Benjamin Weaver Figurative Paintings

This mixed-media painting by contemporary artist Patrick Burns is a departure from his "Concrete Gardens" flower paintings, yet continues his use of heavy texture and reverberating, ...

Highly detailed depiction of a Barong Mask dance in Bali. Several people wearing elaborate masks are taking part in a dance or ritual. People are dressed i...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

"Burrowed Beneath" stands as a compelling study of figurative abstraction, where the artist navigates the liminal space between the tangible world and the internal landscape of the p...

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and settin...

This painting was created as a stylization of the beauty of a peacock. The painting is made with deep texturing and impasto. The painting combines elements of living nature combined ...

This mixed-media painting by contemporary artist Patrick Burns is a departure from his "Concrete Gardens" flower paintings, yet continues his use of heavy texture and reverberating, ...

This contemporary, expressive figurative oil painting titled "No Limits" was created by French artist Natalya Mougenot and marks a significant shift in her artistic journey. Part of ...

Contemporary dark toned expressive abstract painting by French artist Pierre Olié. The work features a faceless figure reaching out in a dynamic pose set against an explosive backgro...

Artist: Julius Njau – Tanzanian (1961- ) Title: Untitled Year: 1987 Medium: Acrylic on Canvas Sight size: 27.5 x 36.5 inches. Framed size: 29 x 38 inches Signature: Signed, dated lower right Condition: Very good Frame: Framed in original frame. Frame in fair condition This colorful painting of figures is by the well-known Tanzanian artist Julius Njau. It is in very good condition and signed “Julius N” and dated 1987 in the lower right. The frame is simple unfinished wood. It has a few small scratches Tanzanian artist Julius Njau was born in 1961 Marangu, Moshi in Tanzania. He attended the Primary School Kilimanja. In 1972, a serious fracture of the leg caused him to spend two years in hospital where he began to paint and his career as an artist commenced. Julius was encouraged by a Finnish radiology specialist who supplied him with material and purchased his works. She also organized his first exhibition in Finland in 1983. The first works of Njau are very representative, inspired by the nature and the traditional aspects of his country. In 1984 his technique changed and his style transformed. Julius Njau paintings are characterised by the interaction of primary colors and the mixture of forms. Julius Njau's artworks works are part of the collection of Osaka Prefecture and Toyama Museum of Modern Art in Japan. They are also in the Frankfurt Museum of Ethnology (fur Volkerkunde), in the ZAK Gallery (Zeitgenossische afrikanische Kunst), Furth in Germany, in the Amos Anderson Helsinki Gallery, Finland, and in the 5th British Museum in England. In 2002, Julius Njau received a Nagoya City Hall Award and in 2003 the Grand Prize at the Toyama Prefecture International Competition at the "Sukiyaki Encounter the World" Poster Design Festival. Julius Njau is President and a founding member of the Marafiki group. EXHIBITIONS 1983 'Julius Njau One Man Show' Amos Anderson Museum, Helsinki, Finland 1984 'Group Exhibition' Gallery of Denmark 1985 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1985 'Julius Njau One Man Show' Tynset, Norway 1985 'Julius Njau One Man Show' Gallery of Sweden 1986 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1987 'Julius Njau One Man Show' Gallery Watatu, Nairobi, Kenya 1988 'Julius Njau One Man Show' Vogue Gallery, Nairobi, Kenya 1988 'Julius Njau One Man Show' Centre culturel francais, Nairobi, Kenya 1989 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1990 'Into the Nineties' Gallery Watatu, Nairobi, Kenya 1990 'Portraits of Kenya' Gallery Watatu, Nairobi, Kenya 1991 'Gallery Artists' Gallery Watatu, Nairobi, Kenya 1991 'The Custodian's View' Gallery Watatu, Nairobi, Kenya 1991 'Julius Njau One Man Show' Nairobi Safari Club, Kenya 1991 'Julius Njau One Man Show' Nagoya City Network Centre, Nagoya, Japan 1991 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1991 'Julius Njau One Man Show' The German Culture Centers, Goethe Institut, Nairobi, Kenya 1992 'Julius Njau One Man Show' International Gallery, Madrid, Spain 1992 'Through the Artists' Eyes' Gallery Watatu, Nairobi, Kenya 1992 'Rafiki wa zamani' Gallery Watatu, Nairobi, Kenya 1992 'Kenya Art...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited compositions are both dramatic and invigorating, capturing the fleeting moment of innocence swept up in bold color and seemingly controlled movement. She demonstrates a whimsical expression of femininity and formality; a stunning display of understated grandeur. It is as if the shape's only purpose is to hold the magnificent colors. Painted oil on canvas, signed and dated verso. Art measures 24 x 18 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best known for her series of Brides, Dripping Dots and Hearts, as well as her Plein air street scenes of quintessential New York spots. Shaoul’s works can be found in permanent collections of 100’s of Corporate and Private Collections around the world. Since her first solo show at the Parsons School of Design in 2009, her work has been showcased internationally in Busan South Korea and has shown at Art Fairs in Miami, Palm Beach, Dallas, and New York. She has had numerous Solo exhibitions and this year has garnered the attention of Actress Lily J. Collins and the like. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9 foot colorful, abstract Mural in her Mothers' art studio and never stopped after that. She later traveled to Hungary and Budapest, picking up inspiration and studying abroad for 2 years, which has connected lifelong experiences that would influence her art today. Upon returning to New York City, she would continue her artistic education at the Art Students League, where she worked under the tutelage of Joseph Peller, Gregg Kreutz...

The painting depicts the feeling of music