Douglas Robinson Art

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height with square form bases cm 220. Time...

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

Four season ,monumental classically draped female figures and their distinguishing symbols on a square base. Autumn, winter, spring and summer. Timeless classical decoration for you...

French Romanesque historiated capital. Herod and the Massacre of the Innocents. Romanesque historiated capital in dolomitic limestone, carved in high relief on three figured faces, t...

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

"Committed" maquette by Denny Haskew Cast ​Bronze on Travertine and Walnut Base Signed and Numbered AP/25* 38"h 15"w 10"d *This limited edition is sold out, the available piece is t...

Finely carved mythological subject in Vicenza limestone of Hercules in excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: ...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

This listing is just for the sculpture. (the picture of the ad is for reference and is not included.) Marie Zoe Greene-Mercier was an artist, writer and arts activist who worked in t...

French limestone, David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition with minimalist abstraction...

ed.3/10 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hu...