Ben Fenske Interior Paintings

An oil painting of lilacs and a water-pitcher on a window-sill, looking out towards a winding driveway, leading away from the Tuscan Farmhouse the scene is set within. Signed "Ben ...

"Window" is a modern impressionist painting of a seated woman looking out her window at a beautiful Tuscan Landscape. She wears a yellow dress and a dark jacket. The natural light b...

"11 O'Clock" is an impressionist home interior in Tuscany, Italy in the morning. Set in Fenske's kitchen, chairs are pulled out from the table, ready to be sat in. Light streams in t...

An oil on canvas painting of a woman sitting in front of a mirror, tending to her hair. Window open behind her admits natural light. Ben Fenske (b. 1978) although a native of Minnes...

"September Still Life" is an impressionist composition of rustic Tuscan spread. A blue teapot is placed as the focal point; it stands out in color but also in shape. A motley of gree...

"Water, Roses, Window, Table" is a bright and airy contemporary impressionist scene. A large oil painting of an open window's view to the outdoors, painted from an interior of the artist's home in Tuscany. Situated in the kitchen, facing the window, the walls and room appear dark, as they are backlit from the bright daylight streaming in. A small glass vase of roses sit centrally in our view, on the table's surface, glowing with blue light. A small tumbler, or glass of water, sits in the foreground, almost lost within Fenske's loose, wild brushstrokes. Urgent, loose brushstrokes connote impressionism, and bring to mind modern...

"Wildflowers" is a bright contemporary impressionist oil painting still life. A bouquet of wildflowers consists of freshly picked Tuscan flowers; red poppies, white and yellow daisie...

"Lilacs, Coffee, Wine" is a Neo-Impressionist rustic still life in Tuscany. Familiar characters in Fenke's kitchen table still lifes include a tea pot, Moka pot, cheese, red wine, a ...

An oil painting of lilacs on a window-sill, looking out towards a winding driveway leading away from the Tuscan Farmhouse the scene is set within. A figure walks along the dirt road....

"Tea, Reading" impressionist composition of woman at the kitchen table, Tuscany. A woman sits in Fenske's kitchen, reading a book and sipping on tea. Light streams in through an open...

"Single Rose" is an impressionist oil painting; a rustic still life . A glass pitcher holding a single peach-toned rose, situated on a wooden surface, beside a rustic mirror. A canva...

"Bed" is an impressionist, figurative painting of a woman lying in bed. Ben Fenske (b. 1978), although a native of Minnesota, has been working and living in Florence, Italy for over...

Friends have brought over their dog to the artist's Tuscan farmhouse, and join in preparing an Italian meal. Fenske, always seeing potential for paintings in everyday life, decided t...

"Yellow Teapot" is a bright impressionist still life with red tray and glass bottle. Painted from direct observation, in the painters Tuscan home. Bio...

An oil painting of a woman seated at a desk, writing in a journal. A Neutral palette feels warm and intimate. Wildflowers are gathered in a vase on the table. She wears a sweater, su...

"Book is an impressionist painting of a woman reading with a window that faces out at a beautiful Tuscan landscape. Framed Dimensions: 23.6 x 25.6 inches Ben Fenske (b. 1978), alt...

Freshly picked wildflowers are the star of this canvas—red poppies and yellow and white chamomile blossoms in their full imperfect glory. Grouped in a simple ceramic vase, on a neutr...

"Lilacs, Pecorino, Wine" is a contemporary impressionist earthy tone still life. A moka pot, jug of olive oil, and pecorino make this still life uniquely Italian. The hard cheese lay...

"Winter Still Life" is an oil painting of drinks and clementines on rustic wooden table, Italy. A box of clementines, a silver espresso maker, a sack...

A small sketch by American Impressionist, Ben Fenske. Painted on site at a local pub, Ben Fenske sketches out an incoherent bar scene. Perhaps the obscurity of forms is a nod to the ...