Hudson

Japanese two-panel screen: Peony, Wisteria, cherry and bamboo on soft silver, Meiji period (1868-1912) painting of a garden in spring. Painted in mineral pigments on oxidized silver ...

Ink painting of bamboo on nicely patinated silver leaf. Dated 1919, Signature reads: Seikoku.

In addition to Susan Lisbin's practice as a painter, she is a very active ceramicist. To create this sculpture, Lisbin experimented with folding layers over layer of ceramic before i...

Listing is for UNFRAMED print. Inquire within for framing. Edition 3 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Silk, wool, and thread Padma Rajendran was born in Klang, Malaysia. She studied at Bryn Mawr College and received her M.F.A. from Rhode Island School of Design. She has exhibited at...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories. Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...

Japanese six-panel screen: Buck and doe at dawn. Showa period (1926-1989) painting of a rising sun seen through a woodland scene with a pair of deer. In Japan, deer are thought to be...

These vintage stands are almost certainly American made and are from the early 1950s-late 1960s. This form most unusual for the shape and style of the pieces are large and impressive...

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

Very Rare and stunning pair of sculptural curved leg dining / side chairs by Mastercraft. These chairs are solid and heavy yet have a light and delicate design. The gondola style cha...

Lacquer painting on wood.

About the Artist: Andrew Hildenbrand is a New York based painter who received his BFA in painting from the Pratt Institute in 2023. Thinking of hi...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

These 4 oil on canvas paintings are in a set of 4 for $8000.00. “Friends of Friends” explores a playful world where dreams and reality meld together to create surreal moments. Wh...

Based in Catskill, NY, Susan Lisbin works with oil and cold wax on canvas in her latest series “Can You Hear Me.” These paintings are composed with bright background colors, next ove...

A fine antique English mahogany sideboard by Frederick Tibbenham of Ipswich, England. Features crossbanded conforming top surmounting five fitted dovetailed cockbeaded frieze drawe...

This elegant Japanese two-panel screen masterfully combines traditional materials with striking minimalist composition. The screen features a dazzling and luminous background of gold...

Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Mid-Century terracotta lamp base, evenly striped in narrow, dark brown ceramic lines / Hand-painted, glazed linen, matching terracotta shade w/ a semi closed top / Brown silk cord w/...

Japanese Six Panel Screen: Silver Moon Rising Over Summer Field. Rimpa Style painting of a moon rising over summer flowers and grasses, including cockscomb and blue bellflowers. Pa...

Vintage solid oak credenza by the incredible French design duo Guillerme Et Chambron with ceramic top and pull out door/desktop. 2 sliding door with carved geometric patterns. Sculpt...

Early Meiji period (1868-1912) bronze vases, incised, detailed designs on each vase. One vase is decorated with a family of cranes at a rocky water's edge, with flowers and an old pine tree. The other vase depicts turtles at a rocky water's edge with bamboo, along with turtles swimming...

Murano glass oblong globe pendant light fixture. Italy, circa 1960. Features a white opaque globe with a multicolor swirl pattern. Includes white cord and a canopy. Wired for U.S...

Calligraphy reads: Raku (Pleasure). Ink on silver in a black lacquered wooden trim. Seal is illegible.

Park Avenue Lady Table Lamp No.20T $3,200.00 Polished and lacquered antique brass candlestick / Custom, hand-sewn, off-white pleated silk shade / Polished and lacquered brass hardwar...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

This very large Bronze ewer is finely cast and has many areas of after casting hand chasing and deeply sculpted details. Done in the Renaissance revival style most associated with th...

Unusual pair of étagères, made circa 1845-1850 in England in a round form are masculine and formal but not fussy or over decorated. The Mahogany color is warm and light not a deep re...

An arched-top Venetian overmantel mirror with amber glass accents. Amber glass is more the color of that in the lighter photos. the over height is 3...

Vintage 1950's Mid-Century Modern Michael Taylor for Baker wooden stool with gently curved woven cane seat. Minimalist legs and base. Good vintage condition.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

A very rare example from the limited production Block Island collection designed by John Hutton (1947-2006) for Donghia. The chocolate colored version is very rare- only a few were p...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Wenge wood game board by Skodje Skern, Denmark, circa 1960. Game board made from a solid piece of wood, designed for playing "Kahala," one of the earliest known games. Signed ...

Keyaki wood is a treasured and protected wood in Japan. The cabinet is decorated with cut forms of paulownia leaves, a symbol of the Tokugawa family, and chrysanthemums, the symbol o...

Swing-arm desk lamp in brushed metal finish. USA, circa 1990. Includes off-white paper drum shade. Takes one standard U.S. bulb, 75 watts max. Dimensions: 22.5 inch lamp he...

Acrylic and graphite on gessoboard

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

This fine classical regency table shows all the signs of a London cabinet making firm. The proportions are great being not overly large but it carries weight and looks masculine and ...

Shinto carving of figure referred to as Father Japan. Heian period (794 to 1185) sculpture made of hinoki wood in single piece construction called ichiboku...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...

This large and impressive Mandarin food storage box is very detailed and well-constructed. The case, made of finely carved wood, houses five different stackable storage boxes. Each b...

This large and impressive bust cast in plaster and then placed on a carved stone socle is truly a great decorative object. This figure is after the model produced by Caffieri and dep...

This nice medium-sized bowl has underglaze and overglaze painted details and was made circa 1945 to 1950. It is decorated in an asymmetrical pattern of prunus and chrysanthemums with...

Beautiful and striking woodblock print by American artist Juliette May Fraser. likely from the 1930's. This item is not framed or matted so it is easy to ship. Please ask should you ...

A vintage French wrought iron six-light scrolled arm rectangular chandelier encrusted in sea shells. The wrought iron carriage is covered with sand and decorated with masses of shell...

An antique caucasian Cloudband Kazak wool rug, very low pile, with deep rust red, navy, yellow and ivory. The colors are so rich and the large scale cloudband design has a great grap...

Antique industrial task lamp with an aluminum shade and black cast iron base. USA, 1920-1930. Features: *Rewired with French silk twist cord *Takes standard bulb, 60 watts ma...

Regency carved giltwood convex mirror, circa 1820 in date. The convex mirror is surrounded by an ebonized elegant reeded slip and a giltwood moulded frieze with ball mounts. The carv...

Nadeshiko, also known as fringed pinks is a flowering plant native to Japan. Ink, mineral pigments and 18th century gold leaf, with good veining, on mulberry paper. Silk brocade bord...

Lovely oil painting by Byron Browne. Measures 18" x 14" and framed 24" x 20" x 1 3/4". Signed "Byron Browne" lower left. Inscribed on canvas verso: Byron Browne / 1958 / – Folk Singer– / 18 x 14 / N.Y.C. About this artists: Through an oeuvre displaying the re-envisioning of figural subjects and the formation of an abstract expressionist style, Byron Browne stands out among the American abstractionists of his generation. Born in Yonkers, New York, in 1907, the artist was a bright talent at the National Academy of Design in his teens. From 1924 to 1928 Browne studied at the Academy under notable artists Robert Aitkin, Charles Courtney Curran, Charles Hawthorne, Alice Murphy...

Allison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an experience that has greatly im...

Extremely dramatic painting of a dragon in sumi-e ink and mineral pigments on gold silk in a dark brown lacquer trim. Signature and seal read: Shonan.

Goegeous glass topped faux bois console. Elegant sculptural designed piece constructed of some type of weighty matte composite- fiberglass. The base itself measures: 16" x 27" x 26"...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Vintage rare Danish diamond pattern rope-backed sofa by Emil Finkelstein with beautiful large swooping arms and unique seat back. 23.5" seat depth

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

Japanese Screen painted with Heron In Water Lily Pond Under Willow. Meiji period (1868 - 1912) painting of a heron at pond's edge. Painted in min...

Titled by the artist. This screen depicts a plum tree on rivers edge with a solitary nightingale. Mineral pigments on gold with silk brocade boarder and black lacquer trim with bron...

Two tigers exchanging amorous glances. Kano School painting.