Vincent Dion Abstract Paintings

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

Douglas M. Olsen (b. 1960). #135, 1982. Watercolor on rag paper, 22 x 30 inches. Signed lower margin and on verso.

A Case of the Blues - Abstract Expressionism An abstract expressionist painting in vibrant hues of blue swimming in multiple layers and colors, creating a work that is defined by d...

Douglas M. Olsen (b. 1960). #38, After the Rains, 1980. Watercolor on rag paper, 22 x 22 inches. Signed lower margin and on verso.

An original mixed media monotype and painting by American contemporary artist Monica Angle. This work was featured in a major exhibition for the artist at the Burchfield Penney Art ...

For a 24 x 18in abstract painting on paper Coral Reef, a. muse uses acrylic, oil pastel, gouache, sand, and diamond dust to render colorful biomorphic forms from the sea. Warm and co...

An original mixed media monotype and painting by American contemporary artist Monica Angle. This is the title work from a major exhibition for the artist at the Burchfield Penney Ar...

1960s Abstract Expressionist composition in blue. The painting is signed bottom right, 'Cowans' but as yet undeciphered. Presented in a fine gilt wood frame, with a silk fabric mount...

Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years. She attended the Brooklyn Museum School at age 14 where she establis...

“Resonance in Red” is an original large abstract expressionist painting by Finnish multidisciplinary artist Emmi Iida. Measuring 90 x 70 cm, the piece is a striking exploration of rh...

Bright and dynamic abstract composition by unknown artist "JANE" (20th Century). Swirls of purple, teal, and green dance around each other in an abstract pattern. Small highlights of...

Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course of forty years as an artist, Christensen was devoted to exploring and expanding the constantly shifting trends of 20th century abstraction. Christensen established his reputation at the end of the 1960s, as began using spray guns to create colorful stacks, loops, and lines in his artworks. This body of work was considered by the legendary art critic Clement Greenberg among the most original abstract paintings of the decade. Unlike many of his contemporaries who dedicated their practice to a signature style, Christensen was unrelentingly curious and allowed his dynamic version of abstraction to evolve as he tried new techniques and aesthetics. During the 1980's and 1990's in particular, Christensen focused on experimenting with different forms of washing, spraying, and layering colours over top of each other. The works from Christensen's late period combine the gestural drama of Abstract Expressionism with the stained surface look popularized by the color field artists. The aesthetic complexity he achieved with these combined techniques are perfectly demonstrated in this later untitled work (aka "Blue...