Marta Uszakow Figurative Drawings and Watercolors

Red chalk on cream laid paper, 7 1/4 x 9 3/8 inches (182 x 236 mm), the full sheet. In very good condition with minor toning and two small nicks in the top sheet edge. Some modern no...

Leon Dolice Central Park Signed lower left Watercolor on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the young ma...

Leon Dolice Empire State Building Signed lower right Watercolor on paper 19 x 12 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon th...

Wolf Kahn Study of a Child Signed lower right Pastel on paper 10 x 13 inches An important member of the second generation New York School, Wolf Kahn is renowned for his luminous, r...

An Intimate, 1940s Modern Portrait Drawing of a Young Woman by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A finely drawn, introspective portrait in pastel and charcoal o...

Red chalk on cream laid paper, 6 3/8 x 7 inches (160 x 176 mm), the full sheet. In very good condition with minor toning and some modern notations in pencil on the verso, as well as ...

George Elbert Burr (American, 1859–1939) Untitled (Storm over Desert Landscape, Arizona), 1924 Colored pencil on paper Signed lower right Image: 10 × 13¼ inch...

Susan Grisell Gardening in the Country, circa 1990 Signed lower right Pastel on paper 6 x 8 5/8 inches 11 3/8 x 16 inches mat Following the guidance of her long-time teacher and me...

"Drawing Summer 1", by Hudson Valley artist, Jenny Nelson, in 2025 Charcoal on Strathmore paper 30 x 22 inches, 37.75 x 30 inches framed with 8 ply window mat and light gray stain w...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

Mid 19th century pastel drawing view of the Royal Palace, Monte Carlo, Monaco by British artist Hercules Brabazon Brabazon. The work is titl...

This artwork depicts a three-masted schooner named Freedom, hailing from New-York. The boat has brown booms, masts, keel and bow, and black and orange hull...