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Audrey Flack Prints and Multiples

American, 1931-2024

Audrey Flack became known for her Photorealist paintings and was one of the first artists to use photographs as the basis for painting. The genre, taking its cues from Pop art, incorporates depictions of the real and the regular, from advertisements to cars to cosmetics. 

Flack's photography, prints and paintings bring in everyday household items like tubes of lipstick, perfume bottles, Hispanic Madonnas, and fruit. These inanimate objects often disturb or crowd the pictorial space, which is often composed as table-top still lives. Flack often brought in actual accounts of history into her Photorealist paintings, such as World War II (“Vanitas”) and Kennedy Motorcade. Women were frequently the subject of her Photorealist paintings. 

In her neoclassical public sculpture of gilded bronze angels, muses, and goddesses, Flack mines Greek mythology, presenting the female in an array of archetypal guises. Though some critics have condemned her focus on the classical white female, Flack was an avowed feminist, and many of her sculptures seek to reinvent their subjects and source material.

Flack's early work in the 1950s was Abstract Expressionist; one such painting paid tribute to Franz Kline. Most influential among her early supporters was the Bauhaus artist Josef Albers. It was he who persuaded Flack to take up a scholarship at Yale with the mission of shaking up the institution's stuffy academic reputation.

The ironic kitsch themes in Flack's early work influenced Jeff Koons. But gradually, Flack became a New Realist and then evolved into Photorealism during the 1960s. Her move to the Photorealist style was in part because she wanted her art to communicate to the viewer. Flack was the first Photorealist painter to be added to the collection of the Museum of Modern Art in 1966. Between 1976 and 1978 she painted her “Vanitas” series, including the piece Marilyn.

In the early 1980s, Flack's artistic medium shifted from painting to sculpture. She described this shift as a desire for "something solid, real, tangible. Something to hold and to hold on to." 

Flack discussed the fact that she was self-taught in sculpture. She incorporated religion and mythology into her sculpture rather than the historical or everyday subjects of her paintings. Her sculptures often demonstrate a connection to the female form, including a series of diverse, heroic women and goddess figures. These depictions of women differ from those of traditional femininity, but rather are athletic, older, and strong. As Flack described them: "They are real yet idealized... the 'goddesses in everywoman.'"

Flack had claimed to have found the Photorealist movement too restricting and later gained much of her inspiration from Baroque art. She was represented by the Louis K. Meisel Gallery and Hollis Taggart Galleries. Her work is held in the collections of museums around the world, including the Metropolitan Museum of Art, the Museum of Modern Art, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Allen Memorial Art Museum, and the National Gallery of Australia in Canberra, Australia.

Flack was awarded the St. Gaudens Medal from Cooper Union and the honorary Albert Dome professorship from Bridgeport University. She was an honorary professor at George Washington University, a visiting professor at the University of Pennsylvania, and taught and lectured extensively both nationally and internationally.

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(Biography provided by Lions Gallery)

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Artist: Audrey Flack
Woman and Art Exhibition Poster, Photorealist Poster by Audrey Flack
Woman and Art Exhibition Poster, Photorealist Poster by Audrey Flack

Woman and Art Exhibition Poster, Photorealist Poster by Audrey Flack

By Audrey Flack

Located in Long Island City, NY

Audrey Flack, American (1931 - 2024) - Woman and Art Exhibition Poster, Year: 1974, Medium: Poster, Size: 22.5 x 23 in. (57.15 x 58.42 cm), Publisher: Suzanne Brown Gallery

Category

1970s Photorealist Audrey Flack Prints and Multiples

Materials

Offset

A Course in Miracles iconic limited edition Signed print photorealist art legend
A Course in Miracles iconic limited edition Signed print photorealist art legend

A Course in Miracles iconic limited edition Signed print photorealist art legend

By Audrey Flack

Located in New York, NY

Audrey Flack A Course in Miracles, 1984 Kodachrome 35mm Color Dye Transfer Print Dry mounted to 4 ply 100% cotton fiber board Hand signed and titled by Audrey Flack on the front 20 ×...

Category

1980s Photorealist Audrey Flack Prints and Multiples

Materials

Dye Transfer, Board

Une Bouchee D'Amour (signed presentation print by female photorealist artist)
Une Bouchee D'Amour (signed presentation print by female photorealist artist)

Une Bouchee D'Amour (signed presentation print by female photorealist artist)

By Audrey Flack

Located in New York, NY

Audrey Flack Une Bouchee D'Amour, 2013 Mixed media: Digitized drawing with silkscreen Signed, titled and numbered recto (front) in graphite pencil Annotated presentation proof Frame included: in elegant vintage wood frame Print Club of New York, Publisher; Printer: Experimental Printmaking Institute, Lafayette College, Easton, PA Digitized drawing with silkscreen Flack's "Une Bouchee d'Amour" was the 2013 presentation print commissioned by The Print Club of New York, and it is accompanied by a COA issued by the Print Club of NY as well as Alpha 137...

Category

2010s Photorealist Audrey Flack Prints and Multiples

Materials

Mixed Media, Digital, Screen, Pencil, Graphite

Fourth of July Still Life, Pop Art Lithograph by Audrey Flack

Fourth of July Still Life, Pop Art Lithograph by Audrey Flack

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Located in Long Island City, NY

Fourth of July Still Life Audrey Flack American (1931–2024) Date: 1975 Offset Lithograph Image Size: 11.25 x 11 inches Size: 14 in. x 14 in. (35.56 cm x 35.56 cm) Frame Size: 18.5 ...

Category

1970s Pop Art Audrey Flack Prints and Multiples

Materials

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Esperanza, Screenprint by Audrey Flack

Esperanza, Screenprint by Audrey Flack

By Audrey Flack

Located in Long Island City, NY

Esperanza by Audrey Flack, American (1931) Date: Circa 1972 Screenprint, signed and numbered in pencil Edition of 150 Size: 34 in. x 24 in. (86.36 cm x 60.96 cm) Published by Shorewood

Category

1970s Photorealist Audrey Flack Prints and Multiples

Materials

Screen

Audrey Flack On Painting (hand signed, dated and inscribed by Audrey Flack)
Audrey Flack On Painting (hand signed, dated and inscribed by Audrey Flack)

Audrey Flack On Painting (hand signed, dated and inscribed by Audrey Flack)

By Audrey Flack

Located in New York, NY

Audrey Flack Audrey Flack On Painting (hand signed, dated and inscribed by Audrey Flack), 1981 Hardback monograph with dust jacket (hand signed, dated and inscribed by Audrey Flack) ...

Category

1980s Photorealist Audrey Flack Prints and Multiples

Materials

Paper, Ink, Mixed Media, Lithograph, Offset

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Audrey Flack prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Audrey Flack prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Audrey Flack in screen print, board, dye transfer print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Photorealist style. Not every interior allows for large Audrey Flack prints and multiples, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Ian Hornak, Theo Wujcik, and Richard Estes. Audrey Flack prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $660 and tops out at $2,500, while the average work can sell for $2,000.