Skip to main content

Hudson

to
409
981,090
747,111
1,647
1,098
966
362
359
275
243
152
136
121
106
105
88
77
74
74
56
46
46
43
38
28
19
18
17
11
8
7
7
6
5
4
4
3
3
3
3
2
2
2
2
2
1
1
1
1
1
1
1
91
72
66
55
41
Antique French Alabaster Art Deco Pendant Light with Silk Hanging Cord
Antique French Alabaster Art Deco Pendant Light with Silk Hanging Cord

Antique French Alabaster Art Deco Pendant Light with Silk Hanging Cord

Located in New York, NY

Antique alabaster pendant light fixture with custom handmade silk-wrapped hanging cord and original bronze fittings. France, circa 1920. Fixture has been rewired and restored for ...

Category

1920s French Vintage Hudson

Materials

Alabaster

Herend Queen Victoria Dinnerware Set ~ 12 Place Settings
Herend Queen Victoria Dinnerware Set ~ 12 Place Settings

Herend Queen Victoria Dinnerware Set ~ 12 Place Settings

Located in New York, NY

A set of 60 pieces of porcelain dinnerware in the Herend Rothschild Queen Victoria pattern with Green border. Vintage; the pieces in this set were produced between 1950 to 1980. All...

Category

1960s Hungarian Vintage Hudson

Materials

Porcelain

Tides Out (Abstract Painting in Blue, Orange & Metallic Gold)
Tides Out (Abstract Painting in Blue, Orange & Metallic Gold)

Tides Out (Abstract Painting in Blue, Orange & Metallic Gold)

By Bruce Murphy

Located in Hudson, NY

Gestural abstract expressionist painting on canvas in colorful hues green, blue, and orange on a gold and silver background "Untitled Green", 2022 by Bruce Murphy 40.5 x 40.5 inches...

Category

2010s Abstract Hudson

Materials

Enamel

Japanese Two-Panel Gold Leaf Screen with Summer Flowers, Taisho Period, c. 1920
Japanese Two-Panel Gold Leaf Screen with Summer Flowers, Taisho Period, c. 1920

Japanese Two-Panel Gold Leaf Screen with Summer Flowers, Taisho Period, c. 1920

Located in Hudson, NY

Japanese Two-Panel Screen: Summer Floral Landscape on Gold This Japanese two-panel screen, dating to the Taishō period (circa 1920), depicts a vibrant summer garden unfolding agains...

Category

20th Century Japanese Hudson

Materials

Gold Leaf

MB 807 (Figurative Charcoal Drawing on Arches Paper of Two Male Nude Models)
MB 807 (Figurative Charcoal Drawing on Arches Paper of Two Male Nude Models)

MB 807 (Figurative Charcoal Drawing on Arches Paper of Two Male Nude Models)

By Mark Beard

Located in Hudson, NY

Figurative drawing of two male nudes made with graphite, conte crayon and charcoal on Arches paper 30 x 18.5 inches, unframed This unique life study drawing of two standing male n...

Category

2010s Modern Hudson

Materials

Archival Paper, Charcoal, Graphite

Wallpaper 2: Abstract Green Encaustic Painting of Yellow Flower Petals on Panel
Wallpaper 2: Abstract Green Encaustic Painting of Yellow Flower Petals on Panel

Wallpaper 2: Abstract Green Encaustic Painting of Yellow Flower Petals on Panel

By Allyson Levy

Located in Hudson, NY

Abstract painting with green encaustic and light yellow flower petals on wood panel "Wallpaper 2" made by Allyson Levy in 2020 encaustic and flower petals on wood panel, 24 x 24 x 2 ...

Category

2010s Abstract Hudson

Materials

Organic Material, Mixed Media, Encaustic, Wood Panel, Pigment

Japanese Six-Panel Gold Leaf Screen with Pine Trees in Mist, Signed Tosa Mitsuza
Japanese Six-Panel Gold Leaf Screen with Pine Trees in Mist, Signed Tosa Mitsuza

Japanese Six-Panel Gold Leaf Screen with Pine Trees in Mist, Signed Tosa Mitsuza

Located in Hudson, NY

Japanese Six-Panel Screen: Pine Trees in the Mist This Japanese six-panel screen, dating to the Meiji period (circa 1880), depicts a sweeping grove of pine trees emerging through la...

Category

19th Century Japanese Antique Hudson

Materials

Gold, Bronze, Gold Leaf

Early Alvar Aalto Dining Set C.1940s
Early Alvar Aalto Dining Set C.1940s

Early Alvar Aalto Dining Set C.1940s

By Alvar Aalto

Located in Hudson, NY

Really beautiful, early and rare dining set by Alvar Aalto. Smart color combination and natural patina. Table and six chairs.

Category

Mid-20th Century European Mid-Century Modern Hudson

Materials

Birch

Turnabout: Abstract Geometric 3D Wooden Wall Sculpture in Green, Grey & Beige
Turnabout: Abstract Geometric 3D Wooden Wall Sculpture in Green, Grey & Beige

Turnabout: Abstract Geometric 3D Wooden Wall Sculpture in Green, Grey & Beige

By Stephen Walling

Located in Hudson, NY

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

Category

2010s Abstract Geometric Hudson

Materials

Wood, Dye, Acrylic, Wood Panel

Lineto I (Abstract Encaustic and Collage Painting on Linen)
Lineto I (Abstract Encaustic and Collage Painting on Linen)

Lineto I (Abstract Encaustic and Collage Painting on Linen)

By Alaina Enslen

Located in Hudson, NY

"Lineto I" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 36 x 48 x 2 inches unframed, sides reveal raw panel and wrapped fa...

Category

2010s Abstract Hudson

Materials

Fabric, Encaustic, Linen, Monotype

18th C Primitive Settle Bench with Candle Sconce
18th C Primitive Settle Bench with Candle Sconce

18th C Primitive Settle Bench with Candle Sconce

Located in Hudson, NY

This is an 18th century primitive settle bench that came out of the second oldest home in Torrington, Connecticut, built in 1736. Unique details incl...

Category

1750s American Antique Hudson

Materials

Wood

Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)
Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)

Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)

By Birgit Blyth

Located in Hudson, NY

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Category

Early 2000s Abstract Hudson

Materials

Photographic Paper, Monoprint

19th C Hemlock 7 drawer chest with wardrobes
19th C Hemlock 7 drawer chest with wardrobes

19th C Hemlock 7 drawer chest with wardrobes

Located in Hudson, NY

19th C Hemlock 7 drawer chest with wardrobes All the storage you will ever need! Three pieces. Drawers are all free and work nicely. Great craftsma...

Category

Mid-19th Century Arts and Crafts Antique Hudson

Materials

Wood

Minimalist Abstract Color Field Painting in Light Brown, Beige, Gray (C20-3)
Minimalist Abstract Color Field Painting in Light Brown, Beige, Gray (C20-3)

Minimalist Abstract Color Field Painting in Light Brown, Beige, Gray (C20-3)

By Ginny Fox

Located in Hudson, NY

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Category

2010s Minimalist Hudson

Materials

Acrylic, Panel

Incident: Large Framed Vertical Luminist Style Oil Landscape Painting
Incident: Large Framed Vertical Luminist Style Oil Landscape Painting

Incident: Large Framed Vertical Luminist Style Oil Landscape Painting

By Leigh Palmer

Located in Hudson, NY

Oil on canvas 60 x 48 inches This large vertical painting of an expansive pastoral landscape was created by artist Leigh Palmer a few years after his move to the Hudson River Valley...

Category

2010s Contemporary Hudson

Materials

Linen, Oil

MB 053 (Figurative Charcoal Drawing of a Muscular Male Nude on Arches Paper)

MB 053 (Figurative Charcoal Drawing of a Muscular Male Nude on Arches Paper)

By Mark Beard

Located in Hudson, NY

Figurative male nude drawing made of graphite, charcoal, and conte crayon on Arches paper 30 x 20 inches, unframed This unique life study drawing of a standing male nude was made...

Category

2010s Modern Hudson

Materials

Charcoal, Crayon, Graphite

Vessel 7 (Green, Blue, & Yellow Abstract Expressionist Oil Painting)
Vessel 7 (Green, Blue, & Yellow Abstract Expressionist Oil Painting)

Vessel 7 (Green, Blue, & Yellow Abstract Expressionist Oil Painting)

By Ragellah Rourke

Located in Hudson, NY

Vessel 7 Green, Yellow, Blue Abstract Expressionist Painting Made by Ragellah Rourke in 2025 oil on canvas 30 x 30 inches, unframed The sides are cleanly painted light grey so framin...

Category

2010s Abstract Expressionist Hudson

Materials

Oil, Canvas

Japanese Two-Panel Screen of Rooster and Hen, Kisho Shibahara, c. 1920
Japanese Two-Panel Screen of Rooster and Hen, Kisho Shibahara, c. 1920

Japanese Two-Panel Screen of Rooster and Hen, Kisho Shibahara, c. 1920

Located in Hudson, NY

Japanese Two-Panel Screen: Rooster, Hen, and Chicks This Japanese two-panel screen, dating to the Taishō period (circa 1920), depicts a rooster, hen, and their chicks beneath a bloo...

Category

20th Century Japanese Hudson

Materials

Brocade, Silk, Lacquer, Paper

Piquant: Abstract Geometric 3D Wooden Wall Sculpture in Red, Pink, Peach, Maroon
Piquant: Abstract Geometric 3D Wooden Wall Sculpture in Red, Pink, Peach, Maroon

Piquant: Abstract Geometric 3D Wooden Wall Sculpture in Red, Pink, Peach, Maroon

By Stephen Walling

Located in Hudson, NY

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Category

2010s Abstract Geometric Hudson

Materials

Wood, Dye, Acrylic, Wood Panel

Ralph Lauren Home Spectator Black Dinnerware ~ Set of 8 Place Settings
Ralph Lauren Home Spectator Black Dinnerware ~ Set of 8 Place Settings

Ralph Lauren Home Spectator Black Dinnerware ~ Set of 8 Place Settings

By Wedgewood, Ralph Lauren

Located in New York, NY

A set of 8 (eight) place settings in the Spectator black pattern by Ralph Lauren Home Collection. Porcelain. Signed, circa 1995-1996. This pattern is currently out of production. ...

Category

1990s English American Classical Hudson

Materials

Porcelain

Olana Pendant Light, Custom Cream Linen Shade, Raw Brass Finish
Olana Pendant Light, Custom Cream Linen Shade, Raw Brass Finish

Olana Pendant Light, Custom Cream Linen Shade, Raw Brass Finish

Located in Hudson, NY

Olana-inspired Middle Eastern shape / Custom cream linen shade / Raw brass metal finish / Twisted gold silk cord Note : Height cannot be adjusted. Quantity : (1) Materials : Raw ...

Category

21st Century and Contemporary American Islamic Hudson

Materials

Brass

MB 809 (Figurative Charcoal Drawing on Paper of Two Seated Male Nude Models)
MB 809 (Figurative Charcoal Drawing on Paper of Two Seated Male Nude Models)

MB 809 (Figurative Charcoal Drawing on Paper of Two Seated Male Nude Models)

By Mark Beard

Located in Hudson, NY

Figurative drawing made with graphite, conte crayon and charcoal on Arches paper 21.5 x 28 inches, unframed This unique life study drawing of two seated male nude models was made ...

Category

2010s Modern Hudson

Materials

Archival Paper, Charcoal, Graphite

Cloud #1 (Contemporary Abstract Cloud Painting on Wood Panel)
Cloud #1 (Contemporary Abstract Cloud Painting on Wood Panel)

Cloud #1 (Contemporary Abstract Cloud Painting on Wood Panel)

By David Konigsberg

Located in Hudson, NY

Cloud #1 (Contemporary Abstract Cloud Painting on Wood Panel) by David Konigsberg 2025, oil on panel, 23 x 24 inches Konigsberg’s recent paintings share a fluid, emotive gesture. T...

Category

2010s Contemporary Hudson

Materials

Oil, Panel

May 29 (Abstract Expressionist Oil Painting in Earth Tones of Green & Blue)
May 29 (Abstract Expressionist Oil Painting in Earth Tones of Green & Blue)

May 29 (Abstract Expressionist Oil Painting in Earth Tones of Green & Blue)

By James O'Shea

Located in Hudson, NY

Gestural, abstract expressionist oil painting on canvas in earth tones of blue and green, with accents of burgundy and pale yellow "May 29", Painted by Hudson Valley based artist, James O'Shea in 2021 Oil on canvas, 26 x 26 inches unframed, raw canvas sides Wire backing, ready to hang Signed verso James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...

Category

2010s Abstract Expressionist Hudson

Materials

Canvas, Oil

Architectural Abstract Marble Sculpture
Architectural Abstract Marble Sculpture

Architectural Abstract Marble Sculpture

Located in Hudson, NY

Architectural Abstract Marble Sculpture unsigned. modernist. mid to late 20th c. Contact me with any questions or for shipping quotes

Category

Late 20th Century Modern Hudson

Materials

Marble

Morandi Bottle XX (Cubist Abstract Bottle Still life in Vintage Frame)
Morandi Bottle XX (Cubist Abstract Bottle Still life in Vintage Frame)

Morandi Bottle XX (Cubist Abstract Bottle Still life in Vintage Frame)

By David Dew Bruner

Located in Hudson, NY

Abstract modernist style still life graphite drawing inspired by Giorgio Morandi's bottle still life paintings "Morandi XX” by Hudson Valley artist, David Dew Bruner, made in 2025 G...

Category

2010s Abstract Hudson

Materials

Paper, Graphite

Waiting for the Storm (Gray Abstract, Minimalist Geometric 3-D Wall Sculpture)
Waiting for the Storm (Gray Abstract, Minimalist Geometric 3-D Wall Sculpture)

Waiting for the Storm (Gray Abstract, Minimalist Geometric 3-D Wall Sculpture)

By Dai Ban

Located in Hudson, NY

Abstract geometric, minimalist, three dimensional wall sculpture in light grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the scul...

Category

2010s Abstract Geometric Hudson

Materials

Plaster, Board, Pigment

Herend Rothschild Bird Dinnerware Set ~ 60 pieces ~ 12 place settings
Herend Rothschild Bird Dinnerware Set ~ 60 pieces ~ 12 place settings

Herend Rothschild Bird Dinnerware Set ~ 60 pieces ~ 12 place settings

Located in New York, NY

A set of 60 pieces in the Herend Rothschild Bird pattern porcelain dinnerware. Vintage; the pieces in this set were produced between 1950 to 1980. All marked. Hand painted and craft...

Category

1980s Hungarian Vintage Hudson

Materials

Porcelain

Japanese Six-Panel Silver Leaf Screen with Kingfisher and Maple, Signed Shingai
Japanese Six-Panel Silver Leaf Screen with Kingfisher and Maple, Signed Shingai

Japanese Six-Panel Silver Leaf Screen with Kingfisher and Maple, Signed Shingai

Located in Hudson, NY

Japanese Six-Panel Screen: Maple Over Water This Japanese six-panel screen, dating to the late Meiji period (circa 1900), depicts a kingfisher perched upon a graceful maple branch e...

Category

20th Century Japanese Hudson

Materials

Silver Leaf

Workstation 16 (Gestural Abstract Expressionist Painting on Canvas Paper)
Workstation 16 (Gestural Abstract Expressionist Painting on Canvas Paper)

Workstation 16 (Gestural Abstract Expressionist Painting on Canvas Paper)

By Jenny Nelson

Located in Hudson, NY

"Workstation 16", 2023 (Gestural, Abstract Expressionist Painting on Canvas Paper with energetic line and vivid color) by Jenny Nelson 24 x 18 inches Unframed Oil on canvas paper T...

Category

2010s Contemporary Hudson

Materials

Canvas, Oil

Floral Bouquet (Lively Still Life Oil Painting of Flowers on Canvas)

Floral Bouquet (Lively Still Life Oil Painting of Flowers on Canvas)

By Dale Payson

Located in Hudson, NY

Oil painting on canvas, unframed 32 x 27 inches This still life oil painting of a bouquet of vibrant lilies, roses and irises was painted by Hudson Valley-based artist Dale Payson. The range of canary and pastel yellows, emerald green, beige and burnt umber hues that span the canvas are complimented by Payson's skillfully executed impasto technique. Payson captures the essence of her subject matter and abstracts it in the same stroke, rendering each painting somewhere between representation and interpretation. About the artist: Payson studied extensively at the School of Visual Arts in New York and eventually taught at this prestigious institution. Before painting became her sole ambition, she was a freelance book illustrator and has more than 25 books to her credit. Dale Payson also studied under Robert...

Category

2010s Contemporary Hudson

Materials

Canvas, Oil

Eames Molded Plywood Dining Chair Wood Base (DCW) in Red Stained Birch excellent
Eames Molded Plywood Dining Chair Wood Base (DCW) in Red Stained Birch excellent

Eames Molded Plywood Dining Chair Wood Base (DCW) in Red Stained Birch excellent

By Charles and Ray Eames, Herman Miller, Charles Eames

Located in Hudson, NY

Eames Molded Plywood Dining Chair Wood Base (DCW) in Red stained Ash The Eames Molded Plywood Dining Chair (1946) began as an experiment in Charles and Ray Eameses’ apartment and be...

Category

21st Century and Contemporary American Mid-Century Modern Hudson

Materials

Rubber, Wood, Birch

Pair of Brutalist Ilana Goor attributed Chairs
Pair of Brutalist Ilana Goor attributed Chairs

Pair of Brutalist Ilana Goor attributed Chairs

By Ilana Goor

Located in New York, NY

Vintage pair of Brutalist Ilana Goor style iron and leather side chairs with beautiful patina. Red painted over black frames with each color coming through in different areas (See ph...

Category

Mid-20th Century American Brutalist Hudson

Materials

Iron

Sand Bar & Waves - Martha's Vineyard (Aerial Beach Landscape Photograph)

Sand Bar & Waves - Martha's Vineyard (Aerial Beach Landscape Photograph)

By John Griebsch

Located in Hudson, NY

Contemporary color aerial landscape photograph above a beach near Martha's Vineyard, MA Archival digital print, Edition of 25 (#085) Image size 26 x 39 inches with 2 inch border, unf...

Category

Early 2000s Contemporary Hudson

Materials

Archival Ink, Archival Paper, Digital Pigment

Mies Van Der Rohe for Knoll Brno Chair in Cato Upholstery 60 available
Mies Van Der Rohe for Knoll Brno Chair in Cato Upholstery 60 available

Mies Van Der Rohe for Knoll Brno Chair in Cato Upholstery 60 available

By Knoll, Ludwig Mies van der Rohe

Located in Hudson, NY

THIS LISTING IS FOR A SET OF 4 Knoll Brno chair designed by Mies Van der Rohe. These chairs are upholstered in Knoll's Cato upholstery. Color is 'natural'- which reads as a pale oat...

Category

Mid-20th Century Italian Mid-Century Modern Hudson

Materials

Steel

Last Minute Stitched Tan Leather Steel Sculpted Bar Stools Patricia Urquiola
Last Minute Stitched Tan Leather Steel Sculpted Bar Stools Patricia Urquiola

Last Minute Stitched Tan Leather Steel Sculpted Bar Stools Patricia Urquiola

By Patricia Urquiola

Located in Hudson, NY

We have approximately 35 of these available. They are priced per chair. Clean and elegant stool made of flexing steel to offer surprising comfort. Shaped se...

Category

21st Century and Contemporary Spanish Modern Hudson

Materials

Steel, Chrome

Christian Dior Casablanca Dinnerware Set ~ 8 Place Settings / 40 pieces
Christian Dior Casablanca Dinnerware Set ~ 8 Place Settings / 40 pieces

Christian Dior Casablanca Dinnerware Set ~ 8 Place Settings / 40 pieces

By Christian Dior

Located in New York, NY

A set of 8 (eight) place settings (40 total pieces) in the signature Casablanca pattern by Christian Dior. Features a white, gold and multicolor pattern with panther and palm tree motifs throughout, gilt accents throughout and brand stamp at undersides. Includes the following 40 pieces: 8 dinner plates...

Category

1990s Japanese Hudson

Materials

Porcelain

Young Swimmer (Modern, Academic Style Portrait Painting in Antique Gold Frame)
Young Swimmer (Modern, Academic Style Portrait Painting in Antique Gold Frame)

Young Swimmer (Modern, Academic Style Portrait Painting in Antique Gold Frame)

By Mark Beard

Located in Hudson, NY

Figurative oil on canvas painting of a young athletic male 24 x 20 inches, 29.5 x 23.5 inches vintage gold painted wood frame signed B. Sargeant in red in upper right hand corner T...

Category

21st Century and Contemporary Modern Hudson

Materials

Oil, Canvas

What Do I know of This Place 1 (Abstract Expressionist Painting on Canvas)
What Do I know of This Place 1 (Abstract Expressionist Painting on Canvas)

What Do I know of This Place 1 (Abstract Expressionist Painting on Canvas)

By Jenny Nelson

Located in Hudson, NY

Vertical, abstract expressionist oil painting on canvas in blue, stone blue, green and midnight blue, with pops of green, peach, and yellow on an off-white background 'What Do I know of This Place (1)' painted by Hudson Valley artist, Jenny Nelson, in 2021 Oil on canvas 20 x 16 x 2 inches, with white painted sides Excellent condition, ready to hang Signed, verso This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, teal, and midnight blue. The contrasting patches of dusty yellow, peach, and green beautifully pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...

Category

2010s Abstract Expressionist Hudson

Materials

Canvas, Oil

Tide Goes Out: Abstract Expressionist Oil Painting in Blue, Grey, Green, Beige
Tide Goes Out: Abstract Expressionist Oil Painting in Blue, Grey, Green, Beige

Tide Goes Out: Abstract Expressionist Oil Painting in Blue, Grey, Green, Beige

By Jenny Nelson

Located in Hudson, NY

Vertical abstract expressionist oil painting on canvas in earthy shades of sky blue and Payne's grey, with accents of green and peach against an off-white foreground 'When the Tide Goes Out' painted by Hudson Valley artist, Jenny Nelson, in 2022 Oil on canvas 60 x 54 x 1.5 inches, with white painted sides Excellent condition, ready to hang Signed, verso This abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2022. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of dusty blue, stone blue, and green. The contrasting patches of pale pink and peach pop against the subtle pale beige and light blue background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides, so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox...

Category

2010s Contemporary Hudson

Materials

Canvas, Oil

Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White)
Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White)

Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White)

By David Dew Bruner

Located in Hudson, NY

Mixed media still life of black and white bottles inspired by Giorgio Morandi still life paintings Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White) b...

Category

2010s Contemporary Hudson

Materials

Canvas, Acrylic, Graphite, Charcoal

Michael Graves Monopoly Set
Michael Graves Monopoly Set

Michael Graves Monopoly Set

By Michael Graves (b.1934)

Located in New York, NY

The Monopoly game set designed by Michael Graves (b. 1934 Indianapolis, IN - 2015 Princeton, NJ) for Parker Brothers. Circa 2002. Signed with Graves' signature incised in small metal disk on underside. Features a cherry-finished wood box that opens up to a game board, with a built-in, pull-out drawer contaning original game pieces and accessories including 6 polished metal game tokens, 2 dice, classic Monopoly money, Chance and Community card sets, and also two velour drawstring bags to hold houses and hotels. Dimensions of board: ??Closed: 16 inches L x 8 inches D x 3.5 inches H / Open: 16 inches L x 16 inches D x 3 inches H Notes from the Archive: ?American architect, Michael Graves' legacy includes designing over 350 buildings, and 2000 products. The Michael Graves Design brand at Target was the first example of an architect/designer having his own consumer brand of products. This collection transformed the retailer from a discount store to a design destination. It was Graves' own idea to design new versions of classic games beginning with a chess set in 2000 with inspiration from the famous Bauhaus Chess Set...

Category

Early 2000s Hudson

Materials

Wood

Pair of Michael Taylor for Baker Far East Collection Dresser Chests Commode
Pair of Michael Taylor for Baker Far East Collection Dresser Chests Commode

Pair of Michael Taylor for Baker Far East Collection Dresser Chests Commode

By Baker Furniture Company, Baker Far East Collection, Michael Taylor

Located in Hudson, NY

Exceptional pair of solid wood dressers designed by Michael Taylor for the very collectable "Far East Collection" by Baker Furniture. This pair has been expertly refinished by Columbia County's premier woodworker Michael Gregorio. This finish shows the action or the original wood which appears to be elm. The double ring door pulls which are the Michael Taylor signature complete the look. The design of these dressers are the definition of style meets function.Although elegantly styled- the pieces are solid and very usable. We are offering the pair in this listing as well as a second pair which you can find in our other listings. We also have available the companion "vanity" piece which can be added between any of the pieces as shown in the last few photographs. All dressers...

Category

Mid-20th Century American Mid-Century Modern Hudson

Materials

Wood, Elm

Beneath the Shining Sun (abstracted field of flowers in yellow and pastel)
Beneath the Shining Sun (abstracted field of flowers in yellow and pastel)

Beneath the Shining Sun (abstracted field of flowers in yellow and pastel)

By Ragellah Rourke

Located in Hudson, NY

Abstract acrylic painting on canvas with a pastel purple, yellow, and green palette “Beneath the Shining Sun”, painted by Ragellah Rourke in 2022 30 x 30 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2022. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and purple tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

Category

2010s Abstract Hudson

Materials

Canvas, Oil

Charles Day Hunt American Hudson River / Adirondack Landscape 19th Century
Charles Day Hunt American Hudson River / Adirondack Landscape 19th Century

Charles Day Hunt American Hudson River / Adirondack Landscape 19th Century

By Charles Day Hunt

Located in Hudson, NY

This is an absolutely beautiful little jewel by American artist Charles Day Hunt. Created at some point in the 1870-1880's, this autumnal Hudson Valley / Adirondacks view, is just so...

Category

Late 19th Century American Adirondack Antique Hudson

Materials

Canvas, Paint

Mark Beard 054 (Figurative Charcoal Drawing of Two Male Nudes on Arches Paper)
Mark Beard 054 (Figurative Charcoal Drawing of Two Male Nudes on Arches Paper)

Mark Beard 054 (Figurative Charcoal Drawing of Two Male Nudes on Arches Paper)

By Mark Beard

Located in Hudson, NY

Figurative drawing of two male nudes made with graphite, charcoal, and conte crayon on Arches paper 30 x 14 inches, unframed This unique life study drawing of two standing nude m...

Category

2010s Modern Hudson

Materials

Charcoal, Graphite, Paper

"Leading Horse", Kansas City, 1997

"Leading Horse", Kansas City, 1997

By Pete Kelly

Located in Hudson, NY

This will be shipped direct from the artist to you or your framer. In this photograph a silhouetted horse follows a silhouetted figure closely as they trek through a field. The use of abstracted figures helps emphasize the emotional aspect of Kelly's main theme: the bond between humans and animals. Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and power in the beauty of the urban landscape. "I try to see beauty around me, drawing beauty from ugliness by capturing close up textures of fading paint or graffiti, or by reducing the shape of the subject to silhouette." Kelly's fascination with photography, the quality, and flexibility of the medium began at a very early age. Born in England in 1966, and as the son of a military man, Kelly spent most of his childhood growing up in West Germany. After leaving school Kelly enrolled in a photography course with the R. A. F Photographic Unit, based in Wildenrath in Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveller, Kelly initially decided to return to the UK,
to study Graphic Design at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in America,
Kelly began working as a Photographers Assistant. Working closely with a range of photographers allowed him to intrinsically develop his own
refined sense of aesthetic as well as develop and master photographic theory and technique. Now working as a Fine Art Photographer in his own right,
 Pete Kelly utilizes the most cutting edge equipment and techniques,
 painting with photography by compositing and layering photographs...

Category

1990s Contemporary Hudson

Materials

Archival Pigment