Vilma Eckl Art

A young woman is an original modern artwork realized in Late 19th Century. Mixed colored oil on canvas. The artwork depicts a young woman with veil and mirror. Unreadible signatur...

Still Life is an artwork realized by an unknonwn artist in the late 19th Century. Oil on Board. 21 x 15 cm. Good conditions

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

A Striking, Colorful Post- War Modern Studio Portrait of an African American Male Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). Titled "Three Hours", the painting a is well executed, intimate figurative work by the artist, depicting a distinguished looking African American male model seated in colorful studio interior during a figure painting class, with a self portrait of the artist painting beside an easel and smoking a pipe in the background. The painting exemplifies the artist's adept, practiced skill at portraiture, and was likely completed in Evanston, Illinois, at the studio painting class held by the artist's longtime friend and colleague, Arnold Turtle. Artwork size: 18 x 14 inches, oil on canvas, accompanied with the artist's original hand-painted strip frame (framed size: 18 1/2 x 14 1/2 inches). Signed "Walter Burt Adams" and dated 1971 center left; signed, titled and dated on the reverse. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

Crying Clown Portrait in Oil on Canvas Portrait of a sad clown by San Francisco artist John Peers (American, 1922-2009). This portrait is closely fra...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Bananas, peaches and grapes MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Cult...

A Striking 1940s Modern Portrait of a Young Woman by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A large, well executed, figurative work by the artist, depicting a young woman fashionably dressed in a green blouse anddpatterned scarf seated in profile in a muted studio interior. Titled "Portrait of Ms. Anderson, Student at Northwestern U." the painting exemplifies the artist's adept and practiced skill at portraiture, and was completed at the painting class of the artist's friend and instructor, Arnold Turtle, in Evanston, Illinois Artwork size: 30 x 23 inches, oil on canvas, accompanied with the original Modernist frame (Framed size: 33 1/2 x 26 1/2 inches). Signed "Walter Burt Adams" and dated "46" lower right. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

Dancer  is a beautiful oil on panel realized by  Vrbová-Štefková in the mid-20th Century.  Signed and framed, 60 x 50 cm.  Good condition. 

“The Champ, 1942” by Theodore Fried (1902-1980) This important portrait by Hungarian-American artist Theodore Fried depicts the legendary boxer Joe Louis aka “The Brown Bomber” and ...

Vintage realist still life oil painting. Oil on canvas. Signed. Framed. Measuring: 18 by 41 inches overall, and 16 by 39 painting alone. Excellent condition, ready to hang and enjoy.

This painting is framed at 20 x 24 inches, and is ready to hang. About the artist: Daniel J. Keys was born on Oct. 7th 1985, in Fresno CA. Upon noticing a glimpse of artistic talen...