Francis Apesteguy Photography

"Syrens No3" Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Signed an...

Skiers at Cortina D'Ampezzo in Italy, 1962. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (1916-2006) worked mainl...

“Innerbloom” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA signed ...

This listing includes framing ($1,750 value) and a 14-day return policy. Shipping will be charged at cost with a white glove delivery service. Also available for local pick up at our New York City gallery. The Way of Ishq (2019) by Karen Knorr. Archival pigment print Image size: 48 x 60 inches Frame Size: 52 x 64 inches framed Edition 2 of 5 Signed, with certificate of authenticity Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Hand signed, dated and numbered by the artist. Published by Hatje Cantz Verlag, Berlin. Image: 21.75 x 15.75 in. Sheet: 23.875 x 17.875 in. Frame: 32.5 x 26.5 in. Artwork is in exce...

"Free Fallin" Photography 24" x 36" in Edition of 15 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. Available...

Arcangelo is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 3 sizes: *44.64 × 64.96 cm...

Galleria Vittorio Emanuele, 1960 Chromogenic Lambda Print Estate edition of 150 View looking down the Galleria Vittorio Emanuele II in Milan, Italy, 1960. Opened in 1890, the covere...

Black and white photography 2/5 Hand-signed and dated by the artist Françoise Benomar “What photography has to say” " I photograph so that the favorable idea of seeing the body aga...

Cortina d'Ampezzo, 1982 Chromogenic Lambda Print Estate edition of 150 A rest from skiing at Cortina d'Ampezzo, March 1982. Estate stamped and hand numbered edition of 150 with cer...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso *Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location. Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

Black and white photography 2/5 Hand-signed and dated by the artist Françoise Benomar “What photography has to say” " I photograph so that the favo...