Harrison M. Fisher Art

Paris: A Wartime Study of Figures Relaxing in Springtime by Henri Miloch (1898-1979) Unsigned watercolour, graphite and gouache painting on artist's paper, unframed Sheet: 12.25 x 9...

English Graphite Sketch of a Female Nude, Standing by Henry George Moon (British 1857-1905) on off white artists paper, unframed measurements: sheet 14.75 x 10.5 inches provenance:...

“Graduation Day” is emblematic of mid-century American Illustration. But the real story of this storytelling work is that it embodies the lost art of portrait painting and graphic design. Alex Ross borrows on the classical tradition and flaunts his skills as a narrative painter. In “Graduation Day”, he paints a complex composition involving at least thirteen portraits. The subjects are beautifully rendered and lit. They are set against a dark grey background and jump off the surface at the viewer. The composition is complexly designed. The future graduate in the red jacket engaging with a girl photographer is a compositional device that leads the viewer's eye to the main subject - a father congratulating his son on graduating from medical school. Creating art that relies on facial expressions and body gestures is a talent absent in contemporary art. Why? It’s very hard to do and takes years and training and practice to get it right. Despite Alex Ross's folksy subject matter, this work is a high example of naturalism and representation by an important member of the Golden Age of American Illustration. Signed lower right Born in the town of Dunfermline, Scotland, Alexander Sharpe Ross (1908-1990) moved with his family to Pittsburgh, Pennsylvania in 1911. After attending Carnegie Tech (now Carnegie Mellon University), Ross moved to New York and joined the Charles E. Cooper Studio, where he worked among such notable illustrators as Ward Brackett, Stevan Dohanos, J. Frederick Smith...

English Graphite Sketch of a Female Nude, Seated by Henry George Moon (British 1857-1905) on yellowed thin artists paper, unframed measurements: sheet 15 x 18 inches provenance: f...

Raymond Johnson (1915-1997). Cover Illustration for If Hate Could Kill, 1960. Gouache on illustration board, image measures 13 x 21 inches. Illustration board measuring 19.5 x 26 ...

O MARA'S MUNICIPAL TAVERN - Saturday Evening Post Illustration Supreme technical skill allows the artist to realistically capture an...

French School, mid century The Bathing Suit unsigned watercolour painting with gouache, on paper (two-layers affixed together), unframed sheet: 18 x 14 inches Eye catching paintin...

When a husband catches his wife with another man, it's no joke, except if it's a Gilbert Bundy mid-century cartoon for Esquire Magazine. Caption: "You'd better introduce us – I disl...

English Graphite Sketch of a Female Nude, Back View by Henry George Moon (British 1857-1905) on pale blue/grey artists paper, unframed measurements: sheet 18.5 x 11 inches (width mea...

English Graphite Sketch of a Male Nude, Back View by Henry George Moon (British 1857-1905) on pale blue/grey artists paper, unframed measurements: sheet 18.75 x 12 inches provenance...

English Graphite Sketch of a Female Nude, Leaning by Henry George Moon (British 1857-1905) on off white artists paper, unframed measurements: sheet 18.25 x 11.5 inches provenance: ...

English Graphite Sketch of a Female Nude, Seated by Henry George Moon (British 1857-1905) on off white artists paper, unframed measurements: sheet 18.5 x 12 inches provenance: from...