Briggs Solomon Prints and Multiples

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

4th issue of VERVE, "the magazine to look for" Teriade, E. (director), texts by Henri Michaux, Paul Valéry, Rainer Maria Rilke, Jean-Paul Sartre et. al Verve Volume One No. 4; No. 4...

Photography, silver print. André Naggar est né le 21 juin 1922 à Alexandrie en Egypte. En 1965 il expose des peintures à la Galerie Berggruen à Paris. Cette même année, en vacances ...

Warm Gradient Lights is a vibrant Giclée print that explores the emotional resonance of color through soft, seamless transitions of pink, peach, lavender, and coral tones. This abstr...

Cave of Lights is a limited-edition giclée print triptych that explores the quiet power of geometric modernism through subtle gradations of color and form. Expanding squares emerge f...

Jim Dine (American, b. 1935) Tool Box 1966 Medium: Photo Screen Print and collage Dimensions: Framed 26.5 X 21.5 sheet 24 X 19 Printed by Christopher Prater; Kelpra Studios ltd, Lon...

Sunset Lens is a limited edition giclée diptych that translates the atmosphere of a sunset into a refined geometric composition. Through soft gradients, repetition, and symmetrical s...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world of digital art. Drawing inspiration from the ethereal beauty of nature, Fontaine's artistic journey has taken her on an imaginative exploration of space, depth, and emotion through the medium of large digital prints. Her signature style is characterized by the use of vast, immersive gradients that seem to stretch infinitely across space. These gradients evoke a sense of enigmatic calmness, inviting viewers to lose themselves in the expanse of her visual landscapes. Her ability to create a feeling of boundless depth and space within her pieces, combined with subtle minimalist compositions, is a testament to her mastery of the digital medium. Fontaine’s pieces resonate with audiences seeking a connection to the sublime, offering a window into a world where colors blend seamlessly and boundaries dissolve. Her work can be found in several private collections throughout Europe and the United States. She currently lives and works between Barcelona and Lausanne. Details: Title: Rainbow Reflections...

This limited edition giclée print by Cyd Fontaine explores the language of geometric modernism through a precise arrangement of concentric color fields. Gradual tonal transitions mov...

Photography, silver print. signedAndré Naggar est né le 21 juin 1922 à Alexandrie en Egypte. En 1965 il expose des peintures à la Galerie Berggruen à Paris. Cette même année, en vaca...

ATO>MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...

Caruso is an original b/w photograph about Hollywod '40 realized by De Wan Studios. Some pen notes on the back. Good condition, mounted on a white cardboard p...