Charles Picart le Doux Prints and Multiples

Image dimension 36.5 x 18 cm. Hand Signed. Edition of 100 pieces.

Woodcut print on paper. Not signed. Matte included : 39 x 29 cm. Very good condition.

Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

Barley, broad beans and a lark (Omugi, soramame, hibari). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparator...

Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...

House in Kyoto Color woodcut, 1963 Signed in white brush bottom left of image, along with the artist's red stamp (see photo) Titled, dated and numbered in pencil bottom margin (see p...

Delightful French woodcut titled "Maison Typique", 1981. Signed and dated lower right. 66/200 Original artwork on paper displayed on a white mat with...

Hay Cutters by Eric Hesketh Hubbard 1892-1957 Wood Cut Good vintage condition, no frame, with only very minor signs of age Eric Hesketh Hubbard was a landscape and architectural pai...

Ex Libris Rodrigues is an original Contemporary Artwork realized in the early 20th Century. Original B/W woodcut print on paper. The work is glued on cardboard. Total dimensions...

Sharon Merkur, Canadian (1932 - 2002) - Escarpment IV, Year: circa 1980, Medium: Woodcut on thin wove paper, signed, numbered and titled in pencil, Edition: 6/8 A, Image Size: 22...

El Mercado de Pátzcuaro II captures a glimpse of daily life in the highland town of Pátzcuaro, Michoacán. The scene shows three Indigenous figures, rendered with bold lines and earthy tones, standing amid the bustle of the market. Two men in traditional white cotton clothing and wide-brimmed straw hats stand in conversation, their woven baskets and bundles suggesting they are either arriving to sell goods or preparing to return home with their purchases. Beside them, a woman cloaked in a dark rebozo gazes outward, her expression reflective and steady, grounding the composition with a quiet dignity. The strong woodcut textures emphasize folds of fabric, rough straw, and woven fiber, reminding the viewer of the handmade traditions that sustain the culture. The marketplace of Pátzcuaro has long been a hub of commerce and cultural exchange, and Oñate’s print conveys both the social energy and the rooted traditions of this setting. The figures are depicted not as anonymous passersby but as individuals whose posture, clothing, and belongings tell stories of community, resilience, and labor. The muted yet warm palette, accented with yellows and reds, suggests early morning light spilling across the plaza’s cobblestones, while the abstracted background blocks provide rhythm and structure without distracting from the human presence. Francisco Rodríguez Oñate (1940–2019) was a distinguished Mexican post-war and contemporary artist whose career extended over several decades throughout Mexico, the United States, and Latin America. Born in Michoacán, he received his education at the Escuela Popular de Bellas Artes at the University of Michoacán, where he studied under esteemed artists such as Alfredo Zalce, Roberto Martínez, and Javier Arévalo...