Van Dyke Antique

Crystal Candle Cups Are Made In The Van Dyke Style And the Center Shaft Has Swirl Cutting To Match The

shimmering brightly coloured Van Dyke costumes. They are framed by romantic architectural elements, which

shimmering brightly coloured Van Dyke costumes. They are framed by romantic architectural elements, which

art, and the paintings of Van Dyke and Rubens, which contributed to his independent mind. In 1632 he

recognized his Van Dyke beard and formal dress. The Mills are buried in Allegheny Cemetery, Pittsburgh

1906, and a year later took a studio in the Van Dyke Studio Building on Eighth Avenue. There working

a studio in the Van Dyke Studio Building on Eighth Avenue. There working in the building were a

A set of four cut glass salts with van dyke rims mounted in silver gilt trays. England, circa

" inserts. The wheel cut pattern is named "Van Dyke" combining stone cutting and polished decoration which

Queen. The composition derives from a full-length portrait, painted by van Dyke circa 1633, of the

a copy for themselves too. Apart from Van Dyke and his studio to create these works, other artists

Cromwell contemplating Anthony van Dyck’s portrait of King Charles I – is signed by the artist and dated

A fine Georgian diamond and flat cut bowl with van dyke rim on double knopped pressed moulded foot.

This beautiful pair of English Neo-Classical sconces feature panel cut J-arms, and Van Dyke style

supporting diamond cut eggs terminating in van dyke cut nozzles and pans hung with pear drops.

cut central urn, Van Dyke style cut crystal bobeches, and graduated almond shaped crystal swags

porcelain drums with gilt decoration this supporting diamond cut glass eggs terminating with van dyke pans

finials, Van Dyke style bobeches, and terminate in obelisk form finials.

Period : Victoria Origin : Birmingham, England Decoration : Tooled van-dyke triangle type border

: Tonbridge or Tunbridge Wells, Kent Decoration : Perspective cubes to the etnre with van dyke type decoration

with a fine geometric border. The lower panel has a field of isometric cubes with a 'Van Dyke' border

a Van Dyke mustache, sword and leather boots, she with shy expression, string of pearls and other

floral woolwork band and a band of van dyke triangles with keylines. Size : 24.3x19.2x1.8cm Condition

arms and two candle arms these with drop hung van dyke drip pans and nozzles, the wall lights

Rembrandt Van Rijn. Created in 1654. A 20th/21st Century impression printed by Marjorie Van Dyke. From the

Period : Victoria Origin : Tunbridge Wells, Kent Decoration : Elaborate and fine van dyke pattern on

Cap” by Rembrandt Van Rijn. Created in 1630. A 20th/21st Century impression printed by Marjorie Van

Drinking” by Rembrandt Van Rijn. Circa 1650. A 20th/21st Century impression printed by Marjorie Van Dyke

original hinges. Every side is carefully decorated with what is known as 'Van Dyke' triangles. The

” by Rembrandt Van Rijn. Created circa 1630. A 20th/21st Century impression printed by Marjorie Van

: None Weight : 404 grams We have seen this style of van dyke triangle on Henry Hollamby designs, and

modelled on Van Dyke’s finest portrait of Charles I which was painted just a few years earlier in 1635/6

Marjorie Van Dyke. From the “Millenium” edition limited to 2500 examples. In 1629, Rembrandt began to paint

baluster shaped finial the three notched cut branches each with drop hung van dyke drip pans and candle

-Couch, A Lover of Music by Henry Van Dyke illustrated by Walter Appleton Clarke, The Stevenson Letters

hand stained using van dyke crystals which gives the wood this lovely rich warm brown colour, we have

both of the original hinges. Every side is carefully decorated with what is known as 'Van Dyke

reasons the bases were a necessity The bases have been stained using van dyke crystals and then hand

follows the patterns of Sir Peter Lely’s female portraiture, ultimately set out by Van Dyke. As was

manner of Sir Anthony Van Dyke. This portrait has all the style and skill of a mid-17th century portrait

visible in the shadows. Most of the men have van dyke beards, which was extremely popular in 17th century

-work patterns, Van Dykes or topographic mosaics; in the fence-pattern and the perspective tubes (as

influence extends into the modern period. The Van Dyke beard is named after him. During his lifetime

Northumberland Collection of works by Van Dyke and Dobson. By the end of the Commonwealth, he had become the

was able to study the Northumberland Collection of works by Van Dyke and Dobson. By the end of the

Van Dyke and Peter Lely which was known as “undress” and was a relaxed, effortless, and careless, and

global cultures. The series draws on designs after notable artists such as Holbein, Van Dyke, and Hollar

Van Dyke. Here, Theodore Russel, who worked in the studios of both Van Dyle and Johnson, and later

Simonsz. van Gesel. His brothers Simon Verelst (1644-1710) and Johannes Verelst (born 1648) were also

delicately rendered hand is reminiscent of the work of Van Dyke. The artist was immensely adept at the oil

study the Northumberland Collection of works by Van Dyke and Dobson. By the end of the Commonwealth he

works by Van Dyke and Dobson. By the end of the Commonwealth, he had become the best-known portraitist

painted a number of portraits, obviously influenced by Van Dyke. Here, Theodore Russel, who worked in the

Signed, lower right: Fantin Provenance: Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son: Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...

19th century sterling silver Malaysian Dagger. Original carved mahogany wood handle. Sterting silver carved crown. Damascene steel. The kris is an asymmetrical dagger with distincti...

This extraordinary 128-piece service by Fabergé is a rare treasure in more ways than one. Enclosed in its original oak chest, the exquisite service remains complete and in pristine c...

A Large and Magnificent Oil On Canvas Painting of King William III (1672–1702), After Sir Godfrey Kneller Step into history with this extraordinary large oil on canvas painting of...

French portrait of a nobleman, 17th Century, great condition. With a beautiful carved wooden frame.

A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.  Anne Carr, Lady Russell, an estee...

Fine 19th Century Oil on Canvas Portrait of a Young Woman in large gilt gesso frame .unsigned. Identity of the sitter as yet unknown. The artist has managed to capture her ethereal b...

This superb large British Edwardian exhibited portrait oil painting is by noted artist George Spencer Watson. It was painted in 1909 and exhibited at the Royal Academy the same year ...

A precursor of Benjamin Franklin's famous and popular POOR RICHARD's ALMANAC Rider, Cardanus Rider's (1726) British Merlin; Adorned with many delightful Varieties and Useful Veritie...

After Louis-Stanislas MARIN-LAVIGNE (Paris, 1797 – Paris, 1860) Portrait of Colonel Charles-Louis-Prosper Marquis de Chérisey (1786-1837) in the uniform of commander of the 38th lin...

Portrait of the Princess of Conti - Attributed to Louis Ferdinand Elle the Younger (1648-1717) Late 17th century French school Oil on canvas, h. 100 cm, l. 80 cm Important Louis XIV ...

Circle of John Riley British, (1646-1691) Portrait of a Gentleman Oil on canvas Image size: 29 inches x 24 inches Size including frame: 36 inches x 31 inches A fine half-length por...