Merton College Oxford Etching 1879 Robert Kent Thomas
Located in London, GB
Robert Kent Thomas (1816-1884) Merton College Oxford Etching 21.5x16.5cm
Category
19th Century Realist More Prints
Materials
Etching
Oxford Etching
G Cooper: 'St Mary's Church, Oxford' etching on paper
Located in London, GB
Cooper St. Mary’s Church, Oxford Etching 40 x 47 cm From The Oxford Portfolio a series of thirteen views printed on Sepia paper; very rare.
Category
19th Century Realist Landscape Prints
Materials
Etching
Brasenose College, Oxford etching by Andrew Ingamells
By Andrew Ingamells
Located in London, GB
Andrew Ingamells (1956 - ) Brasenose College, Oxford Etching 41 x 61 cm Numbered 76/175 lower left and signed lower right, both in pencil.
Category
21st Century and Contemporary Landscape Prints
Materials
Etching
University College, Oxford etching by Andrew Ingamells
By Andrew Ingamells
Located in London, GB
Andrew Ingamells (1956 - ) University College, Oxford Etching 40 x 70 cm Signed lower right and numbered 15/100 lower left, both in pencil.
Category
21st Century and Contemporary Prints and Multiples
Materials
Etching
Merton College, Oxford etching by Richard Beer
By Richard Beer
Located in London, GB
Richard Beer (1928 - 2017) Merton College, Oxford Etching and aquatint 47 x 62 cm Titled and numbered 44/100 lower left, and signed lower right, all in pencil.
Category
20th Century Realist Landscape Prints
Materials
Etching, Aquatint
Oriel College, Oxford etching by Richard Beer 1980s
By Richard Beer
Located in London, GB
Richard Beer (1928 - 2017) Oriel College, Oxford Etching 47 x 61 cm Titled and numbered 39/100 lower left, and signed lower right, all in pencil.
Category
1980s Realist Landscape Prints
Materials
Etching
The Radcliffe Camera from All Souls College, Oxford etching by Henry Walker
Located in London, GB
Henry George Walker (1876 - 1932) The Radcliffe Camera from All Souls College, Oxford Etching 20 x 25 cm Signed lower right in pencil.
Category
Early 20th Century Landscape Prints
Materials
Etching
Wadham College, Oxford etching by Richard Beer
By Richard Beer
Located in London, GB
Richard Beer (1928 - 2017) Wadham College, Oxford (1964 / 65) Etching and aquatint 60 x 40 cm Titled and numbered 14/100 lower left and signed lower right, all in pencil.
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Oriel College, Oxford, etching by Mabel Oliver Rae
By Mabel Oliver Rae
Located in London, GB
Rae is known for her skilled etchings of various rural scenes and townscapes, particularly those of the colleges of Oxford and Cambridge.
Category
Early 20th Century Realist Landscape Prints
Materials
Etching
St John's College, Oxford etching by Richard Beer
By Richard Beer
Located in London, GB
Richard Beer (1928 - 2017) St John's College, Oxford (1964 / 65) Etching and aquatint 58 x 43 cm Titled and numbered 19/100 lower left and signed lower right, all in pencil.
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Brasenose College, Oxford etching by Richard Beer 1960s
By Richard Beer
Located in London, GB
Richard Beer (1928 - 2017) Brasenose College, Oxford (1964 / 65) Etching and aquatint 61 x 44 cm A copy of this print is held by the Government Art Collection.
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Magdalen Tower and Bridge, Oxford etching by Richard Beer
By Richard Beer
Located in London, GB
Beer would then make etchings and paintings in his Primrose Hill studio, inspired by the landscapes he had sketched and seen while travelling.
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Trinity College, Oxford etching by Richard Beer Modern British Art
By Richard Beer
Located in London, GB
Richard Beer (1928 - 2017) Trinity College, Oxford (1964 / 65) Etching and aquatint 42.5 x 58 cm Numbered 27 / 100.
Category
1980s Realist Landscape Prints
Materials
Etching
Christ Church Cathedral Oxford etching E W Sharland print College University
Located in London, GB
Edward W Sharland (1884-1967) - British Christ Church Cathedral Oxford interior Etching 32x18cm Sharland was a Bristol-based artist who specialised in architectural views such as th...
Category
1920s Realist Interior Prints
Materials
Etching
Magdalen College, Oxford Tower etching by Richard H Tyrell
Located in London, GB
Richard H Tyrell Magdalen Tower, Oxford Etching 15 x 10 cm A characterful depiction of Magdalen Tower from Magdalen Bridge, with horse-drawn carriages driving up the High.
Category
Late 19th Century Landscape Prints
Materials
Etching
All Souls College Oxford University etching c. 1920 Mabel Oliver Rae
By Mabel Oliver Rae
Located in London, GB
Mabel Oliver Rae (1868-1956) All Souls Oxford Etching Signed and titled in pencil 23x15 cm Rae was born in Cambridge and trained at the Slade 1888-1890.
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Worcester College, Oxford lithograph by Richard Beer
By Richard Beer
Located in London, GB
Richard Beer (1928 - 2017) Worcester College, Oxford Etching and aquatint 44 x 59 cm Titled and numbered 77/100 and signed lower right, all in pencil.
Category
20th Century Landscape Prints
Materials
Etching, Aquatint
Mabel Oliver Rae, etching of Merton Tower, Oxford
By Mabel Oliver Rae
Located in London, GB
Mabel Oliver Rae (1868-1956) Merton Tower, Oxford c.1920 Etching 20 x 8 cm Signed in pencil below.
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Mabel Oliver Rae, etching of Tom Tower, Oxford
By Mabel Oliver Rae
Located in London, GB
Mabel Oliver Rae (1868-1956) Tom Tower, Oxford c.1920 Etching 12 x 9 cm Signed in pencil below.
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Christ Church, Oxford 1965 etching by Richard Beer
By Richard Beer
Located in London, GB
Richard Beer (1928 - 2017) Christ Church, Oxford (1964 / 65) Etching and aquatint 64 x 48 cm Titled and numbered 24/100 lower left and signed lower right, all in pencil.
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Richard BeerOxford Spires All Souls College Radcliffe Camera etching by Richard Beer, circa 1980
$1,021
Oxford Spires All Souls College Radcliffe Camera etching by Richard Beer
By Richard Beer
Located in London, GB
Richard Beer (1928 2017) Oxford Spires Etching 62 x 44 cm Titled and numbered 75/150 lower left and signed lower right, all in pencil.
Category
1980s Realist Landscape Prints
Materials
Etching
Bodleian Library, University of Oxford 20th century etching by Valerie Thornton
Located in London, GB
Valerie Thornton (1931-1991) Bodleian Quadrangle, Oxford (1983) Etching 24 x 35 cm Numbered 13/75 lower left, titled below, and signed and dated lower right, all in pencil.
Category
1980s Abstract Landscape Prints
Materials
Etching
David Loggan: Jesus College, Oxford engraving
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
G Cooper: Oriel College, Oxford watercolour
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
Category
19th Century Realist Landscape Prints
Materials
Etching
New College, Oxford engraving by David Loggan
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Jesus College, Oxford engraving by David Loggan
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Queen's College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Oriel College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Magdalen College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: University College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: New College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Balliol College, Oxford (1675 engraving)
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Oxford, Map from "Civitates Orbis Terrarum" - by F. Hogenberg - 1575
By Franz Hogenberg
Located in Roma, IT
Braun G., Hogenberg F., Oxonium or Oxford, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine and interestig B/W aquatint showing a view of O...
Category
16th Century Figurative Prints
Materials
Etching, Aquatint
David Loggan: Canterbury Quad, St John's College, Oxford (1675 engraving)
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Oriel College, the Hall of the Blessed Virgin, Oxford (1675)
By David Loggan
Located in London, GB
Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges.
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
By Samuel Ireland
Located in Melbourne, Victoria
'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
Il Colloquio (The Talk) - Etching by N. Gulino - 1967
By Nunzio Gulino
Located in Roma, IT
Interesting Etching on Oxford paper, representing an amusing still life.
Category
1960s Contemporary Figurative Prints
Materials
Etching
Christ's College Cambridge Hall etching c. 1920 Mabel Oliver Rae print
By Mabel Oliver Rae
Located in London, GB
Her early painting was mostly portraits, but her commercial work is mostly etchings of Oxford, Cambridge and public schools at which she was very skilled.
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Mabel Oliver RaePepys Library Magdalen College Cambridge etching c. 1920 Mabel Oliver Rae, c. 1920
$217
Pepys Library Magdalen College Cambridge etching c. 1920 Mabel Oliver Rae
By Mabel Oliver Rae
Located in London, GB
Her early painting was mostly portraits, but her commercial work is mostly etchings of Oxford, Cambridge and public schools at which she was very skilled.
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
King's College Cambridge from the Meadow etching c. 1920 Mabel Oliver Rae Backs
By Mabel Oliver Rae
Located in London, GB
Her early painting was mostly portraits, but her commercial work is mostly etchings of Oxford, Cambridge and public schools at which she was very skilled.
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Recent Sales
Mabel Oliver RaeSt Edmund Hall Oxford etching c. 1920 Mabel Oliver Rae print, c. 1920
Sold
H 5.12 in W 3.55 in
St Edmund Hall Oxford etching c. 1920 Mabel Oliver Rae print
By Mabel Oliver Rae
Located in London, GB
Mabel Oliver Rae ((1868-1956) St Edmund Hall Oxford Etching Signed and titled in pencil 13x9cm Rae was born in Cambridge and trained at the Slade 1888-1890.
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Richard BeerRichard Beer Magdalen College and Bridge Oxford etching c. 1980, c. 1980
Sold
H 18.51 in W 24.02 in
Richard Beer Magdalen College and Bridge Oxford etching c. 1980
By Richard Beer
Located in London, GB
Richard Beer (1928-2017) Magdalen College and Bridge, Oxford Limited edition coloured etching signed in pencil and numbered 75/150. 57×76 cm Born in London in 1928, just too late to...
Category
1980s Realist Landscape Prints
Materials
Etching
Mabel Oliver Rae, etching of Keble College, Oxford
By Mabel Oliver Rae
Located in London, GB
Mabel Oliver Rae (1868-1956) Keble College, Oxford c.1920 Etching 14 x 18 cm Signed in pencil below.
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Mabel Oliver RaeSt John's College Cambridge etching c. 1920 Mabel Oliver Rae Bridge of Sighs, c. 1920
Sold
H 11.82 in W 7.49 in
St John's College Cambridge etching c. 1920 Mabel Oliver Rae Bridge of Sighs
By Mabel Oliver Rae
Located in London, GB
Her early painting was mostly portraits, but her commercial work is mostly etchings of Oxford, Cambridge and public schools at which she was very skilled.
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
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Oxford Etching For Sale on 1stDibs
Surely you’ll find the exact oxford etching you’re seeking on 1stDibs — we’ve got a vast assortment for sale. Making the right choice when shopping for an oxford etching may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 18th Century and a newer version made as recently as the 20th Century. When looking for the right oxford etching for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, beige, brown and black. Creating an oxford etching has been a part of the legacy of many artists, but those crafted by David Loggan, Richard Beer and Frans Hogenberg are consistently popular. Artworks like these — often created in etching, engraving and aquatint — can elevate any room of your home. A large oxford etching can be an attractive addition to some spaces, while smaller examples are available — approximately spanning 4.34 high and 3.15 wide — and may be better suited to a more modest living area.
How Much is an Oxford Etching?
An oxford etching can differ in price owing to various characteristics — the average selling price for items in our inventory is $885, while the lowest priced sells for $75 and the highest can go for as much as $2,110.
Finding the Right Prints And Multiples for You
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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