Classicartworks Stockholm AB

This striking artwork, titled "At Full Gallop," is a testament to James Gillick's profound admiration for horses and his extraordinary skill as an artist. Executed in sepia crayon on...

Gustaf Tenggren (1896-1970) The Horn (1919) signed Tenggren. Ink, watercolor and gouache on cardboard unframed 29.5 x 30 cm (11 ⅝ x 11 ¾ in) framed 41.5 x 42 cm (16 ⅜ x 16 ½ in) h...

This intimate watercolour depicts the artist’s children, Nils Tirén and Stina Tirén, they reading the Christmas annual Kring granen och brasan. The image served as the original illus...

Venetian School, late 15th century Saint Paul the Apostle oil on panel unframed 44.5 × 23.5 cm (17.5 × 9.3 in) framed 64 × 42 cm (25.2 × 16.5 in) No signature Provenance: Private ...

Fritz Lindström (1874–1962) Sweden Värmland Landscape, 1928 signed and dated lower left Fritz Lindström 28 oil on panel unframed 38 × 46 cm (15 × 18.1 in) framed 53 × 61 cm (20.9 ...

Per Fischer (1877–1974) Sweden Moonlight Beyond the Kerosene Lamps in the Railway Compartment, 1907 oil on canvas laid on panel painted 1907 unframed: 29.5 × 28 cm (11.6 × 11 in) f...

This landscape demonstrates Elis Åslund's remarkable ability to transform an ordinary corner of the Swedish countryside into a study of light, colour and reflection. Rather than depi...

Circle of Christian Wilhelm Ernst Dietrich (1712–1774) Germany Head of an Elderly Bearded Man oil on panel unframed 28 × 22.5 cm (11 × 8.9 in) framed 44.5 × 38.5 cm (17.5 × 15.2 in...

Otto Lindberg (1880–1955) Sweden Lake at Sunset, 1934 signed and dated lower right Otto Lindberg 1934 oil on canvas unframed 60 × 120 cm (23.6 × 47.2 in) framed 75 × 135 cm (29.5 ×...

French School, late 17th Century Mediterranean Harbour with Lighthouse and Shipping oil on panel, circular composition unframed 20 cm (7.9 in) framed 33.5 × 33.5 cm (13.2 × 13.2 in...

This intimate interior by Henrik Nordenberg demonstrates the artist's remarkable ability to transform an ordinary domestic setting into a scene of quiet beauty and contemplation. Exe...

Attributed to Carl Mattson (1886–1941) Sweden Evening City Street, 1926 signed and dated lower left watercolor on canvas unframed 62 × 51 cm (24.4 × 20.1 in) framed 71 × 60 cm (28....

This landscape from 1931 is an outstanding example of Otto Lindberg's mature production. Painted most likely in the surroundings of his native Söderhamn, the composition captures the...

Otto Lindberg (1880–1955) Sweden Forest at Sunset, 1934 signed and dated lower right Otto Lindberg 1934 oil on canvas unframed 65 × 44.5 cm (25.6 × 17.5 in) framed 69 × 49.5 cm (27...

Helmer Osslund (1866–1938) Sweden Northern Swedish Landscape signed lower right Helmer Osslund oil on greaseproof paper laid down on panel unframed 17 × 33.5 cm (6.7 × 13.2 in) fra...

Gabriel Strandberg (1885–1966) Sweden Lake Landscape, probably Dalarna, 1910 signed and dated lower right Gabriel Strandberg 1910 oil on canvas unframed 81 × 110.5 cm (31.9 × 43.5 ...

This remarkable landscape belongs to Alfred Thörne's mature production and demonstrates his exceptional ability to transform an apparently simple motif into a poetic meditation on li...

This intimate landscape from 1888 belongs to Anton Genberg’s early mature period and reveals the qualities that would later establish him as one of Sweden’s foremost painters of atmo...

This landscape from 1938 depicts the countryside around Ramsele in Ångermanland, northern Sweden. A winding country road leads the viewer into the composition, passing open fields an...

This charming landscape from 1933 depicts a farmstead on Fårö, the island situated north of Gotland in the Baltic Sea. In the foreground stands a characteristic stone barn with a tha...

Olof Arborelius (1842–1915) Sweden Lakeside Study attributed to Olof Arborelius oil on panel laid down on canvas certified by Gustaf Jaensson verso unframed 15.5 × 24 cm (6.1 × 9.4...

This dynamic seascape captures the raw power of the sea under a darkening sky. Waves crash violently against coastal rocks, sending white spray high into the air, while shifting tone...

Rune Andersson (1936– ) Sweden Händerna (The Hands), 1968 signed and dated a tergo oil on panel and relief framed approximately 66 × 57 cm (26 × 22.4 in) Provenance: Private colle...

This moonlit harbor scene is painted with remarkable spontaneity and freedom. A dark sailing vessel rises against a glowing path of reflected moonlight, while the surrounding boats, ...

Severin Nilson (1846–1918) Sweden Archipelago at Sunset signed lower right Severin Nilson oil on canvas unframed 40 × 70 cm (15.7 × 27.6 in) framed 52 × 82 cm (20.5 × 32.3 in) Pro...

Ernst Lindgren (1887–1948) Sweden Winter Landscape in Afternoon Sun signed lower left Ernst Lindgren oil on panel unframed 61 × 72.5 cm (24 × 28.5 in) framed 71 × 83 cm (28 × 32.7 ...

Ivar Södergren (born 1949) Sweden Frozen Waterfall with Rainbow, 1976 signed and dated lower left Ivar Södergren 1976 gouache on panel unframed 22 × 32 cm (8.7 × 12.6 in) framed 33...

This charcoal drawing from 1910 is an unusually powerful example of David Cronholm’s ability to transform a forest motif into something at once precise, immersive and deeply atmosphe...

This bouquet, likely executed during the later part of Olle Hjortzberg’s career around 1950, presents a freely arranged bouquet of meadow flowers. The bouquet appears to be dominated...

Attributed to Carl Mattson (1886–1941) Sweden Stormy Sea with Lighthouse, 1925 signed and dated lower left watercolor on canvas unframed 73 × 81 cm (28.74 × 31.89 inches) framed 83...

This intimate studio interior from 1930 belongs to the more psychologically engaging side of Carlo Hornung Jensen’s oeuvre. A seated woman has paused beside her easel and turned towa...

Carl Axel Elvegård (1883–1962) Sweden Early Winter in Dalarna, 1923 signed and dated lower right Ax. Elvegård 1923 pastel and pencil on paper paper 48.5 × 61.5 cm (19.1 × 24.2 in) ...

Dancer Tying Her Shoes, executed around 1916, stands as one of the most important works within Dick Beer’s oeuvre. Created during a pivotal moment in his life, shortly after the trau...

Nils Tirén was born in Oviken in Jämtland into a distinguished artistic family. He was the son of the painter Johan Tirén and the artist Gerda Tirén, and he grew up in an environment...

Provenance: The Raeburn Gallery, as by Maerten de Vos; Bukowskis, Stockholm, 15–18 April 1970, lot 133, as in the manner of Anthony van Dyck; Private collection, Sweden Essay: This ...

Dick Beer (1893–1938) Sweden, born London Portrait of Gabriele Varese (in Italian Uniform), 1919 stamp signed oil on canvas laid down on panel unframed 116 × 90 cm (45.7 × 35.4 in)...

Dick Beer was born in London in 1893 as Richard Beer, the youngest of five sons of the Swedish painter John Beer. After the death of both parents in 1906 and 1907, he came to Sweden ...

Alfred Thörne was born in 1850 in Horn, Östergötland, and belongs to a generation of Swedish painters whose formation was grounded in the academic tradition but increasingly shaped b...

This small oil study by Frants Henningsen is striking in its simplicity and immediacy. A single cattle dominates the foreground, resting in the grass with a sense of physical weight ...

Attributed to John Arsenius (1818–1903) Sweden Oriental Figure monogrammed lower left JA oil on panel unframed 26.5 × 15.5 cm (10.4 × 6.1 in) framed 34 × 23 cm (13.4 × 9.1 in) Pro...

Erland Olsen (1878–1952) Sweden Lakeside Reflections, Värmland oil on board unframed 33 x 48.5 cm (13.00 x 19.09 inches) framed 49.5 x 64.5 cm (19.49 x 25.39 inches) unsigned Prov...

Carl Axel Elvegård (1883–1962) Sweden Early Winter in Dalarna, 1920 signed and dated lower right 26/9 1920 oil on canvas unframed 65 × 100 cm (25.6 × 39.4 in) framed 81 × 116 cm (3...

Thomas Theodor Heine was a central figure in German fin de siècle culture, best known as one of the leading illustrators of the satirical magazine Simplicissimus, where his sharply o...

Anders Loman (1879–1953) Sweden Mountain Landscape in Moonlight, 1926 signed and dated lower right 26 oil on canvas unframed 64 × 68.5 cm (25.2 × 27 in) framed 74 × 79 cm (29.1 × 3...

This expressive watercolour presents a male figure in strict profile, rendered with confidence. Gunnar Torhamn focuses on the essential features of the head, allowing strong lines a...

Executed in 1911, just three years after Margherita Kronberg graduated from the Royal Academy of Fine Arts, this early drawing portrays the artist’s younger brother, Staffan, dressed...

Spring Brook presents a springtime woodland motif associated with the forests of Dalsland, a region in western Sweden long celebrated for its deep woods, lakes, and winding streams. ...

This expansive coastal landscape by Alfred Bergström presents a luminous and windswept shoreline, where sea, sky, and land are unified through a sensitive and dynamic treatment of li...

This atmospheric harbour scene by Hermanus Koekkoek Jr., working under the pseudonym Jan van Couver, exemplifies the artist’s mature approach to maritime and town views during his London period. The composition presents a Dutch waterfront animated by boats, windmills, and clustered buildings, all set beneath a vast and dynamic sky. The emphasis on shifting weather conditions and the interaction between water, light, and architecture reflects a deep engagement with both tradition and contemporary developments in nineteenth century painting. Koekkoek belonged to one of the most distinguished artistic dynasties in the Netherlands. As the son of Hermanus Koekkoek the Elder and nephew of Barend Cornelis Koekkoek, he inherited a strong foundation in landscape and marine painting. His early training within the family atelier in Amsterdam provided him with a disciplined understanding of composition and natural observation. However, his later move to London in 1869 marked a decisive shift in both style and market orientation. It was during this period that he adopted the name Jan van Couver, a strategic choice that aligned his work with a broader European appeal. The present painting reveals a confident and increasingly free handling of paint. The foreground water is rendered with swift horizontal strokes that capture the movement of the surface, while the boats and harbour structures are constructed through more concentrated applications of pigment. The use of impasto is particularly notable, lending the painting a tactile presence and enhancing the interplay between light and texture. This painterly richness contributes to a vivid sense of immediacy, as if the scene were observed directly on site. The sky dominates the composition, occupying a large portion of the pictorial space. Broad, swirling brushstrokes articulate the mass of clouds, which appear to gather and disperse in response to changing atmospheric conditions. This treatment reflects the influence of the Hague School, whose artists sought to convey the mood and variability of the Dutch landscape through tonal harmony and expressive brushwork. Koekkoek’s interpretation is more animated, however, suggesting an openness to impressionistic tendencies that were gaining ground across Europe. At the same time, the painting remains anchored in a clear compositional structure. The line of the harbour guides the viewer’s eye into the distance, where the forms dissolve into a softer haze. The presence of windmills, a quintessential feature of the Dutch landscape, reinforces the sense of place while also introducing vertical accents that balance the horizontal expanse of water and sky. The architecture is suggested rather than fully defined, allowing atmosphere and light to take precedence over detail. Koekkoek’s work occupies an interesting position between tradition and modernity. While rooted in the conventions of Dutch marine painting...

Severin Nilson (1846–1918) Sweden Children in a Flower Meadow signed lower right Severin Nilson oil on board laid on panel unframed 25 × 18 cm (9.8 × 7.1 in) framed 32.5 × 26.5 cm ...

This painting, signed and dated “Venezia Maj 79”, belongs to the early and formative phase of Axel Axelson’s career and constitutes a rare and significant example of his work from Ve...

This refined harbour scene from Le Havre presents a quiet yet vivid impression of a working port along the northern coast of France. Alfred Bergström constructs the composition from ...

Elias Muukka (1853–1938) Finland Månsken vid stranden (Moonlight by the Shore), 1909 signed and dated 09 oil on canvas unframed 31 × 40.5 cm (12.2 × 15.9 in) framed 44 × 54 cm (17....

In Sittande kvinna i interiör, Jon Loman focuses on the poetry of ordinary domestic life, presenting a seated woman absorbed in quiet work at a small table. A lamp forms the emotiona...

George Shalders (1826–1873) England A Mill in Cambridgeshire, 1858 signed and dated lower left “G. Shalders 58” oil on canvas unframed 30.5 × 51 cm (...

signed and dated oil on panel unframed 21 × 27 cm (8.3 × 10.6 in) framed 31.5 × 37 cm (12.4 × 14.6 in) Exhibited: Lunds Universitets Konstmuseum, Pehr Eklund Exhibition, 2–21 Februa...

Jakob Kulle (1838–1898) Sweden An Afternoon Nap, 1877 signed and dated oil on canvas unframed 61 × 48 cm (24 × 18.9 in) framed 79 × 67 cm (31.1 × 26.4 in) Provenance: Purchased di...

Erik Tryggelin (1878–1962) Sweden Sunlight Breaking Through Clouds over Lake Vättern, Vadstena, 17–18 August 1948 signed and dated lower right E. Tryggelin 18/8 1948 inscribed Vads...

Erik Tryggelin (1878–1962) Sweden Cloud Study over Lake Vättern, Vadstena, 7 September 1935 signed and dated lower right E. Tryggelin 7/9 1935 inscribed Vadstena oil on canvas laid...

This painting from early October 1927 captures the shifting colours of sunset over Lake Vättern as seen from the historic town of Vadstena. The composition is remarkably direct and f...