Front Room Gallery Art

C-Print Photograph, edition #4 of 5 - 20"x30" framed $3850USD This is limited edition photograph #4/5 is mounted and framed in a hard wood, handcrafted shadowbox frame with spacers and wooden strainer. This is a limited edition photograph of 5, signed and editioned by the artist. This photograph documents the creation of artificial reefs along the Atlantic Coast. Stacks of New York City subway cars sit atop a barge at sea. The blue-grey water, shows a white wave cresting in foreground with the lines of subway train cars stacked on top of each other center of the composition. This unusual recycling program created artificial reefs along United States East Coast utilizing the decommissioned NYC subway cars. Stephen Mallon's photograph's "Sea Train Subway Reef Photos by Stephen Mallon" are currently on view at New York Transit Museum Grand Central Gallery From 2001 to 2010, the MTA, which runs the city’s subways, re-purposed thousands of decommissioned subway cars by submerging them into the ocean off eastern seaboard states such as New Jersey, Delaware, Maryland, and South Carolina. There, the urban relics become artificial reefs, providing safe habitats for marine life. Photographer Stephen Mallon spent two years documenting the project, and his images are now on view at the New York Transit Museum‘s Grand Central Terminal Annex in a new exhibition. In a bold move, the NYC Transit...

C-Print Photograph, 30"x45" unframed. This is #4 out of 5 in the edition. Please inquire about framing options. Presentation is available upon request in a hard wood, handcrafted...

48"x36" abstract composition in indigo blue, turquoise and rose on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

48"x36" abstract composition in golden yellow, rose pink and turquoise on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

60"x48" abstract composition in golden yellow with lavender, violet and light cream. Large gestural movements overlay one and other on the on canvas. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

A great cormorant bird sits atop a bend wood chair, with a clear glass pitcher with a single white calla lily resting along beside. This oil pain...

This large scale abstract oil painting contains a line based composition over a neutral blue - grey ground, that appears sometimes blue, sometimes violet given the time of day and q...

Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape that has a painterly feel. Below a golden yellow sky, a wave is pulled back to shore, with lines of rose pink, deep blue, turquoise and warm white. The photographer Danny Weiss...

A coral orange horizontally striped sky is mirrored in a deep blue seascape; both composed to create an abstract composition in this large-scale photograph by Danny Weiss...

Large Scale Limited edition color photograph, 40"x60" depicting a group of swimmers beginning a race in the water with a light blue, white tones. The composition captures a large gro...

Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape with a lavender sky. This contemporary landscape photograph has has a painterly feel; the artist has captured a rising cusp of a wave with blue and cool white, against a violet and pink sky. The photographer Danny...

In this photograph, a rose pink and golden yellow sunset reflects off the surface of a calm shimmering ocean, refracting yellows and oranges amongst the cerulean and sapphire blue of the water. Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape that has a painterly feel. The photographer Danny Weiss...

Large-Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape that has a painterly feel, from Danny Wiess' Still Water series 4,#1. In this photograph with a vertical composition, a tranquil ocean horizon divides the picture plane symmetrically: with fuchsia pink, orange, golden yellow and light blue sky on top, and cerulean and sapphire blues of the water in the bottom. The photographer Danny Weiss...

Large Scale Limited edition color vertical photograph, 60" x 40" depicting an abstract waterscape that has a painterly feel. In this photograph, a a large cresting wave is backlit by rose pink and golden yellow sky, the wave reflects the orange, coral and rose pinks amongst the cerulean and sapphire blues of the water. The photographer Danny Weiss...

Large Scale Limited edition color photograph, 40"x60" depicting a group of swimmers beginning a race in the water with a light blue, white tones. The composition captures a large gr...

Large Scale Limited edition black and white photograph, 40"x60" depicting an abstract waterscape of a wave in motion that has a painterly feel. In this black and white photograph, the artist has captured rich, dark tones, of the water contrasted against the clouds and foaming rush of the waves. The photographer Danny Weiss...

Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape that has a painterly feel. In this photograph, the artist has captured a cresting wave, amids...

Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape that has a painterly feel. In this photograph, the artist has captured a wave of blue ocean curling across the picture plane, into an orange rose and lavender sky, which are reflected in the water below. The photographer Danny Weiss...

This watercolor painting depicts a profile of a large raven perched on a shelf, with a glass tumbler of whiskey with ice cubes and a small branch as a garnish. A large clock hangs o...

17"x24" color photograph signed on the reverse by the artist. This fine art photograph depicts the interior warehouse of the historic Brooklyn Domino Sugar...

Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape that has a painterly feel. In this photograph, a rose pink and golden yellow sunset reflects off the surface of a large cresting wave, refracting coral and rose pinks amongst the cerulean and sapphire blues of the water. The photographer Danny Weiss...

Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape that has a painterly feel. Below a golden yellow sky, a wave is pulled back to shore, with lin...

Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape with a lavender sky. This contemporary landscape photograph has has a painterly feel; the artist has captured a rising cusp of a wave with blue and cool white, against a violet and pink sky. The photographer Danny...

Ken Butler’s hybrid musical instrument sculptures explore the interaction and transformation of common and uncommon objects, sounds, and altered images. Fun...

This cello sculpture created by Ken Butler is part cello mannequin dress form torso. It is made in the spirit of absurdity many surrealists embraced using f...

In Buehler’s color photograph from a military airplane storage yard in Arizona, the F-106 Delta Darts parked in alignment, their silver tails recede into the...

C Print Photograph 40"x60" edition of 5, available unframed. This color photograph depicts an abstract composition of Watertight Hatches from the USS Radford, prior to its controlled...

This cast wax wall panel painting contains blues in aqua and turquoise which blend into a gradient, with warm earth tones emerging amongst violet and yellow green undertones. 21"x3...

Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process, to create this multi-panel wall installation. 37"x54"x 1" pigmented wax, board, photograph, installed on welded metal backing brace (included) signed on reverse by artist, and COA. This wall piece is composed of 24 cast wax panels. The abstracted image imbedded in the work is a photograph of the packing for Botox treatments. Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process. This large scale wax painting is a beautiful statement piece that is signed on reverse by the artist. In addition to the cosmetic applications of Botox, it is also used as a pain relief medication for migraine sufferers. The geometric abstract composition is created through the imagery of the folds from the boxed packaging. The grid is created and installed on a heavy duty welded metal back brace...

Vivid oranges, violets, blue and golden yellow tones are created through Joanne Ungar's unique poured wax process in this multi-panel wall installation. 48"x59"x 1" pigmented wax, board, photograph, installed on welded metal backing brace (included) signed on reverse by artist, with a COA. This wall piece is composed of 24 cast wax panels, created in high quality archival materials. The abstracted image imbedded in the work is the open and unfolded form of a Johnnie Walker...

28"x40" limited edition of 5, signed. Presented Framed. Tones of sienna, rust orange, tangerine and warm brown are captured in this an aerial view of a desert landscape photograph. ...

This poured wax painting in green by Joanne Ungar, is composed with the geometric forms of recycled packaging, layered and infused with pigmented wax. A vibrant sculptural painting, ...

20"x30" limited edition of 5, signed. Tones of sienna, rust orange, tangerine and warm brown are captured in this an aerial view of a desert landscape photograph. Australian artist,...

28"x40" limited edition of 5, signed. Tones of sienna, rust orange, tangerine and warm brown are captured in this an aerial view of a desert landscape photograph. Australian artist,...

20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a caboose from the Union Pacific railroad, taken in Great Salt Lake, UT- the dust and dirt from use ...

Kathleen Vance, “Traveling Landscape, "Golden Interior” found case, artificial foliage, resin, paint (12.5”x5”x8”) 2022 Kathleen Vance is an environmental artist who creates sculptures and installations that connect people to local aspects of nature that are overlooked or under-appreciated. Vance received her B.F.A. from Pratt Institute and her M.F.A. from Hunter College in sculpture. She has received numerous grants and awards for her artwork including: a travel grant to research the geo-thermal regions of Iceland, a grant from the Puffin foundation for public sculpture, a development grant from Aljira, Center for Contemporary Art in conjunction with the Creative Capital Foundation, and a grant from the Brooklyn Arts council which aided the development and implementation of an outdoor community based art project in East New York. Ms. Vance was artist in resident in Berlin, Germany, presenting a workshop on environmental arts in connection with the Grunewald Parks Department in Germany. Her sculptural installations have been featured at the Museum of Contemporary Art in Krakow, the Museum of Contemporary Art in Jacksonville, the Orlando Museum of Art, the Weatherspoon Art Museum, the Peeler Art Center, the Weisman Art Museum, the Brandywine River Museum of Art, the Bruce Museum, the Ellen Noel Art Museum, Nassauischer Kunstverein Wiesbaden, the Hillwood Art Museum, VOLTA New York, PULSE New York and Miami, and EXPO Chicago, as well as many private and public institutions. Kathleen Vance has exhibited extensively in New York and internationally and continues to live and work in New York. Kathleen Vance Artist Statement, “Traveling Landscapes” With the series “Traveling Landscapes” Vance creates miniature landscapes inside vintage suitcases and trunks...

This color photograph of a lawn chair amid the devastation of the historic tsunami that hit Thailand in 2205 is from the series "Things Fall Apart" b...

This abstract color photograph of a book at the top of a pine tree amidst the devastation of the historic tsunami that hit Thailand in 2005 is from the series "Things Fall Apart...

This abstract color photograph the devastation of the historic tsunami that hit Thailand and Indonesia in 2005 is from the series "Things Fall Apart"...

Wildfire #16, Witch Creek Fire, Rancho Bernardo, CA, 2007 (30"x40") Edition 9 + 3 artist prints, signed by the artist, Sasha Bezzubov. The photographs in the Wildfire series were made in California from 2003 to 2007. The work began as part of a larger project titled Things Fall Apart...

Wildfire #32, Witch Creek Fire, Rancho Bernardo, CA, 2007 (25"x30") Edition 9 + 3 artist prints, signed by the artist, Sasha Bezzubov The photographs in the Wildfire series were made...

60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...

This is a large scale, contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white brushed with violet. Washes of red and orange fade into hot pink in this vibrant abstract painting by the artist. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white brushed with violet. Washes of red and orange fade into hot pink in this vibrant abstract painting by the artist. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

Limited edition photograph #1 of 5, 40"x60" C-print photograph, signed and editioned by the artist. This color photograph depicts a graphic composition of shredded paper bales. Bou...

A red ibis perches on a red armchair in this contemporary surrealist painting by New York artist, Thomas Broadbent. The long legs of this water bird complement the design of the cha...

This large scale color photograph depicts an open freight train car, perfectly framing a vista of a mountain with the train tracks in the foreground. V...

20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a freight train car from the Union Pacific railroad, coated in colorful graffiti. The tagger team col...

Ashok Sinha's luminous color photograph "Be My Valentine" features the shadows of a mother and an infant. The pairs silohuette is bathed in an amber glow against the wall, with a crib...

From the series "We are the Kings and Queens of Narnia." This is a series of photographs about Bezzubov's family's somewhat unconventional way of traveling around the world - by wal...

Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates outer and inner geographical regions in this piece. The finished work is a d...

This Conceptual Text based painting features the words "When you look here imagine me standing next to you" in white over a royal blue background ...

In this photograph by Paul Raphaelson a lone bench seat, from a van, in a solitary parking lot overlooks the East River and the Williamsburg Bridge. This color photograph is an archi...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Magenta and blue forms central to the painting are surrounded by rose pink, mauve, lavender rise over a field of blue. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Magenta and blue forms central to the painting are surrounded by rose pink, mauve, lavender and turquoise blue rise over a field of blue. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

This poured wax painting by Joanne Ungar, is composed with the geometric forms of recycled packaging, layered and infused with pigmented wax. The red, yellow, green and blue in this ...

Boxcar CSXT 994 371 is a photograph by the photographer Stephen Mallon. In this photo a grey boxcar with the words "do not hump" emblazoned on it appears against a snow covered mount...

40"x60" limited edition of 5, signed. Tones of sienna, rust orange, tangerine and warm brown are captured in this an aerial view of a desert landscape photograph. Australian artist,...

From the series, "Energy Grid" Inspired by conversations about the future power grid and the failing of the current one. Mixed media on canvas, 26”x25” signed by the artist. This m...