Claude Lagouche Art

Refreshed #1 by Christine Evans [2021] original acrylic and graphite on board Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x ...

Interior design paintings. The artwork was done with acrylic, watercolor and white felt pen on black watercolor paper 360g. The works are 11,5 by 16,5 inches in size, framed (black) ...

A Case of the Blues - Abstract Expressionism An abstract expressionist painting in vibrant hues of blue swimming in multiple layers and colors, creating a work that is defined by d...

Walpi #4 is an original semi-abstract Southwestern landscape by German-American modernist Bert Van Bork (1928–2014). Executed in watercolor and mixed media, this intimate yet powerful composition captures the dramatic beauty of a Native American pueblo village atop First Mesa, Arizona—an area long associated with the Hopi people and their enduring cultural heritage. With a vibrant palette of deep blues, luminous yellows, warm oranges, and expressive pinks, Van Bork transforms adobe structures and desert sky into a dynamic interplay of color and form. The semi-abstract treatment merges architectural geometry with expressive linework, reflecting both the grandeur of the Southwestern landscape and the spiritual resonance of the land. His reverence for Native American culture is evident in the sensitive balance between abstraction and representation. The artwork is presented in a custom white frame with archival mounting materials and UV-protective glass for long-term preservation. Framed dimensions measure 8 ½ x 10 ½ x ½ inches, with an image size of 4 ¾ x 7 inches—an ideal scale for collectors of refined works on paper or thoughtfully curated salon-style installations. Provenance: Estate of Bert Van Bork, Evanston, Illinois. Van Bork was born in Germany and trained in Berlin under Karl Schmidt-Rottluff, a founding member of Die Brücke. He was active in the post-war German art scene before immigrating to the United States in 1954. In addition to his achievements as a painter and printmaker, he gained international recognition for his documentary filmmaking, including the Academy Award–nominated EyeWitness The Legacy of Death Camp Art...

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

Abstract Watercolor N.8 by Dmitry Samygin Minimalist and geometric paintings. Technique: Watercolor Color: Teal blue Size: H. 35.5 x 27.5 x 0.1 cm Dmitry Samygin is a Furniture a...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you and you decide to follow. Artwork Details: Isabel Rock , 'Just another Day in Paradise', mixed media on best archival paper, 85cm x 140cm, unframed, 2022 In Rock's own words, 'It was just another day in Paradise for the Pink Poodle People of the Everlasting Fountain of Eternal Joy. Since every day was Paradise it was just another normal day filled with love, ecstasy and wonder. It started slowly at first, things began to appear in paradise, strange objects that the Pink Poodle People did not know what to do with. Some had sharp edges, others were so and smelt strange, bad strange. Some things glittered and shone. Every day more of these objects would arrive in Paradise. ' If this happens every day then soon Paradise will be full of these strange objects. Some of them are nice but many are bad and smelly. One day there will be no Paradise, only bad, sharp and smelly things.' But the Pink Poodle People did not know what to do with the objects and every day more arrived.' Artwork Provenance: from the Artist Studio A certificate of authentication comes from Gallery Art 1821 photo credits, Isabel working, black and white shots, James Brown About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Flourishing Fields' features whimsical details and vi...

Kenneth Noland Untitled Target, 2001 Acrylic paint on offset lithograph paper Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01 Fra...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Figure with Orange and Blue - Original Signed Abstract Expressionist Work Dynamic figural abstract piece by Felix Ruvolo (American, 1912-1992). In the center of the composition is a...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...