Iron Abstract Sculptures

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Cornucopia With Columns, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

"Curious Dreamer" is a wall free standing surrealist sculpture made of forged and fabricated steel, cast iron, copper and paint. Approximately 58 by 33 by 23 inches. Corrina is ins...

"Open Heart II" Abstract Sculpture 81" x 37" inch by Karim Abd Elmalak Karim Abdel Malak's layered multi-media works are influenced by the old maste...

"Zāt Highchair I" Abstract Sculptural Chair 41" x 19" inch by Karim Abd Elmalak Medium: iron & oil-based spray paint Karim Abdel Malak's layered multi-m...

The script in this sculpture is from the song “L'Elisir d'Amore" by Gaetano Donizetti "Fuga M" is 12.6kg In Lluís Cera’s sculptures, soft, voluptuous forms are embedded in solid ir...

Edition: 6/8 Casting date: 2008 Signature engraved on the back She is the woman, the muse. Marathonienne, it is a ground sportswoman. She pushes her body to endure fatigue and effo...

The script in this sculpture is from the song “Heart of Glass" by Blondie "Fuga D" is 12.8kg In Lluís Cera’s sculptures, soft, voluptuous forms are embedded in solid iron, marble o...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Edition: 4/4 Casting date: 2013 Signature and edition engraved on the base Philippe Hiquily is a singular artist, a sculptor, but also a creator of jewellery, furniture, engravings...

The script in this sculpture is from the song “"Jolene” by Dolly Parton "Fuga I" is 12kg In Lluís Cera’s sculptures, soft, voluptuous forms are embedded in solid iron, marble or st...

The script in this sculpture is from the song “Blowin' in the Wind” by Bob Dylan The sculpture is almost 20kg (19.7kg) In Lluís Cera’s sculptures, soft, voluptuous forms are embedd...

Davide Quayola (Italian, b. 1982) "Laocoon Fragment #8_005.003" 2016 Made of Iron, epoxy, fiberglass, mirror-polished steel & wood. Dimensions: 19.7 x 11 x 15.75 inches (50 x 28 x 40 cm) Base Plate Dimensions: .8 x 23.7 x 23.7 inches (2 x 60 x 60 cm) base From the signed and numbered edition of 3 "Quayola employs technology as a lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Constructing immersive installations, he engages with and re-imagines canonical imagery through contemporary technology. Landscape painting, classical sculpture and iconography are some of the historical aesthetics that serve as a point of departure for Quayola’s hybrid compositions. His varied practice, all deriving from custom computer software, also includes audiovisual performance, immersive video installations, sculpture, and works on paper. His work has been performed and exhibited in many prestigious institutions worldwide including V&A Museum, London; Park Avenue Armory, New York; National Art Center, Tokyo; UCCA, Beijing; How Art Museum, Shanghai; SeMA, Seoul; Palais de Tokyo, Paris; Ars Electronica, Linz; Sonar Festival, Barcelona and Sundance Film Festival. Also a frequent collaborator on musical projects, Quayola has worked with composers, orchestras and musicians including London Contemporary Orchestra, National Orchestra of Bordeaux, Ensemble Intercontemporain, Vanessa Wagner, Jamie XX...

Edition: 5/8 Creation date: 2004 Signature and edition engraved on the base Using strange, semi-Gothic tapering forms, animal hides, fossils, and metal, Hiquily combines the imagin...

Iron, Ytong, wood, paper & paint

For two people (handles) and two eighth glasses, iron, brass, Resopal, wood, paint, 121 x 41,5 x 30 cm, in series

Wood, iron, carbon, gauze & paint

The script in this sculpture is from the song “Music” by John Milles. The sculpture is not very big but it is heavy: 48.3kg In Lluís Cera’s sculptures, soft, voluptuous forms are e...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Diptych. Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures wh...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Beverly Pepper Untitled, 1982-1983 steel and iron 33h x 27.50w x 10d in

"Tornado Tree and Boulders" by John Ruppert Oak, forged iron wedges Over the past 35 years, John Ruppert has been working in cast metals; manufactured materials such as chain-link f...

"Three Strikes" by John Ruppert Cast iron and stainless steel, from a fragment of a tree struck by lightning Edition of 3 Over the past 35 years, John Ruppert has been working in ca...

"Cherry Tree Strike" by John Ruppert Cast iron, from a fragment of a tree struck by lightning Over the past 35 years, John Ruppert has been working in cast metals; manufactured mate...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

Alex Corno achieves a sense of poetry in his use of proportion, rhythm, color, texture, and the dance between negative and positive spaces. Casting sentimentality aside, Corno is rel...

Alex Corno achieves a sense of poetry in his use of proportion, rhythm, color, texture, and the dance between negative and positive spaces. Casting sentimentality aside, Corno is rel...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Valley House Gallery & Sculpture Garden is honored to present the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO. In his stud...

Valley House Gallery & Sculpture Garden is honored to present the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO. In his stud...

Valley House Gallery & Sculpture Garden is honored to present the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO. In his stud...

Valley House Gallery & Sculpture Garden is honored to present the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO. In his stud...

This is reproduced in the monograph recently published on the work of Alex Corno.