Charles Méryon was a French engraver, painter, draftsman and poet. He lived an adventurous life and traveled often as a Marine before dedicating himself exclusively to engraving from 1848. He engraved 72 plates on Paris, some of which, like Tour de l’Horloge, published by the important Parisian magazine L’Artiste. He realized mainly architectures, seascapes, scenes with ornithological subjects and some portraits. His prints are characterized by a rigorous game of intersecting lines, by a precision deserving of a naval draftsman, by a bold chiaroscuro with dramatic effects and romantic fantasies. He often included captions in verses in his engravings.
Rue De Toiles, Bourges
By Charles Meryon
Located in Middletown, NY
Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...
Laid Paper, Drypoint, Etching
$1,000
Bain-Froid Chevrier; Chevrier's Cold-Bath Establishment, "School Baths", Paris
By Charles Meryon
Located in Middletown, NY
Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...
Laid Paper, Etching, Engraving
Tourelle, Rue de la Tixéranderie démolie en 1851
By Charles Meryon
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Laid Paper, Etching, Drypoint
"Passerelle du Pont au Change" original etching
By Charles Meryon
Located in Henderson, NV
Medium: original etching. The complete title is "Passerelle du Pont au Change apres l'incendie de 1621". Catalogue reference: Delteil/Wright 50. This composition shows the footbridge...
Etching
The Pavilion de Mademoiselle and Part of the Louvre
By Charles Meryon
Located in Middletown, NY
A fine and early state impression from an almost unparralled 19th century Parisian collection curated by Loys Delteil. Etching, drypoint, and roulette on buff laid Japon paper, 5 7/16 x 9 13/16 inches (137 × 249 mm) full margins. In very good condition with light and unobtrusive scattered foxing. Some pencil inscriptions in the margins, recto, as well as the Alfred Beurdeley collection stamp (Lugt 421) in black ink in the lower left margin on the recto. There are some light scattered inscriptions in pencil on the verso, as well as a numerical stamp in blue ink, which we believe is the lot number from part III of a well-known series of sales of Beurdeley's collection organized by Loys Delteil. This portion of the sale of Beurdeley's massive collection focused on Modern Prints, and took place on May 19 – 20, 1920, in Paris. In regard to the content of the sale, Fritz Lugt states "Meryon's work included all the beautiful pieces about Paris." A rich and tonal impression. [Delteil & Wright 9; Schneiderman 12]. A note on the provenance: Alfred Beurdeley (1847-1919) was the son of one of the first antique dealers in Paris...
Handmade Paper, Laid Paper, Etching
Le Ministere De La Marine
By Charles Meryon
Located in New York, NY
Charles Meryon (French, 1821-1868), "Le Ministere De La Marine", Landscape Etching, 7 x 6.38 Interior Matte ( 20.25 x 16.25 In Matted Frame), Mid 19th Cen...
Etching
City Landscape - Original Etching by C. Meryon - 1866
By Charles Meryon
Located in Roma, IT
City Landscape is an Original Etching realized by Charles Meryon in 1866. The artwork is in good condition included a cream colored cardboard passpartout (35.5x46 cm). No signature...
Etching
Le Petit Pont Etching, Realist Style, Circa 1850, Signed, State III
By Charles Meryon
Located in Roma, IT
Signed on plate with the Monogram of the artist “CM”. Original Prints. State III/III Passepartout included : 60 x 40 cm Image Dimensions : 24.5 x 18.5 cm
Etching
LE PONT AU CHANGE
By Charles Meryon
Located in Portland, ME
Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
Drypoint, Etching
Ministère de la Marine - Etching by Charles Meryon - 1870s
By Charles Meryon
Located in Roma, IT
Ministere de la Marine is an artwork realized by Charles Meryon in the 1870s. Etching. Image size: 17x14 Good conditions. Realized for the "Société des Aquafortistes. Born on th...
Etching
La Tour de L’Horloge (The Clock Tower, Paris)
By Charles Meryon
Located in New York, NY
Charles Meryon (1821-1868), La Tour de L’Horloge (The Clock Tower, Paris), 1852, etching with engraving. Reference: Schneiderman 23, Delteil 28. Third state (of 10). On very thin Jap...
Engraving, Etching
$475
H 20 in W 16 in D 0.25 in
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
By Toyohara Kunichika
Located in Soquel, CA
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple. Mat size: 16"H x 20"W Paper size: 14.75"H x 9.88"W Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...
Ink, Rice Paper, Woodcut
The Gate, Chelsea
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches. A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work. According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Drypoint, Etching
$640Sale Price|20% Off
H 24 in W 16 in D 0.25 in
The British Evacuate Boston - 1932 Etching on Paper
Located in Soquel, CA
The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...
Laid Paper, Etching
$1,400
H 9.75 in W 11.75 in
'Old Cedars' – Early New Mexico Landscape, Southwest Regionalism
By George Elbert Burr
Located in Myrtle Beach, SC
George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...
Etching
$3,720Sale Price|20% Off
H 20 in W 15 in D 0.2 in
Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
By William Blake
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...
Handmade Paper, Engraving
!["Les Lauriers de Bonheur" [The Laurels of Happiness] Etching in Colors, 1974](https://a.1stdibscdn.com/salvador-dali-prints-works-on-paper-les-lauriers-de-bonheur-the-laurels-of-happiness-etching-in-colors-1974-for-sale/a_28452/a_183372721784669812645/item_135647_catimage_1_master.jpg?width=240)
!["Les Lauriers de Bonheur" [The Laurels of Happiness] Etching in Colors, 1974](https://a.1stdibscdn.com/salvador-dali-prints-works-on-paper-les-lauriers-de-bonheur-the-laurels-of-happiness-etching-in-colors-1974-for-sale-picture-2/a_28452/a_183372721784669824715/item_135647_catimage_2_master.jpg?width=240)
$3,700
H 22 in W 28 in D 0.75 in
"Les Lauriers de Bonheur" [The Laurels of Happiness] Etching in Colors, 1974
By Salvador Dalí
Located in Astoria, NY
Salvador Dali (Spanish, 1904-1989), "Les Lauriers de Bonheur" [The Laurels of Happiness], Drypoint Etching with Pochoir, 1974, from "After 50 Years of Surrealism", published by Ateli...
Drypoint, Etching
$1,344Sale Price|20% Off
H 16 in W 20 in D 0.25 in
Bowling on the Green (from the Bicentennial Pageant of George Washington)
By Childe Hassam
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Ink, Etching, Laid Paper
$3,875
H 24.38 in W 31.75 in D 0.75 in
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Etching, Engraving, Drypoint
$1,240Sale Price|20% Off
H 15.5 in W 19.25 in D 1.25 in
Kiyomi Barrier & Seiken Temple Near Okitsu- Japanese Woodcut Print on Rice Paper
By Utagawa Hiroshige
Located in Soquel, CA
Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...
Rice Paper, Woodcut
$337,500
H 14.75 in W 11 in
Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
By Henri de Toulouse-Lautrec
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Lithograph, Mulberry Paper
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Handmade Paper, Drypoint, Etching
'Chicago Harbor' — Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...
Etching
Sold
H 11.03 in W 8.86 in D 0.08 in
The Little Bridge - Original Etching by Charles Meryon - 1850s
By Charles Meryon
Located in Roma, IT
The Little Bridge is an Original Etching realized after Charles Meryon (1821-1868). The artwork is in good condition included a white cardboard passpartout (51x35 cm). No signature...
Etching
San Francisco
By Charles Meryon
Located in Plano, TX
San Francisco. 1855-56. Etching on steel, based upon photographs. Delteil-Wright catalog 73; Schneiderman catalog 54 state iv (with lettering). 9 1/2 x 39 1/4 (sheet - sight size 8 1/8 x 38 1/2). frame 16 x 45 1/2). Printed by A. Delâtre in an edition of 100. A rich lifetime impression printed on laid japan paper. A rich, bright impression in good condition. Provenance: Property from the Credit Suisse Americana Collection. Signed and dated in the plate. Annotated in the plate, "Imprimée chez A. Delâtre, rue du Fbg Poissonnièr 145, Paris." The etching is elegantly presented in a silk mat with a gold liner and a 16 x 45 1/2-inch gold leaf frame. In the spring of 1856 from François Louis Alfred Pioche (1818-1872), a banker, investor and art collector, who traveled between his native Paris and his adopted home of San Francisco. Pioche had made his fortune in San Francisco, but was back in Paris seeking investors for his rapidly growing American business interests. Poiche asked Meryon to create a panoramic landscape of San Francisco, although the artist had never been there. For inspiration, he was given a five-daguerreotype panorama of the city (now in the Art Institute of Chicago), from which five large paper photographs were made for his use. While much of the landscape was copied directly from the photographs, Meryon added a cartouche to the center foreground with allegorical figures of Abundance and Labor, as well as portrait medallions of Pioche and his partner Jules B. Bayerque. The etching took nearly a year to complete. Meryon pulled the first proofs in September and finished some time that winter. San Francisco was a point of interest in Europe after the gold rush of 1848, as people from within America and abroad rushed to California to seek their fortune. The population grew rapidly, forcing the city to expand haphazardly with narrow streets that survive to this day. The large title cartouche is supported by river gods who appear to be holding sieves, a reference to the activity that was making the city rich. Meryon depicts San Francisco as a bustling yet still growing metropolis, rife with opportunity for the investor. There is almost empty farmland in the foreground, followed by a jam-packed cityscape, and ending with a busy port-scene densely populated with cargo ships. The symbols of California's wealth, gold mining equipment...
Etching
La Morgue
By Charles Meryon
Located in New York, NY
Charles Meryon (1821-1868), La Morgue, 1854, etching, fourth state (of 7), printed in brown/black ink, Schneiderman 42 [with the inscription, date, address in the plate]. 9 3/4 x 8 ...
Etching
Le Petit Pont (the Small Bridge, Paris).
By Charles Meryon
Located in Plano, TX
Etching and engraving. Delteil-Wright catalog 24 state .v/vii; Schneiderman catalog 20 state .vi/ix.Image: 10 3/8 x 7 3/8 (sheet 13 x 9 1/2). Edition of 600 for L'Artiste (vol IV #...
Engraving, Etching