American Realist Art

Harry Roseland: 1866-1950. Well listed American artist with auction results over $250,000. This fabulous incredibly detailed oil on board measures 11 inches wide by 8 inches high. T...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

BERNARD P. SCHARDT (1904 - 1979) APPEAL DENIED c 1935 Aquatint and etching. Edition c. 25. >>Published by the WPA Federal Art Project NYC.<< With their stamp. 11 7/8 ...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...

The Vera Stretz Murder Trial Lithograph, 1936 Signed in pencil lower right (see photo) Initialed W.S. in the image lower right (see photo) Dated in the image lower right (see photo) ...

Oil painting by Willard Dixon featuring a waterscape with coastal clouds. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Kauai, painted in 2023. the canvas is 60 X 62 inches. Oil on canvas, and traditionally framed in contemporary, minimal hardwood floater frame.Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank...

Paul Sample The Slope Near the Bridge, 1950 Signed in pencil lower left Lithograph on wove paper Image 8 15/16 x 12 15/16 inches Sheet 11 5/16 x 15 1/16 inches From the edition of 25...

Fraternal kiss - Dmitry Vrubel (created in 1990) Description for print Origin: from the collection of the artist's family. Each copy is accompanied by certificate of authenticity ...

Chris Forrest, American (1946 - ) - Bob White Quails , Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 22 x 18 inches, Size:...

This artwork titled "A Burro Train, New Mexico" 1880 is an original etching on Laid paper by noted British/American artist Peter Moran, 1841-1914. It is signed in the plate as issue. The plate mark (Image) size is 9.15 x 6.5 inches, framed size is 14.75 x 18.75 inches. It is framed in a wooden silver frame, with light grey matting. It is in excellent condition, especially considering the age. I like to mention that example of this particular etching is held in the following museums, including, The Toledo Museum Of Art, Toledo, The British Museum, London and The Smithsonian Museum Of Art, Washington D.C. It was also illustrated in American Art Review, volume #2 1881, page 163. About the artist: The younger brother of Thomas Moran, Peter Moran was a painter-etcher best known for his Romantic sensibility and landscape compositions incorporating animals. The Moran family immigrated to the United States from England in 1844, when Peter was three. He began his artistic career as an apprentice to a lithographic firm and eventually studied painting with his brothers Edward and Thomas. He was influenced by the animal paintings of Rosa Bonheur and Constant Troyon and visited England in 1863 to see those of Edwin Landseer. Moran took up etching in 1874, using that medium to record genre scenes that he observed while traveling in New Mexico and Arizona in 1881 on an ethnographic expedition to study Pueblo Indian culture. He later returned to the Southwest in 1890 as an artist for the Bureau of Indian Affairs. In 1882, Moran joined Henry R. Poore, an artist friend, on a visit to Taos Pueblo where the two were given a room and spent a week watching the activities associated with the harvest. Poore recounted the details of their travels in an article titled "A Harvest with the Taos Indians...

Original poster: Rembember Your First Thrill of Ameridan Liberty YOUR DUTY Buy United States Government Bonds 2nd Liberty Loan of 1917. Linen backed and ready to frame. Poste...

A quaint depiction of Figures in the snow by the Cabin in the Country. Nemethy uses fine detailed techniques with wonderful impressions. We can feel the warmth of the piece with uniq...

"MaineSunrise" with glowing water reflections of boats anchored in a peaceful harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting is on a b...

Artist Comments
Artist Guigen Zha displays elegant lotuses with broad fleeting leaves. He paints the poetic piece with his unique style dubbed virtu...

Authentic Pan Am Germany Travel Poster – Mid-Century Modern Jet Age Graphic. This original Pan Am travel poster is a classic piece of mid-century aviation advertising, inviting trav...

This artwork "Seascape" c. 1990 is an oil painting on canvas by noted artist June Nelson, 20th Century. It is signed at the lower right corner by the artis...

This artwork "Western Scene" c.1960, is an oil painting on canvas by noted Western artist Charles Damrow, 1916-1989. It is signed at the lower left corne...

Contemporary 'Storm Source' depicts severe weather at the center of a storm. An intense and electrically radiant sky, ocean, sunset painting from American Realist, Willard Dixon. The unique sky-scape is a birds-eye view to the dramatic and unfolding scene. Framed in dark ebony wood, and ready to hang and enjoy. The original painting is 58 x 60 inches. Signed and dated by the artist. Condition is excellelnt. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Willard Dixon’s art has been shown extensively in San Francisco, Los Angeles, and New York, He has had over 40 one-man shows and numerous group shows. His work is in the collections of The Metropolitan Museum of Art in NY, The SFMOMA, and the Oakland Museum of California Art. He has executed large-scale commissions for The California Supreme Court, The Oakland Museum and The Las Vegas Federal Courthouse. He received an NEA Fellowship Grant in 1989. In 2013, one of his portraits was included in The Outwin Boochever Portrait Competition, at the National Portrait Gallery in Washington, DC. Dixon’s works are included in prominent private and museum collections worldwide. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

An accomplished American Scene painter, Clyde Singer successfully captured everyday life during his long career. A unique aspect of American life is depicted in this painting, entitl...

Elizabeth Bell’s Dappled Elegance is a masterfully rendered oil painting celebrating the grace and stature of an Arabian or American Saddlebred horse in motion. The artist captures t...

"Islands In The Sun," with rippling water reflections below the iconic Morro Bay harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting exhibi...

This artwork titled "Landscape with Snow" c. 2000, is a watercolor on paper by noted California artist Erin Dertner, b.1957. It is signed at the lower right corner by the artist. The...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Storing Up, originates from the distinguished 1962 folio The Four Seasons: Pai...

Oil on artist's board, 20th century, signed Paul Zimmerman Reminiscent of the Mid Century Social Realist and WPA works of Ben Shahn this captures a group of tenement children of mixe...

"Quart and a Half" is an American Realist abstract landscape watercolor on paper painting by Andrew Wyeth in 1961. The artwork is 21 x 29 1/4 inches and is 33 3/4 x 42 1/4 x 1 inches...

Harry Schaare, American (1922 - 2008) - Gloucester Fisherman, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 50, Image Size: 29.5 x 22 inches, S...

"Near Santa Fe New Mexico" showcasing in the brilliant colors of the southwest, from celebrated artist Willard Dixon, who has continued to capture the undeniable beauty of the west f...

THOMAS HART BENTON (1889-1975) INSTRUCTION 1940 (Fath 41) Lithograph, signed edition of 250 as published by Associated American Artists. 10 ¼” x 12 ¼”. Full margins, deckle edges....

A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...

Oil on canvas STATEMENT by AUDREY ANASTASI: Considering myself primarily a feminist artist, painting other women, most of my work focuses on the human face, figures, animals and natu...

Signed and numbered by the artist Edition: 25 Printed on Hahnemuhle paper Published by Neptune Fine Arts Condition: excellent Plate/Image size: Sheet size: "Stone Roberts’ luminous still lifes, private interiors, and large-scale panoramas of figures in motion invite us to look—and then look some more—and relish in the sensuality of the three-dimensional world. While Roberts’ varied influences include Greek Mythology and Roman Classicism, Dutch and Spanish Old Masters, Fantin-Latour, Ingres, and Balthus, his subjects are decidedly of today. From Grand Central Terminal to his wife gardening in Stonington, Connecticut, Roberts paints people and places from his personal surroundings into formal compositions that often appear to have mythical, literary, or psychological elements. Roberts received his B.A. from Yale University, New Haven, CT, where he studied painting with William Bailey, and his M.F.A. from the Tyler School of Art, Philadelphia, and Rome. Roberts' work can be found in numerous public and private collections throughout the United States and Europe, including the collection of The Metropolitan Museum of Art and the Louis-Dreyfus Family Collection, New York. A solo exhibition of Stone Roberts’ work was held at the Museum of the City of New York in 2012 entitled Stone Roberts: New York City Paintings." Courtesy of Hirschl & Adler Modern PUBLIC COLLECTIONS Asheville Art Museum, Asheville, NC Sydney and Walda Besthoff Biltmore Estate, Asheville, NC Mrs. Robert Carroll Mr. and Mrs. Willam Cecil Chase Manhattan Bank, New York, NY Evansville Museum of Arts and Sciences, Evansville, IN Jerald Dillon Fessenden Flint Institute of Arts, Flint, MI Ms. Barbara Goldsmith Mrs. Paul Gottlieb Mr. and Mrs. Graham Gund Mr. and Mrs. Arie L. Kopelman Alex S. Jones William Louis-Dreyfus Mr. and Mrs. James C. Marlas J.D. McClatchy and Chip Kidd Mr. and Mrs. Richard L. Menschel The Metropolitan Museum of Art, New York, NY Mrs. Stephen Paine Mr. and Mrs. W.J.W.J. van Roijen Mrs. Julius Rosenwald II Mark Singer Carl Spielvogel and Barbaralee Diamonstein-Spielvogel Bruce Springsteen and Patti Scialfa Stephens Inc., Little Rock, Arkansas Woodberry Forest...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About the Artist...

Artist: Norman Rockwell (1894-1978) Title: Snow Sculpture Snowman Year: 1985 Edition: 350/350, plus proofs. Medium: Offset lithograph on wove paper Size: 24.5 x 18.5 inches Condition...

American Clipper Ship at Sea by Antonio Jacobsen, Signed and Dated 1917 This stunning maritime oil painting by renowned marine artist Antonio Jacobsen (1850–1921) captures a majesti...

Danza has a deep appreciation for the feelings of wonder and awe that come from being in nature. She tries to capture this experience with her immersive paintings, while also paying ...

A finely executed late 19th-century still life by Walter Brackett (1823-1919) of a rainbow trout with rod and reel in the foreground, along with the fly that captured the trout. Fin...

Sheldon Fink (American, 1925-2002), "Maine Harbor" Edition of 150, Lithograph signed on Paper, 14 x 17, Late 20th Century, 1960s Depicts boy standing on r...

John Aldrich Ruthven American Painter Bison in a Snow Blizzard Watercolor and Gouache on Paper signed lower left

"Summer Pier Fishing" American Scene Social Realism WPA Mid-20th Century Modern Syd J. Browne (1907-1991) "Summer Pier Fishing" 22 x 30 inches Oil on canvas. c. 1930s Signed lower r...

MARGUERITE KIRMSE (English/American 1885-1954) THREE’S A CROWD, c 1930 Etching, signed and titled in pencil. Plate 6 3/8 x 9 ¾ inches. Full sheet with edges on all sides. Sheet 10 5/8 x 13 5/8 inches. In good condition, save for old tape on sheet edges verso, showing through to recto. A hint of a mat line below the signature Kirmse is considered to be one of the most important etchers of Dogs. Sheet with even white tone - photos show oblique shadows From Wikipedia: Marguerite first trained as a harpist at the Royal Academy of Music but spent much of her spare time drawing animals. She went to the United States in 1910 on holiday with friends but stayed there.[4] She was not successful in advancing her musical career and focused her attention increasingly on her animal drawing, which she developed by frequent sketching trips to the Bronx Zoo.[5] In 1921 she started producing etchings of dogs...

Jacob Dhein's (US based) "Nude with Light Blue" is an oil painting that depicts a nude female figure with her black robe parted with a white patterned background Bio/artist statement: Jacob Dhein was interested in art as a child. Crayons and colored pencils were his tools of expression. He spent hours intricately crafting drawings of comic book heroes and animals. By the time he graduated from high school, one of his drawings was exhibited on the wall of a local bank. It wasn't until he was a sophomore at the University of Wisconsin-Oshkosh that he decided to take a drawing class. He found this so compelling that he continued with sculpture and painting. During this time he met several accomplished and influential artists who encouraged him to pursue a career in art. Tc Farley...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

A Fine depiction of an Gaff Yachts in the open ocean. For this wonderful depiction of 19th Century sailing ships, Nemethy uses a Fine technique which depicts the figures on the boat ...

Linda Lillegraven's beautiful original oil landscape "County Road 55" (2023) captures a paved dirt road crossing through vast midwestern green hills, the afternoon sun creating a glo...

Daniel Ralph Celentano, Untitled (Strike Breakers) pencil, c. 1934. Signed, lower right. A fine, social-realist drawing, on cream wove paper, with margins (1 1/2 to 2 1/2 inches), in...

Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Movers New Yorker published, September 20, 1935 18 X 11 1/2 inches...

A simply marvelous drawing - a self-portrait of the artist himself. It also reads as a very elegant and expressive line drawing of any gentleman - a hallmark depiction of a bon-vi...

Unframed Dimensions: 40 x 30 inches Framed Dimensions: 48 1/2 x 38 1/2 inches American, b. 1952 Frank Corso was born in Syracuse New York. Taking a keen interest in art at a very e...

"Erycinids" is an original color lithograph by Louis Prang. It depicts colorful butterflies around a variety of flowers. 5" x 8" art 16 1/2" x 19" framed Louis Prang was an American printer, lithographer, and publisher. He is sometimes known as the father of the American Christmas card. He created L. Prang and Company in 1860 and became successful and known for their Civil War maps...

Handmade signed on the back of the print by Melvin Sokolsky and numbered : 12 on 25 . Melvin Sokolsky was born and raised in New York in 1933, where he began his career as a still-l...

"Snowy City Scene" American Scene Social Realism WPA Era Mid-20th Century Modern Syd J. Browne (1907-1991) "Snowy City Scene" 22 x 30 inches Oil on canvas. c. 1930s Signed lower lef...

Iconic portrait photograph by midcentury society photographer Slim Aarons, capturing young Jackie Kennedy (Jacqueline Onassis) (1929 - 1994) wife of Senator Jack Kennedy, at a 'April...

Nature has always been Tara Esperanza’s muse and source of endless fascination and inspiration. From an early age, her love for the environment shaped her way of seeing the world. As...

Hawaiian landscape · American artist · spring ocean light · sunrise · classical painting · marine art · plein air · realism · natural light "This painting captures a rare calm morni...

View from 29 Clinton Street, 1989by Tria Giovan From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 A...

Contemporary painter Brooks Anderson continues his exploration of the desert and mid-century architecture through oil landscapes that offer quiet meditations on land, sea, and sky. W...

Maplewood Township Homestead, Winter, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barns and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

Black and white landscape photograph of a Monterey pine tree partially silhouetted against a cloudy sky, by possibly Jim Deike (American, 20th Century). Signed illegibly lower right....

Original 1942 Linen-Backed One-Sheet Movie Poster for "Ghost Town Law" The Rough Riders Series Starring Buck Jones, Tim McCoy, and Raymond Hatton. This striking original one-sheet movie poster from 1942 promotes "Ghost Town Law," the fifth entry in Monogram Pictures' popular "Rough Riders" Western film series. Measuring approximately 27 x 41 inches (standard one-sheet size), the poster features vibrant lithography on a bold yellow background, dramatic red title lettering for "The Rough Riders," and an illustrated scene of the three stars—Buck Jones, Tim McCoy, and Raymond Hatton—standing with their horses in a rugged desert landscape, guns at the ready. The artwork captures the essence of classic B-Western adventure, with the film's subtitle prominently displayed in quotes: "Ghost Town Law." Produced by Monogram Pictures and directed by Howard Bretherton, this film follows the Rough Riders trio as U.S. Marshals investigating murders in a haunted mining town overrun by outlaws, blending action, mystery, and frontier justice. Professionally linen-backed for preservation, this poster is in very good vintage condition, with minor fold restorations, light edge wear, and rich color retention, underscoring its archival quality. No major tears, pinholes, or fading are present, making it a desirable collector's piece for fans of early Hollywood Westerns or Buck Jones memorabilia. Buck Jones, a silent-era star who transitioned to talkies, tragically died in the Cocoanut Grove fire later in 1942, adding historical poignancy to posters from his final films. This example originates from the U.S. release and bears the classic Monogram logo, evoking the era of Saturday matinee serials and the golden age of cowboy cinema. History of the Origins of the Rough Riders The "Rough Riders" name draws on the legendary 1st United States Volunteer Cavalry Regiment, formed in 1898 during the Spanish-American War. Recruited by Theodore Roosevelt (then Assistant Secretary of the Navy) and initially commanded by Colonel Leonard Wood...