Mt. Etna from Taormina
By Thomas Fransioli
Located in New York, NY
Thomas Fransioli, born in 1906 in Seattle, Washington, trained as an architect at the University of Pennsylvania. He worked as an architect before his service in World War II. Largel...
Canvas, Oil
Street Scene: "King George Dies"
By Thomas Fransioli
Located in New York, NY
Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard. Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty. Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.” This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them. Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists. During the 1950s, Fransioli was represented by the progressive Margaret Brown...
Canvas, Oil
$975
H 11.25 in W 15.25 in
"Texas Hill Country Landscape With Cattle" oil painting of wildflowers, cactus
By Don Warren
Located in Austin, TX
Canvas Size: 12 x 16 in. Frame Size: 20.5 x 24.5 in. Signed, lower left: "Don Warren" A serene, classic, and cheerful scene in the Texas Hill Country by Don Warren. The foreground i...
Canvas, Oil
$2,750
H 26 in W 48 in D 1 in
“Penobscot” Ship Portrait Sidewheeler Steamboat Paddle Steamer Oil on Canvas
Located in Yardley, PA
A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...
Canvas, Oil
$7,500
H 19.5 in W 15.5 in D 1.5 in
“Eastern White Pines, c. 1910”, New England Landscape, Signed Oil Painting
By Charles Warren Eaton
Located in Yardley, PA
“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...
Canvas, Oil, Board
$13,200Sale Price|20% Off
H 12 in W 9 in
Girl with Braided Hair, Raphael Soyer
By Raphael Soyer
Located in Fairfield, CT
Artist: Raphael Soyer (1899-1987) Title: Girl with Braided Hair Year: Circa 1947 Medium: Oil on canvas Size: 12 x 9 inches; framed size, 19 x 16 inches Condition: Excellent Inscripti...
Canvas, Oil
American Realist Western Prairie Farm Landscape Painting with Barn and Silos
Located in Austin, TX
Signature "Hogan" 24" x 36" Oil on Canvas Framed Size: 31.5" x 43.25" This landscape painting depicts a nostalgic Great Depression era farm scene of a barn and silos on a prairie.
Canvas, Oil
$14,000
H 29 in W 25 in D 2 in
Bill Bally Blacksmithing- American Scene. Americana Bicycle Minnesota
By Clyde Singer
Located in Marco Island, FL
American life is captured in this Clyde Singer painting, Bill Bally Blacksmithing (1987), where he depicts a woman riding her bicycle by a historic and quintessential Minnesota busin...
Oil, Canvas
$4,200
H 22 in W 18 in D 1 in
"Norwegian Sunset" contemporary tonalist painting - sun sets beyond green trees
By Rachel Personett
Located in Sag Harbor, NY
An oil painting of a glowing sunset beyond a verdant patch of trees, painted en plein air, in Norway, while Personett was apprenticing at Odd Nerdrum's stu...
Canvas, Oil, Panel
$1,200
H 16 in W 12 in
"Taos Indian" - Realist Female Portrait, Oil Painting on Canvas
By Rod Goebel
Located in Denver, CO
Rod Goebel was a post-impressionist / impressionist painter of landscape, still life and figure who made his mark in Taos, New Mexico. After receiving his degree from the University of New Mexico, Goebel studied at the Colorado Institute of Art in 1968 1969, graduating in Advertising Design. He later studied at the Ramon Froman School of Art. Goebel was a charter member of the Taos Six Society of Artists with Ron Barsano, Robert Daughters, Walt Gonske, Julian Robles...
Canvas, Oil
$14,000
H 21.5 in W 25.25 in D 2 in
Johann Berthelsen "Winter in Washington Square Park New York"
By Johann Berthelsen, 1883-1972
Located in New York, NY
Oil on canvas painting titled "Winter in Washington Square, New York" depicting a peaceful snowy 1952 day in the one of the city's most beloved parks. The composition in bathed in a ...
Canvas, Oil
“Twilight Cowboy”
By Charles Damrow
Located in Southampton, NY
Original oil on canvas painting by the well known western artist Charles Damrow. Condition is excellent. Circa 1965. Original frame Signed lower left. Overall framed size 31.25 by 43...
Canvas, Oil
$12,000
H 26.25 in W 30.25 in D 2 in
“Circus Yard” American Regionalist, Elephants, Tents, Performers, Clowns, Oil
By Paul Sample
Located in Yardley, PA
“Circus Yard” by Paul Starrett Sample (American, 1896-1974). A vibrant circus scene by the noted American regionalist, Paul Starrett Sample. This work captures the lively bustle beh...
Canvas, Oil
$9,500
H 25 in W 21 in
Native American Still Life. Ashcan Painter - New Mexico Early 20th Century.
By Robert Henri
Located in Marco Island, FL
A still life of Native American pottery, moccasins, and fur, that was likely arranged during one of the artist's many trips to New Mexico and California. This painting embraces th...
Canvas, Oil
Still Life of Flowers
By Thomas Fransioli
Located in New York, NY
Signed and dated (at lower right): FRANSIOLI 1959
Canvas, Oil
Copley Square, Boston
By Thomas Fransioli
Located in New York, NY
Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, trees are sharp, and saturated color permeates the scene. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for the rare appearance of figure and the occasional black cat scurrying across pavement. Instead, humanity is implied. Magic Realism neatly characterizes Fransioli’s viewpoint. First applied to American art in the 1943 MoMA exhibition “American Realists and Magic Realists...
Canvas, Oil
View from The Hill, Castine
By Thomas Fransioli
Located in New York, NY
Signed and dated (at lower right): T.F./1946
Canvas, Oil
Street Scene in Bar-le-Duc
By Thomas Fransioli
Located in New York, NY
Signed and dated (at lower right): TF/1952
Canvas, Oil