$35,000
"6th Avenue El" American Scene Social Realism Mid-20th Century New York City
By Ernest Fiene
Located in New York, NY
"6th Avenue El" American Scene Social Realism Mid-20th Century New York City Ernest Fiene (1894-1965) "6th Avenue El" 12 1/4 x 14 1/4 Oil on canvas board, c. 1940s Signed lower righ...
Oil, Board
Winter Evening Fifth Avenue Nocturne - New York at Night
By Ernest Fiene
Located in Miami, FL
Ernest Fiene depicts Fifth Avenue, looking down from 57th Street, with an unobstructed view of the Empire State Building, as an evocation of night. The artist captures a dark, moody blue sky, with light bouncing back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The absence of newer glass-and-steel architecture provides the painting with the charm of old New York. The people have a slightly zombie-like quality, akin to George Tooker. Condition: Good/Fair. Best viewed with a top and direct gallery light...
Canvas, Oil
"Tugboat in New York Harbor" Ernest Fiene, Modernist, WPA, Cloudy Horizon
By Ernest Fiene
Located in New York, NY
Ernest Fiene Tugboat in New York Harbor Signed lower right Oil on canvas 24 1/2 x 34 1/2 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated...
Canvas, Oil
Winter Evening Fifth Avenue - New York at Night - Mid-Century.
By Ernest Fiene
Located in Miami, FL
Mid-century New York City is represented as a moment in time. The artist populates his scene with isolated figures that are more shapes of people as opposed to specific individuals....
Canvas, Oil
"St. Michael’s in Brooklyn", New York City Street Scene, Cityscape, Brick Church
By Ernest Fiene
Located in Yardley, PA
“St. Michael’s in Brooklyn, c. 1944” by Ernest Fiene (1894-1965) New York City served as an endless source of inspiration for Fiene, who often captured street scenes like this one i...
Canvas, Oil
$25,000
"Glassblowers" American Scene Social Realism Mid-20th Century New York City WPA
By Ernest Fiene
Located in New York, NY
"Glassblowers" American Scene Social Realism Mid-20th Century New York City WPA Ernest Fiene (1894-1965) Glass Blowers 28 x 23 inches Oil on canvas board Signed and dated 1944 lower...
Oil, Canvas
$1,200
H 12.5 in W 16.5 in D 1.25 in
A Charming 1950s Painting of Lisbon, Portugal by Famed Artist Francis Chapin
By Francis Chapin
Located in Chicago, IL
A Charming, 1950s Painting of Lisbon, Portugal by Famed Chicago Modern Artist Francis Chapin (Am. 1899-1965). Depicting a bustling, colorful view of Lisbon's historic Black Horse Sq...
Oil, Canvas, Board
$15,203
H 22 in W 25 in
Les Jockey & La Propietaire - Post Impressionist Figurative Oil by E Grau Sala
By Emilio Grau Sala
Located in Marlow, Buckinghamshire
Signed, titled and dated figures in landscape oil on canvas by Spanish post impressionist painter Emilio Grau Sala. The work depicts a large group of jockeys and horse owners talking...
Canvas, Oil
$75,000
H 31 in W 27 in D 2 in
Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA
By Richard Whorf
Located in New York, NY
Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA TILL THE COULDS ROLL BY (Film Set), oil on canvas, 20 x 24 inches signed “Richard Whorf” lower right and signed and dated on the verso “R. Whorf/ Dec. 21, 1945. Frame by Hendenryk. ABOUT THE PAINTING This painting is from the collection of Barbara and Frank Sinatra, dated December 21, 1945 (just nine days after Frank Sinatra’s 30th birthday), and depicts the Metro-Goldwyn-Mayer Culver City backlot during the filming of Till the Clouds Roll By, the direction of the film having been taking over by Richard Whorf in December 1945. It is not presently clear if Whorf gave the Sinatras this painting as a gift, as the presence of the Dalzell Hatfield Galleries label on the verso indicates the painting may have been sourced there. Frank and Nancy Sinatra acquired a number of works from Dalzell Hatfield Galleries during the 1940’s, or perhaps they framed it for the couple. Sinatra performed “Old Man River’ in the film. Sinatra and June Allyson are depicted in the center of the painting. PROVENANCE From the Estate of Mrs. Nancy Sinatra; Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles. An image of the Dalzell Hatfield label and the back of the original frame (which we replaced with a stunning Heydenrk frame) are attached. Nancy Sinatra was Fran's first wife. Nancy Rose Barbato was 17 years old when she met Frank Sinatra, an 18-year-old singer from Hoboken, on the Jersey Shore in the summer of 1934. They married in 1939 at Our Lady of Sorrows Church in Jersey City where Frank gave Nancy a recording of a song dedicated to her titled "Our Love" as a wedding present. The young newlyweds lived and worked in New Jersey, where Frank worked as an unknown singing waiter and master of ceremonies at the Rustic Cabin while Nancy worked as a secretary at the American Type Founders. His musical career took off after singing with big band leaders Harry James and Tommy Dorsey...
Canvas, Oil
$3,500
H 29 in W 25 in D 5 in
"Evening Along The Avenue" Post-Impressionist Street Scene Oil Painting Canvas
By Te Pencke
Located in New York, NY
A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...
Canvas, Oil
$3,118
H 13.19 in W 20.28 in
Pointillist - Scandinavian Winter Landscape, 1907 by Arthur Percy
Located in Stockholm, SE
Introducing "Scandinavian Winter Landscape, 1907" a mesmerizing painting by the artist Arthur Percy Carlsson, later known as Arthur C:son Percy (1886-1976). Born in Vickleby, Öland, Percy's artistic journey was one defined by unwavering determination and exceptional talent. This landscape painting presents a winter landscape, likely set during the early spring season. The canvas portrays a vast, snow-filled meadow, blanketed in pristine white. Above, the sky comes alive in a captivating pointillist style, with hues of blue, turquoise, and yellow forming delicate, scattered dots, while small clouds grace the horizon. The scene unfolds with an enchanting backdrop of a distant forest, its trees adorned with a touch of winter's charm. Between the enchanting forest and the expansive meadow, a few humble houses...
Canvas, Oil
$64,944
H 22 in W 28.5 in
Dans les champs - Neo Impressionist Riverscape Oil by Leo Marie Gausson
By Léo Gausson
Located in Marlow, Buckinghamshire
Signed and dated neo-impressionist landscape oil on canvas by French painter Leo Marie Gausson. Gausson painted this picturesque view of then fields above Triel-sur-Seine, a small to...
Canvas, Oil
$6,000
H 28.5 in W 32.5 in D 2.5 in
"Boulevard des Italiens" French Impressionist City Scene Oil Painting on Canvas
By Paul Gagni
Located in New York, NY
This piece is an exceptional impressionistic cityscape scene by Paul Gagni of 'Boulevard des Italiens' in Paris. The boulevard des Italiens is one of the 'Grands Boulevards' in Paris...
Canvas, Oil
$1,600
H 18.75 in W 24.75 in D 1 in
A Scenic 1940s Modern Summer Harbor Scene of Saugatuck, Michigan- Francis Chapin
By Francis Chapin
Located in Chicago, IL
A scenic, colorful Modern 1930s summer harbor scene of Saugatuck, Michigan by notable Chicago Modern artist, Francis Chapin. Depicting a lively summer harbor view of the historic S...
Oil, Board
$8,500
H 38 in W 48 in D 2 in
"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil
By Georgina Klitgaard
Located in New York, NY
"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil. 30 x 40 inches. Oil on canvas, c. 1942. Signed lower right. Titled on the stretcher. Housed in a sensational Heydenryk frame. Our gallery, Helicline Fine Art...
Canvas, Oil
$2,500
H 23 in W 27 in D 1.5 in
"Mother and Child in the Garden by the Coast" Impressionist Oil Painting Framed
By Jacques Deveau
Located in New York, NY
A masterful oil painting depicting a view of a coastal view with a Mother and Child seated by the flowers in the grass with a camisole umbrella. This piece is an excellent example of...
Canvas, Oil
$850
H 12 in W 16 in D 1 in
A Charming Vintage 1930s Forest Landscape, Algonquin Park, Ontario, Canada
By Harold Haydon
Located in Chicago, IL
A charming, vintage 1930s Modern forest landscape scene painted in Algonquin Park, Ontario, Canada by notable Chicago artist, Harold Haydon. Many of Haydon's early landscape paintin...
Oil, Board
$7,500
H 29 in W 43 in
"Concert" Early 20th Century WPA Modernism American City Landscape Scene Ashcan
By Michael Loew
Located in New York, NY
"Concert" Early 20th Century WPA Modernism American City Landscape Scene Ashcan The size of the canvas 28 3/4 x 43 1/4 inches. The painting comes directly from the artist's estate. It is signed lower right as well as signed, titled and dated verso. We have available more than two dozen paintings and works on paper from the 1930s - 80s that come directly from the Loew estate. BIO Michael Loew (1907 – 1985) was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker, and from 1926-1929, he studied at the Art Students League. In 1929, he traveled to Paris, North Africa, Germany, and Italy with a group of artists. When he returned to New York City in 1931, the Great Depression hit Loew unexpectedly, and for the next two years he paid his apartment rent with his paintings. In 1935, he found work with the WPA where he painted murals and partnered up with longtime friend Willem de Kooning in 1939 on a mural for the Hall of Pharmacy at the New York World’s Fair. Their friendship lasted for the rest of their lives. In the mid-30’s he painted in Mexico and the Yucatán documenting the construction of a U.S. Naval airbase on Tinian Island. It was from this airbase that the Enola...
Canvas, Oil
Sold
H 23 in W 19 in
"China Town" Ernest Fiene, 1925 Modernist Watercolor on Paper Chinatown Scene
By Ernest Fiene
Located in New York, NY
Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...
Paper, Watercolor