Paul Riba Animal Paintings

Artist Comments
Mr. and Mrs. Anderson commissioned a formal family portrait, insisting their beloved pet elephant, Elbert, be included. Elbert is family, after all. When the co...

Surreal Dreamlike Village Scene with Figures, Dog & Moonlit Sky by British Artist, John Charlesworth (British, b. 1947) Art measures 7 x 5 in (17.8 x 12.7 cm) Fram measures 10 x 8 i...

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 36" x 60" It is unframed. A certificate of authenticity will follow d...

Artist Comments
The surreal painting depicts a carnival scene unfolding beneath a cloudy night sky. Tents, a Ferris wheel, and white bunnies scatter across the scene. At the c...

A quiet sense of inevitability permeates this surreal encounter between horse and rider, suspended against a vast sky streaked with rose-brown clouds. The figure—a small, contemplati...

A young, bare-chested figure stands frozen beneath the colossal head of a bull, its monumental form tilting into the scene like a surreal omen. The contrast between the human body—fr...

In Runner, Rudolf Kosow transforms a vintage wooden rocking horse into a striking example of contemporary object portraiture, where childh...

A fragmented horse form hovers in a quiet, pale expanse, its body held together by delicate cords that feel both protective and restraining. Textured surfaces—reminiscent of aged woo...

In True Story, Rudolf Kosow stages a tender yet surreal encounter between an elderly figure and a glossy pink fawn—an object that appears part cartoon, part ceramic souvenir. Rendere...

Sybiline's (CAN based) "Lady in Black" is an original, handmade oil painting that depicts a black cat with green eyes wearing a black veil and blue pearl...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Torso presents a sculptural body fragment suspended in quiet isolation, transforming classical form into contemporary object portraiture. Rendered in muted earth tones, the armless a...