Colin Graeme Roe Art

19th Century English School Portrait of a King Charles Cavalier Spaniel, circa 1890 Oil on canvas, unsigned. Animal portraiture occupied a special place within Victorian art, refl...

Horse & Figure in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Proven...

Frances Mabel Hollams Signed and dated 1898 Picture Size: 29 x 37" (74 x 94cm) Framed Size: 38 x 46" (97 x 117cm) Oil on canvas Most of her work are painted beautifully on panel...

William Albert Clark (1851–1925) “Broadwood” – Portrait of a Hunter in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A distinguished late Victoria...

A wonderful portrait of a Phallene Papillon attributed to renowned British sporting artist James Barenger (1780-1831). Painted on an large scale, this work depicts the cheerful pup ...

Attributed to Edwin Loder (British, fl. mid–late 19th Century) Mother Dog and Puppies in a Stable Interior Oil on canvas, unsigned English School, circa 1880 Presented in a period-st...

Francis Mabel Hollams (1877–1963) The Farrier’s Visit, circa 1925 Oil on canvas, monogrammed lower right. Presented in its original gilt frame. Francis Mabel Hollams was one of Britain’s most accomplished painters of horses and domestic animals during the late nineteenth and early twentieth centuries. A gifted sporting artist, she studied under the distinguished equestrian painter Lucy Kemp-Welch and went on to establish a successful career exhibiting at London’s foremost institutions, including the Royal Academy, the Royal Institute of Oil Painters, the Royal Society of British Artists and the Walker Art Gallery in Liverpool. Her paintings are celebrated for their exceptional draughtsmanship, sensitive observation and genuine understanding of animal character, qualities that have secured her place among the finest female sporting artists of her generation. The Farrier’s Visit beautifully encapsulates the quiet rhythms of rural England during the years when the working horse remained indispensable to everyday agricultural life. Hollams depicts a magnificent grey Shire horse standing patiently outside a traditional brick stable as the village farrier carefully replaces one of its shoes. The scene is entirely unforced and deeply authentic, celebrating the mutual trust between horse and craftsman, a relationship forged through generations of skilled husbandry. The monumental presence of the Shire horse dominates the composition, yet Hollams avoids sentimentality, instead conveying its immense strength through calm composure and gentle dignity. Every detail, from the worn leather harness to the weathered stable doors and simple blacksmith’s tools...

John Emms 1896 Signed and dated 1896 Canvas Size: 26 x 33" (68 x 105cm) Framed Size: 34 x 41" (88 x 105cm) Provenance: An Irish Country Estate Born on 21 April 1841at Blofield, ...

Albert Clark Portrait of a Bay Horse in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A finely executed late Victorian equestrian portrait by the ...

Oil on canvas Image size: 25 1/2 x 19 1/2 inches (40 x 50 cm) 19th century gilt pierced frame This is a wonderful scene featuring a dark bay racehorses mounted by its jockey. The pa...

George Henry Laporte (1799–1873) Horse and Foal in a Landscape with a Country House Signed and dated 1844, lower centre Oil on canvas Presented in its original period giltwood frame ...

Vintage orientalist oil painting of a hill town landscape. Oil on canvas. Unsigned. Framed. Measuring: 31 by 27 inches overall, and 25 by 21.5 painting alone. Excellent condition, ...