Kandinsky 'La Forme Rouge'

1969

Original color woodcut 4.94 x 7.5 in (12.55 x 19.05 cm) Framed 18.44 x 21 in #106 in the catalogue Raisonné of Kandinsky's Graphic Works by Hans K. Roethel

"Jusqu'a L'Abstraction" is a lithograph poster by Wassily Kandinsky. This poster depicts abstract forms in purple, pink, blue, and black and was created for the Maeght gallery in Par...

Medium: lithograph (after the original). Printed in Paris in 1954 by Mourlot and published by Berggruen for a scarce catalogue. Image size: 4 1/4 x 4 inches (105 x 100 mm). There is ...

Original color woodcut 5.82 x 8.57 in (14.78 x 21.77 cm) Framed 17.57 x 20.19 in #98 in the catalogue Raisonné of Kandinsky's Graphic Works by Hans K. Roethel

Composition Woodcut, c. 1935, printed 1966 Signed in the block lower left (see photo) This is the first printing of this image. Created in 1935, it was never printed during Kandinsky's lifetime. It is a POSTHUMOUS printing. Published by Gualtieri di San Lazzaro, Éditions XXe Siècle, Paris Issued in XXe Siècle, nouvelle série, no. 27, December 1966, Centenaire de Kandinsky Unsigned and unnumbered, as issued Edition commonly reported as approximately 2,000 Condition: Excellent Image size: 9 1/8 x 10 15/16 inches Reference: Roethel 24b Created in 1935 but apparently left unprinted during Kandinsky’s lifetime, Composition was first issued posthumously in December 1966 in the Kandinsky centenary number of the Parisian art review XXe Siècle. The woodcut was printed from Kandinsky’s original block rather than reproduced photographically. It is therefore properly described as an original, posthumously printed woodcut—not as a reproductive print “after” Kandinsky. Contemporary documentation identifies the composition as having been cut by the artist in 1935 and first published by Éditions XXe Siècle in 1966. Publication details and dimensions The print belongs to Kandinsky’s final period, begun after the closing of the Bauhaus and his move from Germany to Neuilly-sur-Seine, near Paris, in 1933. Its vocabulary differs markedly from the romantic landscapes, horsemen and apocalyptic subjects of his early Munich woodcuts. The forms are now self-contained and biomorphic: circles, hooks, floating linear elements and irregular organic silhouettes coexist within an open field. Although nonrepresentational, they suggest minute organisms, astronomical bodies or signs belonging to an invented visual language. The black-and-white medium gives the image unusual clarity. Solid forms function like sustained musical tones, while thin lines, dots and isolated marks provide accents and intervals. Areas of untouched paper are equally active, allowing the components to float without conventional gravity or horizon. Kandinsky organizes these elements through visual tension rather than perspective: large and small, dense and open, curved and angular forms establish a rhythmic equilibrium across the sheet. The woodcut process was fundamental to Kandinsky’s development. Its demand for simplification encouraged him to reduce images to essential contrasts of shape, line and ground. Nearly two-thirds of his approximately two hundred prints were made between 1900 and 1911, and his increasingly abstract woodcuts for Klänge played a decisive role in his movement away from representation. MoMA’s Kandinsky printmaking overview In this late composition, Kandinsky returned to the medium with the more refined geometry and organic imagery of his Paris years. The circumstances of the 1966 publication are integral to the work’s history. XXe Siècle, directed by the Italian-born critic and publisher Gualtieri di San Lazzaro, regularly included original prints by major modern artists. Issue no. 27, entitled Centenaire de Kandinsky, commemorated the hundredth anniversary of Kandinsky’s birth. It contained two original Kandinsky woodcuts...

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museu...

Original woodcut 4.5 x 5.5 in (11.43 x 13.97 cm) Framed 16.38 x 17.38 in #101 in the catalogue Raisonné of Kandinsky's Graphic Works by Hans K. Roethel

Wassily Kandinsky - Composition 1916 Lithograph in colors on Arches paper, 1990 Paper size 24" x 28" inches Image size 20" x 22" inches Stamped signature (16) Blindstamps of the Russ...

Original woodcut 6.63 x 8.5 in (16.84 x 21.59 cm) Framed 18.5 x 20.38 in #145 in the catalogue Raisonné of Kandinsky's Graphic Works by Hans K. Roethel

Original color woodcut 4.13 x 6.19 in (10.49 x 15.72 cm) Framed 13.88 x 15.94 in #95 in the catalogue Raisonné of Kandinsky's Graphic Works by Hans K. Roethel