original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Wat-Che-Mon-Ne, An Ioway Chief, No. 90", published by Rice, Rutter & Co. in 1865. Th...

Rev William Carey and his Brahmin Pundit (Mritunjaya) Steel-engraving by Joseph John Jenkins after Robert Home (1752-1834). 1836. Depicts the orientalis...

Japanese Woodblock print of a Biensennyo-ko a powder face women. Behind the women is a framed cityscape. The print is possibly from the series "Eight Favorite Things in the Modern World". The woodblock print is printed on rice paper. The print is not framed. Artist Biography: Keisai Eisen...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Canada Porcupine", No. 8, Plate XXXVI, from Audubon's "Viviparous Quadrupeds of North America", ...

“Busto di Nerone” (Bust of Nerone) is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò./ Pietro Fontana incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XVII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roma Emperor, Nerone, realized with neoclassical style and a wise touch In excellent conditions with some light signs of the time, with some sporadic minor stains along the margins above all on the lower, and a usual yellowing of the paper on the lower margin, this wonderful burin has preserved still today his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello...

'Praise and Prayer' Chromolithograph, 1874, after Ape (Carlo Pellegrini 1839-1889) Vanity Fair portrait of Ira D. Sankey (1840 -1908), known as The Sweet Singer of Methodism, who w...

Femme qui se peigne - La Coiffureis a color lithograph realized after Henri de Toulouse Lautrec in 1896.  cm. 59 x 46 ; matted. Monogrammed on plate. Good conditions. This specim...

The Spanish Beauty is an etching by Noel François Bertrand realized in the 19th Century. Good conditions. The Artwork is depicted through soft stro...

Wonderful mezzotint and etching on China paper applied. The inscription reads: "Le matin/ J. J. Tissot Sc. et ex. 1886". Titled, signed and dated on plate on the lower margin, below ...

Portrait of Sumiyoshi Jokei after the Sumiyoshi School. A finely executed Edo-period woodblock print depicting a dignified half-length portrait of Sumiyoshi Jokei, founder of the in...

'George Stubbs Esq RA' Stipple engraving by W Nicholls after Ozias Humphrey RA (1742-1810). 1809. George Stubbs was a famous English painter of the horse and some wild animals. Th...

'Sir Walter Raleigh' Steel engraving, by H Robinson after Zucchero. Sir Walter Raleigh (c. 1553 – 1618) was an English statesman, soldier, writer and explorer. One of the most nota...

'Charles Wilkes' Steel-engraving after Alonzo Chappel's sketch after a photograph. 1864. Facsimile signature under the engraving. Charles Wilkes (1798 - 1877) was an American naval...

'Position' Chromolithograph, 1874, after Ape (Carlo Pellegrini 1839-1889) Vanity Fair portrait of the Duke of Devonshire. 380mm by 260mm (sheet)

Woman is a lithograph realized in the Late 19th Century by Jean Benner (Mulhouse, 28 marzo 1836 – Parigi, 28 ottobre 1906). Good conditions. Signed on Pl...

Black and white lithograph on paper. Illustration for "The Analysis of the Hunting Field" by Henry Alken. Not signed, as issued. A finely detailed sporting lithograph by Henry Alk...

'He painted '"he Doctor"' Vanity Fair portrait of Sir Samuel Luke Fildes, KCVO, RA (1843-1927) who was an English painter and illustrator born at Liverpo...

Adoration de la Croix le Vendredi Saint en Italie is a black and White etching realized by Henri Guérard in the 1860s.  Titled in the lower. Image size: 32x24. Very good impressio...

This is an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "To-Ka-Con, A Sioux Chief", drawn ...

The Cardinal of the Order of Deacons is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and d...

Line engraving, on India paper, marked 'Private Plate' to lower margin. Circa 1870. 510mm by 380mm (platemark) 575mm by 455mm (sheet) Lehmann's painting dates to 1869 when Reuters ...

La Cardeuse (Woman Carding Wool). c. 1858. Etching. Delteil, Melot 15. only state. 10 x 7 (sheet 12 3/8 x 9 1/2). Illustrated: Print Collector's Quarterly 25 (1938): 146; Keppel, The...

Black and white lithograph on paper. Illustration for "The Analysis of the Hunting Field" by Henry Alken. Not signed, as issued. This spirited sporting lithograph depicts the dram...

Black and white lithograph on paper. Illustration for "The Analysis of the Hunting Field" by Henry Alken. Not signed, as issued. This animated sporting scene depicts a moment of r...

A hand-colored lithograph by the father of French satire and caricature, Honore Daumier (1808-1879) entitled "Faut espérer que grâce à ces précautions ce diable d'Oïdum ne pénétrera ...

Portrait of Man is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...

Polychrome woodblock print (nishiki-e), Edo Period. Ôban format A finely composed bust portrait of a kabuki actor set against a lively urban backdrop, likely representing Nihonbash...

Bachi Bozoucq is a black and white etching realized by Théodore Valerio (1819–1879)  in 1870s. Titled in the lower. Image size: 20.5cmx26.5cm. Very Good condition. Signed and dat...

Portrait of Garibaldi is an original Modern Artwork realized in the Second Half of the 19th Century by an Anonymous artist. Lithograph on paper. Browing of paper due to the time a...