Pulp Illustration

A dark and mystical exhibited fine art oil painting by the prolific and frequent Golden Age of Illustration pulp artist Harry Fisk. Artwork bears the original Salmagundi Club Curator...

His last published pen & ink drawing for an interior story illustration appeared in 1956. Very few pulp artists were also credited as published authors.

Medium: Oil on Canvas Dimensions: 32.25" x 24.25" Signature: Signed Lower Right

Born in 1916, he learned his trade at the Pratt Institute in Brooklyn, joining the field of pulp illustration after his graduation in 1936. When America joined the Second World War, ...

Best known for his "Spicy Girl" Portraits and pulp covers. Listing 4 illustrations, so please check out my other Higgins Illustrations.

Much of his output was in ink, and these images reveal an excellent sense of design and the bold, dynamic compositions required of pulp magazine illustrations. His paintings often ha...

Amos Sewell (1901-1983) "Prairie Schooner" original saturday evening post illustration, circa 1950s A fine Cowboy Pulp illustration for Saturday Evening Post in the 1950s.

The Stark graphic impact of Bernard Bittler's retro pulp-magazine style illustration against the blood red title make this epic French Grande one of the most desirable posters for th...

He also painted cover illustrations for pulp magazines, such as Frontier Stories, Short Stories, and West.

He would return, at the beginning of World War II, to magazines such as Colliers and Liberty, and to his landscape painting, but, ironically, it is his illustrations of the pulps for...

During the 1920s he created illustrations for pulp novelettes and later painted portraits of various people as well as landscapes and city scenes In 1941 he was the recipient of fou...

During the 1920s he created illustrations for pulp novelettes and later painted portraits of various people as well as landscapes and city scenes In 1941 he was the recipient of fou...

Acting out his fantasy of becoming a cowboy, he used pretended he was roping cows by using his mother's clothesline. He began illustration pulp magazines with western themes while he...

"Firebrand's Brothill Bounty" by Swedish American pulp artist Lorence Bjorklund (1913 - 1978) is an ink drawing on illustration board representing a shoot-out somewhere in the "Wild ...

"don Hurricane" by Swedish American pulp artist Lorence Bjorklund (1913 - 1978) is an ink drawing on illustration board representing two fighting male figures somewhere in the "Wild ...

A copy of the pulp magazine this illustration appeared in is included in the sale.

During those years he began to support himself as an illustrator in the western pulp magazine industry by drawing pen and ink interior story illustrations.

The artwork is an original illustration used in the pulp magazine's editing/publishing process.

"Shawn of the Gun Pack" by Swedish American pulp artist Lorence Bjorklund (1913 - 1978) is an ink drawing on illustration board representing a shoot-out somewhere in the "Wild West".

During those years he began to support himself as an illustrator in the western pulp magazine industry by drawing pen and ink interior story illustrations.

During those years he began to support himself as an illustrator in the western pulp magazine industry by drawing pen and ink interior story illustrations.

During those years he began to support himself as an illustrator in the western pulp magazine industry by drawing pen and ink interior story illustrations.

During those years he began to support himself as an illustrator in the western pulp magazine industry by drawing pen and ink interior story illustrations.

During those years he began to support himself as an illustrator in the western pulp magazine industry by drawing pen and ink interior story illustrations.

This dramatic, futuristic sci-fi interior pulp illustration was created by Harold McCauley for an as-of-yet unidentified Ziff-Davis title.

This spectacular otherworldly sci-fi pulp illustration painting by Harold McCauley was used as the cover for the December, 1954 edition of Imagination Stories of Science And Fantasy.

This is a great Illustration by Pete Kuhlhoft ( 1903- 1972). The website Pulpartists.com has his bio. This is untouched in great original condition. It is currently unframed. It is s...

John E. Johnson Cover Illustration for Mastro Don Gesualdo by Giovanni Verga published by UC Press, 1979 oil on board 10 x 15 inches Excellent condition The painting is done ...

A pulp cover painting by Harold W. McCauley for the Ziff-Davis science fiction pulp title Fantastic Adventures. Created as the cover for the July 1947 issue illustrating the interior...

This striking and tense dramatic painting by Norman Saunders was created as cover art for the the October, 1950 issue of the pulp magazine 15 Story Detective; a Popular Publications ...

A signed original pastel on illustration board from the late 1930's by the prolific cover artist and pin-up illustrator Cardwell Higgins of an oddly alluring modernist blonde showgirl.

Harold McCauley created this tense, action-packed, gritty, and dramatic illustration for an-as-of-yet unidentified pulp title, circa 1940s.

This dazzling and otherworldly painting by Virgil Finlay appeared as the cover for the July, 1954 issue of Fate Magazine, a special issue solely focused on the powers of Hypnotism. A...

This science fiction pulp gouache painting on illustration board by noted comic artist Charles Clarence Beck who signed much of his work C.C.

The work has been restored and cleaned and is handsomely framed in a rustic wood gallery frame - by all accounts just a fabulous example of the genre and a rare surviving Golden Age ...

Ward as "possibly the most sensationalist of all the pulp magazine illustrators," and in a three minute segment discussed the artist, the culture of spicy pulps, and the "red hot" il...

Featured is the original 1941 lurid gouache painting by Bill Fleming which appeared as the cover for the early Dell Vest Pocket Paperback book Marihuana, written by Cornell Woolrich ...

During those years he began to support himself as an illustrator in the western pulp magazine industry by drawing pen and ink interior story illustrations.

During those years he began to support himself as an illustrator in the western pulp magazine industry by drawing pen and ink interior story illustrations.

During those years he began to support himself as an illustrator in the western pulp magazine industry by drawing pen and ink interior story illustrations.