Aida Subirè Art

This piece titled "Bar" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum, and pastel by Drew Leshko. This piece measures 17”h x 1.75”w x 10”d. Paradi...

This piece titled "Milan Lounge" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This piec...

"Williams & Sonoma #4' in 2002 by American artist Jean Blackburn. Gouache and acrylic on paper, Image: 11.5 x 8.5 in. / Paper: 14 x 12 in. / Frame: 17.75 x 14.50 in. This work on paper features an abstracted version of a living room with a lamps, sofa, mirror, and flooring. In rich colors of red, yellow, orange, blue, green, white, and black. Framed in light wood. With her works on paper, Jean Blackburn begins with images scanned from various home furnishing catalogs (Pottery Barn, Crate and Barrel, Williams and Sonoma...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...

This piece titled "Instant Slaughter" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This...

"Window VI" is one piece in Heather Hartman's Spare Room series. Hartman’s work combines paper softly appearing behind polyester mesh to create the illusion of light glowing through ...

Julien Tomasello is a multi-disciplinary artist based in San Francisco Bay, CA. Collage is one of Julien’s main forms of art. His collage works are ...

Two translucent « diamond dust » fish shimmer on the waves surface in a 24 x18in contemporary work on rag paper by a.muse. Fish in the Sea, 2025 translates the rhythmic energy of wa...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the intricate dynamics between their inner thoughts and outward expressions. By creating layered mixed media paintings, Niederhauser breathes new life into carefully selected papers, transforming them into enchanting works of art using gouache, acrylic, and oil paint on canvas. She seeks to share her large figurative works as a “diary written in colors” with communicative forms and conjunctive lines, expressing her personal experiences and the world she inhabits. This unique 63-inch high by 47-inch wide original mixed media artwork...

This piece titled "Anna's Pizza" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This piec...

Alexandra Rozenman's "Talking to a Cat on a Couch" is a 12 x 14 inch contemporary mixed media collage on paper illustrating the love affair between pets and humans. The image feature...

In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...