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Henri Miloch Still-life Drawings and Watercolors

1898-1979

Henri Miloch was born in Trieste, Italy in 1898 but studied at the Ecole des Beaux-Arts in Paris and was a member of the Society of French Artists. His life and work was very much centred in Brittany, in northwestern France. Much of his work portrays Breton maritime life in the various ports, and local town observations, especially in the Concarneau area, where he worked and exhibited for much of his artistic career. From 1959 onward, he also had a workshop in Tours (Val de Loire).

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Artist: Henri Miloch
French Watercolour Ecole de Paris Mid 20th Century Roses
French Watercolour Ecole de Paris Mid 20th Century Roses

French Watercolour Ecole de Paris Mid 20th Century Roses

By Henri Miloch

Located in Cirencester, Gloucestershire

White Roses in a Glass Stem Vase by Henri Miloch (1898-1979) signed lower left watercolour painting on artist's paper, unframed sheet: 13.5 x 9.75 inches Very pretty still life pa...

Category

1940s Impressionist Henri Miloch Still-life Drawings and Watercolors

Materials

Watercolor

French Watercolour Ecole de Paris Mid 20th Century White Flowers
French Watercolour Ecole de Paris Mid 20th Century White Flowers

French Watercolour Ecole de Paris Mid 20th Century White Flowers

By Henri Miloch

Located in Cirencester, Gloucestershire

White Flower Display in a Glass Vase by Henri Miloch (1898-1979) signed lower right watercolour painting on artist's paper, unframed sheet: 18 x 12 inches Charming still life pain...

Category

1940s Post-War Henri Miloch Still-life Drawings and Watercolors

Materials

Watercolor

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Located in Marlow, Buckinghamshire

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

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Previously Available Items
French Watercolour Ecole de Paris Mid 20th Century Floral Display
French Watercolour Ecole de Paris Mid 20th Century Floral Display

French Watercolour Ecole de Paris Mid 20th Century Floral Display

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Summer Floral Display in a Green Jug by Henri Miloch (1898-1979) signed lower right and dated 1947 watercolour painting on artist's paper, unframed sh...

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Henri Miloch still-life drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Henri Miloch still-life drawings and watercolors available for sale on 1stDibs. You can also browse by medium to find art by Henri Miloch in paint, watercolor and more. Much of the original work by this artist or collective was created during the 1940s and is mostly associated with the Impressionist style. Not every interior allows for large Henri Miloch still-life drawings and watercolors, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Catherine McCargar, and Les Anderson. Henri Miloch still-life drawings and watercolors prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $154 and tops out at $439, while the average work can sell for $439.