Patrick Collins Paintings

Title: Abundant Energy Energy Painting Abstract Abundant Contemporary Maximalism Bold Unique Contrast Fresh Revival Renewal Texture The Guardians of Abundant Energy is a brilliant...

Very pretty Emanuel pose. "it is the figure , not the nude I am interested in..." J Emanuel Image 20.5" x 14" Matted 25.5" x 19" Signed Originally from Bury, in the North of Engl...

Bright figurative abstract with rich layers of texture and color by Chaz Cole (American, 20th Century). Irregular perimeter. Signed and dated "Chaz Cole" lower right. Signed and date...

(Series: Le Jardin Privé / Your Private Paradise) “Some doors lead not to rooms, but to states of grace — hidden havens where the soul finally feels at home.” This contemporary paint...

Contemporary Figurative Painting of Female Figure by British Artist Simon Bradley Art measures 24 x 30 inches Frame measures 29 x 35 inches

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

"Silent Strength" – Original Contemporary Female Portrait Painting, Acrylic and Oil Pastel on Paper, 29.7 x 42 cm (11.7 x 16.5 inches) Acrylic paints and Sennelier oil pastels on hea...

An original mixed media monotype and painting by American contemporary artist Monica Angle. This is the title work from a major exhibition for the artist at the Burchfield Penney Ar...

Here for your consideration is a great example of the artwork of the well known American artist, Syd Solomon. Signed top left. Titled and dated verso 1978. The painting is oil and acrylic paint on mounted synthetic canvas. Condition is excellent. Overall framed measurements are 44.75 by 24.5 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY American 1917-2004 Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

The “11 PM” series is an artistic exploration of human vulnerability and privacy through the lens of light voyeurism. What do we do when we’re left alone in the dark? While one perso...

Item Details Title: Foundational Series Studio Archive No. 322 Medium: Acrylic, Oil Crayon, and Oil Pastel on Premium Archival Paper Dimensions: A2 – 420 × 594 mm / 16.5 × 23.4 in Fr...

Watch the Birdie !! One of Therese's fabulous studies of cheeky ladies.