Gregory Packard Art

Conditions : Excellent overall Conditions, minor chips on the left side to original period frame. Oil on canvas signed Trouillebert on the lower right. Certificate by Michel Rodrigue...

Lynn Gertenbach's "Ride at Golden Hills" is a remarkable oil painting that captures a serene moment of a lady riding a horse under a tree, surrounded by lush grass and vibrant scener...

Augustus Daggy was born in Paris, Illinois and studied at the Pennsylvania Academy of Fine Arts, where his work was later exhibited in annual shows from 1879 to 1887. Daggy was a mem...

Sunrise Colors The image measures 11 x 14 unframed and 17.75 x 20.75 framed signed LR Sunrise Colors is an impressionistic landscape plein air oil painting that I did on location in ...

Well painted American School impressionist still life. Oil on Canvas, signed and dated upper left. Can you solve the mystery. Housed in a nice frame, 16" x 14", 30.5" x 18.5" frame...

This small oil study by Frants Henningsen is striking in its simplicity and immediacy. A single cattle dominates the foreground, resting in the grass with a sense of physical weight ...

This is a lovely oil on canvas painting that was attributed to Charles Harold Davis when I purchased it about ten years ago. It is unfortunately not signed. The scene is a view throu...

Evening Retreat Egret This image measures 24 x 48 unframed and 30 x 54 framed. Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michae...

Conditions : Very good Conditions. Exhibition label. Provenance: Artist's family, atelier sale. Excellent condition under UV light with no prior restoration. Unframed Complementary ...

Beautiful impressionist oil painting on a hammered metal plaque. Some small losses in the painting. A wonderful addition to any collection.

Conditions: In excellent overall conditions, with no repaint under UV light, original canvas and frame. Signed Lower left "Ls Reinhardt". Dimensions with the frame are approximately...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...