Ania Pieniazek Paintings

The iris appears here not simply as a flower, but as a quiet presence shaped by light, memory, and stillness. Set against a deep petrol blue-green field that shifts with changing ill...

In this work, flowers, a vase, and a fragment of an architectural form create a space of quiet co-presence. The objects do not construct a narrative or strive for symbolic completen...

Painting by Massimo Greco, realized in acrylic and mixed media on wood. Hand signed on rear by the Artist.

Timothy by Lucie Sheridan [2022] A colourful painting of a cat Additional information: Original Acrylic on canvas Image size: H:50.8 cm x W:40.6 cm Complete Size of Unframed Work: H:50.8 cm x W:40.6 cm x D:6 cm Frame Size: H:53.8 cm x W:43.6 cm x D:3.5 cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Lucie Sheridan is an illustrator and print maker. She creates her work within her studio at Centrespace located in central Bristol, England, which is a long standing co-operative studio and gallery space...

This piece titled "Elderberries" is an original artwork by Vasilisa Romanenko and is made of acrylic on canvas, and measures 10"h x 8"w. It is signed en verso by the artist. Vasilis...

This artwork "Market Scene" 1968 is an oil painting on canvas by noted Haitian artist Petion Savain, 1906-1973. It is signed and dated at the lower right...

This artwork Titled "Les Quais de la Seine with Notre Dame, Paris" c.1970 is an oil painting on canvas by noted French artist Guy Buffet, 1943-2023. It is signed at the lower right c...

A series of paintings exploring the dynamic and expressive shapes of pot plants. I love the way that nature expresses itself; plants often remind me of dancers, but being rooted in solid earth or a heavy pot their 'moves' seem to express an un-self-conscious celebration of life, and a contented acceptance of their earthbound limitations. Throwing Some Shapes I ,II, III by Kerry Louise Bennett...

Georgia-based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant paintings that celebra...

This small-scale, slightly textured, intimate painting could be a Hanukkah or Christmas gift. The 12”x 12” canvas has “gallery wrapped” edges. The edges are also “loosely” painted with a touch of surface paint appearing. The work is pre-wired. It can be hung as is, or it could be framed for a more polished presentation. The gold has a reflective quality changing with the light and angle of viewing, which adds to the spiritual character of the subject. ______________________ Audrey Frank Anastasi is a prolific a visual artist, curator, gallerist, educator, philanthropist, and arts advocate. She works primarily in 2-dimensional mediums: painting, drawing, collage, mixed media, focusing on the human subject. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has exhibited in over 20 solo & 200 group shows. Her original “ref-u-gee” series of forced-migration–themed artwork was shown in a solo exhibition from October, 2022 through January, 2023 at the Brooklyn College library gallery in collaboration with the Valentine Museum of Art (VMoA.) Accompanying the show, a limited-edition monograph with over 180 images of passport sized paintings, four 8 foot tall works on panels, and a foreword by Phyllis Braff. The book was printed in 2023 by SIZ Industria Grafica, Verona, Italy. Additional book and catalog publications include "Stations of the Cross", SPQR press, with an essay by Amir Bey, BREUCKELEN magazine, “Audrey Frank Anastasi” catalog with an essay by renowned feminist art critic Cindy Nemser, and "Collage" with an essay by Giancarlo T. Roma. Born in a predominantly Jewish suburb of Baltimore, Maryland, Audrey was always drawn to art. Her parents had an innate sense of style. Her father's side of the family were immigrant merchants. They owned what was called, in those days, a junior department store. Audrey’s father would arrange creative window displays. And he was a snappy dresser, looking surprisingly elegant in his patterned or pastel sports jackets. Audrey’s mother, on the other hand, came from a more rural upbringing. Although her maternal grandmother was from Eastern Europe, her maternal grandfather was born in the USA. “Mr. Jew Arthur,” as he was referred to by locals, owned a tavern in a predominantly African-American community, Fairfield, Maryland. Not only did he sell spirits, he definitely partook of them, as well. While still a teenager, Audrey’s mother, Rose Gussie, changed her name to Joyce and headed to Atlanta, Georgia, and later to New York City to be a cosmetician and hosiery model. She also had an impeccable sense of style. And in her picture albums, beside the photographs, were pages upon pages of charming ink drawings of stylish ladies. Of her own formative years, Audrey expresses, “I'm forever grateful that when I was a child, my mother indulged me with regular outings to the library where I emerged with armloads of books, and weekly visits to the Baltimore Museum of Art. There I would pass the gorgeous bust of Queen Nefertiti and the scary mummies on the way to my art lessons. There isn't a single moment of my conscious life when I didn't think of myself as an artist.” Audrey also studied with a local artist, “Miss Mary,” who soon asked Audrey to become a teaching assistant, instructing other students how to observe shapes and tonalities, while faithfully drawing charcoal drawings of classical plaster casts...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Roy Carnon...

Fred Cuming RA (British, 1930 – 2022) Fairground, Evening Oil on board Signed ‘Cuming’ (Lower left) 30 x 30 in. (76 x 76 cm.) Fred Cuming studied at Sidcu...