Orientalist Painting of a Harem Interior with Odalisques
By Mariano Fortuny Y Marsal
Located in New York, NY
Interior scene of a Harem with Odalisques. Signed low-right.
19th Century Mariano Fortuny Y Marsal Paintings
Oil, Board
Orientalist Painting of a Harem Interior with Odalisques
By Mariano Fortuny Y Marsal
Located in New York, NY
Interior scene of a Harem with Odalisques. Signed low-right.
Oil, Board
$85,000
H 28 in W 47 in
"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers
Located in New York, NY
"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...
Oil, Board
$2,829
H 5.91 in W 9.85 in
PRIVATE READINGS - Angelo Granati Italian Figurative Oil on Canvas Painting
By Angelo Granati
Located in Napoli, IT
Private readings - Angelo Granati Italia 2013 This is his reinterpretation of a greatest old master painting "Comparisions"by Sir Lawrence Alma-Tadema. ...
Bronze
Morning Coffee Break, Saturday Evening Post Cover, 1959
By Amos Sewell
Located in Fort Washington, PA
Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...
Oil, Board
$4,500
H 21.75 in W 19.75 in D 0.25 in
'Young Girl Sewing' Paris, Universal Exposition, Danish Oil, Pont Aven, Brittany
Located in Santa Cruz, CA
Signed lower right, 'Find' for Ludvig Find (Danish, 1869-1945) and painted circa 1900. Ludvig Find first attended Copenhagen's School of Fine Arts and Kroyer's school (1888) before ...
Oil, Board
$1,950
H 10.5 in W 12.5 in
Modern British, Interior with an old record player, port decanter and glass
By Colin Ruffell
Located in Woodbury, CT
Colin Ruffell is an English painter of interiors, cityscapes, and many other unique subjects. His styles have varied and include iconic cityscapes of London, New York, Venice, Hong ...
Oil, Board
$2,950
H 28 in W 20 in
20th century British/English Impressionist of a greenhouse interior with plants
Located in Woodbury, CT
James Parfitt (British, b. mid-20th century) Greenhouse Interior, ca. 1994 Oil on canvas In this intimate and richly detailed scene, James Parfitt offers a quiet celebration of hort...
Oil, Board
Mid Century Hungarian Gilt Oil Painting on Board Modern Judaica
Located in Surfside, FL
From a collection by a long time Miami Beach art dealer on the old Lincoln Rd. This is a piece he brought back from hungary. from a collection of good Hungarian artists and Illustrat...
Oil, Board
$2,818
H 15.75 in W 12.41 in
Oil Painting Called "The Young Artist" by Swedish Johan Christoffer Boklund
Located in Stockholm, SE
Introducing a captivating oil painting by Johan Christoffer Boklund (1817-1880). The artwork depicts a young boy practicing his painting skills. Seated beside him is a wooden horse t...
Canvas, Oil, Board
$2,113
H 16.15 in W 23.63 in D 1.58 in
Pierre Coquet - Cubist Still Life, Oil on Board, Framed, French School, 1980s
By Pierre Coquet
Located in Montfort l’Amaury, FR
Reference number F355 Framed with a ebony color floated frame 41 x 60 cm frame included (27 x 46 cm without frame) This work is painted with oil on a board. Stamp of the signature in...
Oil, Board
$3,200
H 27.5 in W 24 in
Rare French, Paris 1935 Judaica Oil Painting Rabbis Studying S. Fleischman
Located in Surfside, FL
Hand signed and dated lower right Rare Judaica Art. Jewish genre scene. In the tradition of Moritz Oppenheim, Isidor Kauffman and Maurycy Gottlieb and later of Tully Filmus, Zalman ...
Oil, Board
$20,580
H 38.39 in W 29.14 in D 2.76 in
Painting of The Merry Wives of Windsor attributed to John Calcott Horsley
By John Callcott Horsley
Located in London, GB
Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...
Oil, Board
$10,334
H 24.41 in W 30.32 in D 1.97 in
Artist Studio in Paris, Fauvist Oil on Cardboard, Circa 1906, Framed
Located in PARIS, FR
Augustin Nicolas Georges Grasmick, known as Grass-Mick (Augustin Grass-Mick, Paris, 1873 – Marseille, 1963) Interior, Studio Corner Circa 1906 Oil on cardboard 50 × 65 cm 62 x 77 c...
Oil, Cardboard
Sold
H 7 in W 11 in
Leda and the Swan, Fortuny & Marsal, 19th Century Spanish Romantic Mythological
By Mariano Fortuny Y Marsal
Located in Marlow, Buckinghamshire
A stunning impressionist oil on panel depicting the greek myth of Leda and the Swan. Brushed perfectly with splashes of intense colour in a dream like fashion. Oil on panel, signed lower right, 1870. Framed dimensions are 14 inches high by 18 inches wide. Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces Leda. According to later Greek mythology, Leda bore Helen and Polydeuces, children of Zeus, while at the same time bearing Castor and Clytemnestra, children of her husband Tyndareus, the King of Sparta. In the W. B. Yeats version, it is subtly suggested that Clytemnestra, although being the daughter of Tyndareus, has somehow been traumatized by what the swan has done to her mother. According to many versions of the story, Zeus took the form of a swan and seduced Leda on the same night she slept with her husband King Tyndareus. In some versions, she laid two eggs from which the children hatched. Mariano Fortuny y Marsal studied under Claudio Lorenzale at the school of fine arts in Barcelona. In 1857 he was awarded a bursary to study in Rome. He first visited Morocco in 1860, sent by the city of Barcelona as a war artist to commemorate the Spanish victory at Tetouan with a painting. In 1863 he visited Naples, where he met the painter of historical subjects, Domenico Morelli. In 1866 he went to Paris and became friends with French academic painters such as Jean Léon Gérome and Ernest Meissonier. In 1867 he returned to Rome where he became friends with Henri Regnault. By 1869 he was back in Madrid and began to study Goya's technique in earnest. In 1871, in the company of the French orientalist painter Georges Clairin...
Oil, Panel