Unknown

Antique Bust of Roman Emperor Vitellius

c. 1550

Rare, Late Roman Empire (3rd to 5th centuries, C.E.), solid marble bust of a young man. Beautiful patina. Mounted on a later, Carrara marble base.

Beautifully hand carved Carrara marble bust of a Roman Emperor on a variegated marble base, elaborately robed with a laurel wreath adorning his head.

French, marble bust of a young Napoleon done in the style of Caesar. Head sits on the detached base.

A petite 19th c. hand-carved alabaster bust of Empress Domitia Longina (c. 50-126, CE) in an elaborate hairstyle of the period. Sitting on a raised base of the same alabaster. Inscri...

A handsome and high quality Italian early 19th century white Carrara marble bust of a Roman Emperor. The bust is raised by a circular Bleu Turquin marble base with a decorative mottl...

A 19th Century Marble Bust of Roman Emperor. Hand carved from white statutory marble, this charming grand tour relic resembles an unearthed treasure. Possibly based on Nero, the un...

A 19th Century Grand Tour Marble Bust of Roman Emperor. Hand carved from white statutory marble, this charming grand tour relic resembles an unearthed treasure. Possibly based on E...

North Italian, 16th century Bust of the emperor Vitellius Bronze, on later bronze socle, lead support to reverse 18 cm. / 7 ins (the bust), 23 cm. / 9 ins overall This fine and apparently unique all’antica Renaissance bronze is inspired by a bust in Venice thought to depict the Roman emperor Vitellius (15-69 AD), who ruled for only eight months in 69 AD before he was overthrown by Vespasian. The Vitellio Grimani, also known as the pseudo-Vitellius, was discovered in Rome in 1505 during excavations on the Quirinale on land owned by the Venetian cardinal Domenico Grimani (1461-1523). On the death of Grimani the Vitellius was sent to Venice and bequeathed to the Republic of Venice, where it was displayed at the Palazzo Ducale from 1525 to 1593. It is now in the Museo arceologico nazionale di Venezia (inv. 20) and regarded as a portrait of an unknown Roman from the first half of the second century AD. The present small bust, with its rough, waxy surface and imaginative adaptation of the antique model on which it is based, bears all the hallmarks of Renaissance bronze modelling in the north of Italy. Indeed, the vigorous modelling is reminiscent of the works by Andrea Briosco, called Il Riccio (1470-1532), who worked in Padua in the Veneto and specialised in small bronzes based on antique subjects. See, for example, his head of Bacchus (private collection, offered at Sotheby’s London in 2021), which has a similarly waxy treatment of the hair. The fantastical lion-mask on the breastplate, with its stylised face and unusual braids of hair, is also typical of the imaginative re-working of antique motifs by Renaissance artists. This indicates that the present bust is probably by a follower of Riccio working in Padua or another centre of classicism in the Veneto. RELATED LITERATURE: L. Planiscig, 'Andrea Riccio...