Cassina Chairs

Pair of Vintage early 2000s Cab side chairs by Mario Bellini for Cassina. The Cab 413 stands as the defining piece of the Cab collection by Italian designer Mario Bellini. Built on a...

Set of four dining chair model 1110 by Ico Parisi for Cassina. Walnut frame with straight/curved lines and padded backrest.

Outdoor chair designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the ou...

Outdoors green LC7 chair designed by Charlotte Perriand in 1927. Relaunched in 1978. Manufactured by Cassina in Italy. Designed by Charlotte Perriand and p...

Committee chair designed by Pierre Jeanneret circa 1950 , relaunched in 2022. Manufactured by Cassina in Italy. The Committee chair is introduced in the original version and in a...

This set of four "Model 696" chairs was designed and manufactured by Ufficio Tecnico Cassina in the 1950s. They consist of conically shaped woo...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, foun...

Outdoors green LC7 chair designed by Charlotte Perriand in 1927. Relaunched in 1978. Manufactured by Cassina in Italy. Designed by Charlotte Perriand and pa...

Outdoor chair designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the ou...

Chair designed by Charlotte Perriand in 1954. Relaunched by Cassina in 2009. Manufactured by Cassina in Italy. With the Ombra Tokyo chair, Charlotte Perriand came up with an iconic ...

Gio Ponti 699 “Superleggera” dining chair for Cassina, ash, rope, Italy, 1957 In 1957 the Italian furniture manufacturer Amedeo Cassina added a new dining chair to its collection. I...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Mario Bellini "CAB 412" dining chair for Cassina, natural leather, Italy, 1978 The "CAB" is the world's first free-standing cowhide design chair, informed by the relationship betwee...

The Pierre Jeanneret 055 Capitol Complex Chair by Cassina is a timeless classic. Featuring an elegant design that...

Textured Black Outdoors LC7 chair designed by Charlotte Perriand in 1927. Relaunched in 1978. Manufactured by Cassina in Italy. Designed by Charlotte Perriand and part of the LC ...

Designed in 1918 by Dutch designer Gerrit Rietveld, the "Red and Blue Chair" is part of the Dutch De Stijl movement, a rigorous abstraction of lines and colours. An outlook shared by...

Fabulous, RARE set of 6 Mario Bellini for Cassina 413 Cab Armchairs in dark grey / matte black. Complete set, in beautiful leather. Very good condition thr...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 2012. Manufactured by Cassina in Italy. Armchair with structure in polished trivalent chrome plated (CR3) steel. Padded seat and backrest in polyurethane. The armrests are wider at the front and tapered towards the back. In this version of the sling chair, designed in 1928 for the Villa Church...

Set di quattro sedie da pranzo vintage con struttura in legno a vista, seduta con imbottitura in espanso e rivestimento in tessuto blu originale del periodo.

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Production delay: 8-9 weeks Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Outdoor chairs designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the o...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Outdoor chairs designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the o...

Set of Saghi chairs by Kazuhide Takahama for Cassina, 1960s, Italy Set of Saghi chairs with upholstered seats covered in yellow fabric. The tubular stainless steel frame is visible....

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Outdoor chairs designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the o...

Luisa chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The small armchair, dubbed Luisa, is the fruit of a fifteen-year process of exploration, focused on creating an archetype of the basic elements of a chair, and its potential uses within the home. A idea-based design, where Franco Albini expressed the concept of “substance in form”, increasing the volume of the wooden parts where they join with others. Following various enhancements, the definitive version of the chair was awarded the prestigious Compasso D’Oro prize by the Italian Industrial Design Association (Associazione per il Disegno Industriale/ADI). The frame represents a synthesis where the seat and the back are two geometric planes suspended on an understated wood structure, the sides reminiscent of trestles. Luisa is a timeless piece, the outcome of skill, both in terms of technique and of materials. This world exclusive Cassina re-issue, has been made possible thanks to the company’s extraordinary wood...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example o...

Prices vary dependent on the chosen material/color. The seat is available in many different fabrics / leathers. The AEO chair was the last product from the...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Vintage LC1 Chair designed by Le Corbusier and produced by Cassina in 1970s. Tubular steel and leather. Very good condition.

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a ...

Outdoor chairs designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the...

From 1963 to 1966 the architects Afra and Tobia Scarpa collaborated with the Italian company Cassina, designing a series of furniture characterized by the use of solid wood, the stud...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example o...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a ...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The small armchair, dubbed Luisa, is the fruit of a fifteen-year process of exploration, focused on creating an archetype of the basic elements of a chair, and its potential uses within the home. A idea-based design, where Franco Albini expressed the concept of “substance in form”, increasing the volume of the wooden parts where they join with others. Following various enhancements, the definitive version of the chair was awarded the prestigious Compasso D’Oro prize by the Italian Industrial Design Association (Associazione per il Disegno Industriale/ADI). The frame represents a synthesis where the seat and the back are two geometric planes suspended on an understated wood structure, the sides reminiscent of trestles. Luisa is a timeless piece, the outcome of skill, both in terms of technique and of materials. This world exclusive Cassina re-issue, has been made possible thanks to the company’s extraordinary wood...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognizable in Chandigarh’s Capitol Complex, f...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

This set of six chairs, 2 of them with and 4 of them without armrests, was designed and manufactured in the 1950s by the Italian company Cassina. All four chairs are in very good co...

Chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The small armchair, dubbed Luisa, is the fruit of a fifteen-year process of exploration, focused on creating an archetype of the basic elements of a chair, and its potential uses within the home. A idea-based design, where Franco Albini expressed the concept of “substance in form”, increasing the volume of the wooden parts where they join with others. Following various enhancements, the definitive version of the chair was awarded the prestigious Compasso D’Oro prize by the Italian Industrial Design Association (Associazione per il Disegno Industriale/ADI). The frame represents a synthesis where the seat and the back are two geometric planes suspended on an understated wood structure, the sides reminiscent of trestles. Luisa is a timeless piece, the outcome of skill, both in terms of technique and of materials. This world exclusive Cassina re-issue, has been made possible thanks to the company’s extraordinary...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Stool model Meribel designed by Charlotte Perriand in 1953-61. Oak stained black. Relaunched by Cassina in 2011. Manufactured by Cassina in Italy. Reclaiming simple materials and basic shapes, with an eye to architecture and mountain life...

Frank Lloyd Wright "Barrel" chair for Cassina, patinated wood and butter white velvet seat, Italy, 1937, set of six. A timeless design informed by exceptional constructive complexit...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Set of Three Stackable Chairs, model Ombra Tokyo designed by Charlotte Perriand in 1954. Relaunched by Cassina in 2009. Manufactured by Cassina in Italy. With the Ombra Tokyo chair...

Set of eight 121 chairs with structure in black lacquered wood, seat and back in Bulgarian red leather designed by Tobia and Afra Scarpa in 1965 and manufactured by Cassina in the 19...

Frank Lloyd Wright "Barrel" chairs for Cassina, patinated wood and beige velvet seat, Italy, 1937, set of six A timeless design informed by exceptional constructive complexity, the ...

Mario Bellini “Lira & Liuto” chairs for Cassina, bordeaux leather, Italy, 1989, set of 2 The "Lira e Liuto" was designed by Mario Bellini for Cassina in 1989, extending the form...

Set of 6 Model 122 chairs designed by Vico Magistretti in 1967 and produced by the Italian manufacturer Cassina. These chairs feature a solid walnut structure with molded plywood se...

Frank Lloyd Wright "Barrel" chairs for Cassina, patinated wood and beige velvet seat, Italy, 1937, Set of 4 A timeless design informed by exceptional constructive complexity, the ic...

Frank Lloyd Wright "Barrel" chairs for Cassina, patinated wood and red velvet seat, Italy, 1937, Set of 6 A timeless design informed by exceptional constructive complexity, the icon...

Prices vary dependent on the chosen material/color. The base can be made in natural ash or black stained ash. Chair designed by Erik Gunnar in 1934-1937. Relaunched in 1983. Manufactured by Cassina in Italy. The Göteborg chair...

Mario Bellini "CAB 412" dining chairs for Cassina, natural leather, Italy, 1978, set of six. The "CAB" is the world's first free-standing cowhide design chair, informed by the relat...

Price is dependent on the chosen material/ color. Base is available in chrome, gunmetal, matt white, matt black or gold. Seat is available in leather or a huge variety of fabrics in different colors. Please get in touch. Symbol of cutting-edge construction and avant-garde experimentation, Tulu is a stackable design chair designed in 1968 by Japanese architect Kazuhide Takahama. Along with the Jano, LJin and Gaja chairs...

Set of twelve dining chairs by Melchiorre Bega for Cassina. Comfortable and compact chairs with artificial leather seats.

Prices vary dependent on the chosen material/color. Designed by Toshiyuki Kita in 2000. Manufactured by Cassina in Italy. Please ask for pricing in other materials/colors.