Paul Gallaud

French Contemporary Art by Paul Gallaud - Acrylic Osmose 01

2024

White paper & laser cut, Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at th...

Acrylic glossy glass + inkjet painting Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied ...

White paper & laser cut, Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at th...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

Greg Chann "Lacuna," 2026 acrylic and ink 12.5 x 14 x 1 in. (cha050AP)

A Piece Of One Day 40-26 Wall Piece by Saerom Yoon Dimensions: D 130 x H 160 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is inspired by the ...

New Sculpture Collection Vanguard: Italian Stainless Steel with Special Splashed Electrostatic Paint. This sculpture will be shipped directly from the artist's studio.

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...