Alistair Grant Wailing Women Signed 1968 Limited Edition Art Etching
By Alistair Grant
Located in Rochester Hills, MI
Alistair Grant Wailing Women - 1968 Print - etching, with Aquatint 16'' x 24'' inches Edition: signed and marked in pencil 36/50 image size = 8.75 x 13.5" Unframed in Excellent Con...
Etching, Aquatint
$640Sale Price|20% Off
Crying Eye
By Alistair Grant
Located in Rochester Hills, MI
Alistair Grant Crying Eye - 1968 Print - etching, with Aquatint 16'' x 24'' inches Edition: signed and numbered in pencil 45/50 Alistair Grant was a great and justly-revered exp...
Etching
Jeremiah Signed Limited Edition 1968 Art Etching
By Alistair Grant
Located in Rochester Hills, MI
Alistair Grant Jeremiah - 1968 Print - etching, with Aquatint 16'' x 24'' inches Edition: signed and numbered in pencil 17/50 Alistair Grant was a great and justly-revered experim...
Etching
Modern British Surrealist Abstract Bold Color Aquatint Etching Print Yellow Eye
By Alistair Grant
Located in Surfside, FL
Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...
Etching, Aquatint, Intaglio
The Bridge at Etaples, 1987 - Abstract Print in Brown with Yellow and Green
By Alistair Grant
Located in Kingsclere, GB
Alistair Grant was a printmaker, painter and illustrator. He was born in Kensington, London. His mother was from Etaples in Northern France: Grant retained the family home here and t...
Lithograph, Screen
$677
H 21.26 in W 28.15 in D 0.08 in
Untitled - Original Etching and Drypoint by Wilfredo Lam - 1960s
By Wilfredo Lam
Located in Roma, IT
Untitled is an original artwork realized by Wifredo Lam in the 1960s. Black and white drypoint. Hand signed in pencil by the artist. Artist's proof (EA hand written on the lower le...
Drypoint, Etching
$18,685
H 30.71 in W 22.05 in D 0.04 in
For Alberti, For Spain! - Etching by Joan Mirò - 1975
By Joan Miró
Located in Roma, IT
For Alberti, For Spain! is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of XXVIII/LX. There ...
Etching
$95,000
H 77.75 in W 57.25 in D 12 in
Jonah Historically Regarded, from the Moby Dick Domes series, Signed, 1992
By Frank Stella
Located in Aventura, FL
From the Moby Dick Domes series. Aquatint, etching, engraving, relief, screen print and stencil with hand-coloring in acrylic on handmade, shaped TGL paper. Hand signed and dated l...
Paper, Acrylic, Engraving, Etching, Aquatint, Screen, Stencil
$3,310
H 26 in W 23.25 in
"Les Erophages" Etching & Aquatint with Gold Ink on Paper signed by Andre Masson
Located in Milwaukee, WI
"Les Erophages" is an etching and aquatint with gold ink on Japanese paper signed by Andre Masson. Coming from the corner on the lower left was a boarder of pink with lines and circl...
Paper, Ink, Etching, Aquatint
Unavailable|$4,796
H 12.99 in W 9.84 in
Henri Matisse, Three Heads. To Friendship, from Apollinaire, 1952
By Henri Matisse
Located in Southampton, NY
This exquisite aquatint by Henri Matisse (1869–1954), titled Trois têtes. A l'amitié (Three Heads. To Friendship), from the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), originates from the 1952 edition published by Editions Raisons d'etre, Paris, and printed by Mourlot Freres, Paris, April 24, 1952. The work captures Matisses lyrical line and expressive minimalism, paying tribute to the French poet Guillaume Apollinaire through a synthesis of portraiture and calligraphic grace. Executed as an aquatint on velin a la forme des papeteries d'Arches paper, this work measures 12.99 x 9.84 inches (33 x 25 cm). Unsigned and unnumbered, as issued. The edition exemplifies the superior craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Henri Matisse (1869–1954) Title: Trois têtes. A l'amitié (Three Heads. To Friendship), from the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse) Medium: Aquatint on velin a la forme des papeteries d'Arches paper Dimensions: 12.99 x 9.84 inches (33 x 25 cm) Inscription: Unsigned and unnumbered, as issued Date: 1952 Publisher: Editions Raisons d'etre, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 31. Condition: Well preserved, consistent with age and medium Provenance: From the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), published by Editions Raisons d'etre, Paris; printed by Mourlot Freres, Paris, 1952 Notes: Excerpted from the album (translated from French), Printing of this album was finished on April, Twenty-Four, M.CM.LII for the Editions Raisons d'etre, 2 rue des Beaux-Arts in Paris, was produced by Fernand Mourlot, based on the models of Henri Matisse. The eight original lithographs were shot on the presses of Mourlot Freres who also printed the cover and case composed by the artist. The stones were erased after drawing. The text and letrins engraved by Henri Matisse were drawn by Coulouma S.A., printer in Paris. Justification of the draw— XXX examples on large velin d'Arches a la forme, signed by the author and the artist, accompanied by a series of original lithographs numbered from I to XXX; CCC examples on velin d'Arches a la forme numbered from XXXI to CCCXXX; XX examples of non-commerce collaborators numbered from I to XX and in addition a few nominative examples on Grand Velin. About the Publication: Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), published by Editions Raisons d'etre, Paris, in 1952, stands among Matisses most intimate artist’s albums, conceived as a visual homage to the poet Guillaume Apollinaire, whose friendship and creative influence had profoundly shaped the avant-garde in the early 20th century. The album unites Matisses mastery of line with his reverence for literature, pairing portraits, decorative initials, and typographic designs engraved in his own hand. Printed by the esteemed atelier Mourlot Freres, the volume exemplifies the peak of French postwar printmaking, merging literary refinement with visual purity. Each print reveals Matisses poetic sensibility—his ability to render emotion through the economy of contour and rhythm. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Trois têtes. A l'amitié (Three Heads. To Friendship) Apollinaire, Henri Matisse (Apollinaire, Henri Matisse) 1952, Matisse Editions Raisons d'etre, Matisse Mourlot Freres, Matisse aquatint...
Aquatint
$1,800
H 24 in W 33 in
Düsseldorf (German Cities) by Dieter Roth monuments vintage postcard light blue
By Dieter Roth
Located in New York, NY
Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...
Lithograph, Screen
Untitled
By Jasper Johns
Located in New York, NY
Jasper Johns Untitled 2010 Intaglio on Revere Standard White 19 x 21 1/2 inches 48 x 55 cm Edition of 50 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks Gallery...
Intaglio, Etching
$6,500
H 25 in W 31 in
David's Pool at Night (David Hockney's Pool) black white abstract Howard Hodgkin
By Howard Hodgkin
Located in New York, NY
Large scale black and white etching depicting an abstracted pool, at David Hockney’s home in Los Angeles. This hand painted Howard Hodgkin work is i...
Watercolor, Etching, Aquatint
"Centre Noeuds" planche #10
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...
Aquatint
$11,600Sale Price|20% Off
H 33.375 in W 28.5 in D 1.25 in
Joan Miró “L’Oiseau du Forgeron” 1963 Signed Etching and Aquatint with Debossing
By Joan Miró
Located in Miami, FL
JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...
Etching, Aquatint, Intaglio
$689
H 12.6 in W 9.45 in D 0.04 in
Abstract Composition - Etching by Andre Masson - 1965
By André Masson
Located in Roma, IT
Abstract Composition is an original black and white etching on cardboard realized in 1965 by André Masson. Hand-signed and dated on the lower right margin. On the lower left margin...
Etching
$850
H 13.5 in W 13.5 in
Agam Silkscreen Jerusalem Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...
Lithograph, Screen
Jeremiah
By Alistair Grant
Located in Rochester Hills, MI
Alistair Grant Jeremiah - 1968 Print - etching, with Aquatint 16'' x 24'' inches Edition: signed and numbered in pencil 20/50 Alistair Grant was a great and justly-revered exper...
Etching
Sold
H 23 in W 15.75 in
Modern British Surrealist Abstract Bold Color Aquatint Etching Print Yellow Eye
By Alistair Grant
Located in Surfside, FL
Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art...
Etching, Aquatint, Intaglio
Sold
H 22.5 in W 15.5 in
Modern British Abstract Bold Color Aquatint Etching Print Jeremiah, The Prophet
By Alistair Grant
Located in Surfside, FL
Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brushmarks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen...
Etching, Aquatint
Sold
H 22.5 in W 15.75 in
Modern British Abstract Color Aquatint Etching Print The Prophet
By Alistair Grant
Located in Surfside, FL
Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brushmarks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen...
Etching, Aquatint