Ray And Charles Eames Screen

A Birch Plywood and canvas screen Early production Original finish.

Ash wood half size screen featuring eight segments with canvas partitions by Charles and Ray Eames c. 1952.

c. 2000s. USA. Plywood construction with bentwood frame. 9 available

An undulating and adjustable six panel molded plywood screen, the individual panels connected by fabric 'hinges'.

The typical zig-zag format of a screen is brilliantly surpassed in this iconic design by Charles and Ray Eames, originally designed in 1946.

Ray and Charles Eames’ iconic folding screen, FSW-10, for Herman Miller takes the inspiration for its undulating shape from the folds of heavy drapery.

An early molded plywood screen divider in calico ash, designed by Charles & Ray Eames, manufactured by Herman Miller.

Charles and Ray Eames Galaxy Lamp Manufactured by Cassina (Italy) EXPLOSION OF LIGHT Designed in 1949, a product of the genius of Charles and Ray Eames, created by assembling comp...

Charles and Ray Eames Galaxy Lamp Manufactured by Cassina (Italy) Charles and Ray Eames Galaxy Aluminium 100 cm Pendant Lamp by Cassina EXPLOSION OF LIGHT Designed in 1949, a pro...

Charles and Ray Eames Galaxy Lamp Manufactured by Cassina (Italy) Charles and Ray Eames Galaxy Black 120 cm Pendant Lamp by Cassina EXPLOSION OF LIGHT Designed in 1949, a product...

Charles and Ray Eames Galaxy Lamp Manufactured by Cassina (Italy) Charles and Ray Eames Galaxy White 120 cm Pendant Lamp by Cassina EXPLOSION OF LIGHT Designed in 1949, a product...

Charles and Ray Eames Galaxy Lamp Manufactured by Cassina (Italy) Charles and Ray Eames Galaxy Aluminium 120 cm Pendant Lamp by Cassina EXPLOSION OF LIGHT Designed in 1949, a pro...

Charles and Ray Eames Galaxy Lamp Manufactured by Cassina (Italy) Charles and Ray Eames Galaxy White 100 cm Pendant Lamp by Cassina EXPLOSION OF LIGHT Designed in 1949, a product...

Eames 6 panel oak room divider by Herman Miller. Designed by Charles and Ray Eames and Manufactured by Herman Miller in the 1940's. A durable woven polypropylene mesh connects the 6 ...

A rare example of mid-century modern architecture and textile design, this Knoll International room divider panel fuses graphic vitality with minimalist structure. Upholstered on bot...

Charles and Ray Eames explored its use in lighting but the lamps were never put into production.

Charles and Ray Eames explored its use in lighting but the lamps were never put into production.

Charles and Ray Eames explored its use in lighting but the lamps were never put into production.

Charles and Ray Eames explored its use in lighting but the lamps were never put into production.

Charles and Ray Eames explored its use in lighting but the lamps were never put into production.

Charles and Ray Eames explored its use in lighting but the lamps were never put into production.

The organic curves and sculptural rhythm echo the sensibilities later explored by designers such as Charles & Ray Eames and Alvar Aalto, reinforcing the enduring relevance of thi...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely decorative vintage Chinese oil panting of a Geisha girl statue standing next to a vas Please no...

The lamp is put into production for the first time by Cassina in collaboration with the Eames Office, the design studio founded by Charles and Ray in 1941.

The lamp is put into production for the first time by Cassina in collaboration with the Eames Office, the design studio founded by Charles and Ray in 1941.

The lamp is put into production for the first time by Cassina in collaboration with the Eames Office, the design studio founded by Charles and Ray in 1941.

The lamp is put into production for the first time by Cassina in collaboration with the Eames Office, the design studio founded by Charles and Ray in 1941.

The lamp is put into production for the first time by Cassina in collaboration with the Eames Office, the design studio founded by Charles and Ray in 1941.

The lamp is put into production for the first time by Cassina in collaboration with the Eames Office, the design studio founded by Charles and Ray in 1941.

The lamp is put into production for the first time by Cassina in collaboration with the Eames Office, the design studio founded by Charles and Ray in 1941.

After studying at the Cranbrook Academy of Art alongside figures such as Charles and Ray Eames and Florence Knoll, Bertoia went on to design the iconic Bertoia wire chair collection ...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

We used to think the Time Life chair by Charles and Ray Eames for Herman Miller was the most comfortable office chair - until we sat in this.

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...

Kjær looked to America, inspired by Charles and Ray Eames, and indeed many of her most notable designs stems from her time in the U.S., where she briefly worked at Paul McCobb, befor...