Metalwork

19th century black cast iron factory singer sewing machine circa 1880. Here we present a beautiful singer sewing machine from the 19th century. From the model 29 range and likely u...

Antique Indian Hindu Bronze Sculpture – Krishna with Flute (18th Century) A captivating and finely crafted antique bronze figure depicting Lord Krishna, rendered in the distinctive ...

Oriental rain drum in bronze, richly decorated with oriental characters and frogs on top. Approx. 1880. Dimensions Height approx. 41.5 cm. Island approx. 56 cm. This type of drum i...

Vintage Cambodian Repoussé Silver Pumpkin Shaped Box. A squat low form with sections having chased and punched scales, coiled silver wire sepals in ...

Exceptional floor lamp - lantern made of solid bronze, crafted in Japan during the 1920s Taisho period. This historic lantern was made in Japan in the 1920s and was originally inten...

Offered for sale is this large 19th Century Victorian antique copper and brass kettle of good quality, having a shaped brass and copper...

Antique 19th century Middle Eastern Persian Qajar Dynasty ( 1785-1924) tinned copper pitcher. The teardrop form ruffled mouth with a flat hand wrought handle, over a neck decorated with hand chased human figures, floral, and geometric designs. Nice decorative old rustic hand-hammered ewer pitcher in the Mameluke Qajar style. Large copper pitcher entirely engraved and plated with silver, tinned with incised scene of a figure seated. Persian Moorish Middle Eastern tinned copper water jug ewer. Middle Eastern Arabic...

Antique Islamic Middle Eastern Qajar Persian Tinned Metal Ewer 19th Century. Rare Museum quality Antique piece from the early 19th Century hand forged tinned metal pitcher with lid cover. Finely engraved and etched with flowers and birds design on the sides of the water jug or wine pot. Great antique patina. Circa 1800. Measurements: 17” height 10.5” length 4 1/2” width. Quality Museum Islamic Metalwork from a private Beverly Hills CA collection. Middle Eastern Asian Turkish Ottoman Antique...

Handcrafted antique 19th century Islamic Turkish Ottoman tinned copper ceremonial water ewer. Antique Middle Eastern Asian Islamic style ewer jug metalware vessel. The bulbous body...

A set of Japanese bronze vases with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Age: Japan, Showa Period, Early 20th Century Size:...

Ritual bells have occupied an important place in Tibetan Buddhist practice for centuries, forming part of the liturgical objects used in meditation, prayer, and ceremonial rites. Kno...

Asian Mughal Rajasthani Large Polished Round Brass Tray with Crest Edges. Asian Antique Islamic Mughal Rajasthani Large Polished round Brass Tray with crest edges, 3o inches in diameter. Rare find, large antique...

Large quality antique George III copper pan having a quality large antique George III copper pan with shaped handles to both sides.

Large antique 19th century Turkish incense burner or fire pit with pierced brass and solid brass ornamentation. Museum quality Islamic collector metalwork piece footed incense censer...

Presenting a magnificent pair of antique Chinese cloisonné enameled bronze vases, dating to approximately C1920. These hexagonal form vases are meticulously crafted, showcasing the i...

A nice vintage bronze sculpture of the Buddha being protected by the serpent king Muchalinda, circa 1930s. A compelling vintage bronze sculpture depicting the Buddha sheltered by the...

Japanese bronze Koi fish vase with artist sign. Japanese Koi fish symbolizes ultimate achievement, good fortune and prosperity. Koi fish signifies strength and success because of...

Japanese bronze vase with nice form, used to decorate flower arrangements in Japanese traditional tea ceremony. Age: Japan, Showa Period, Early 20th Century Size: Height 13.8 C.M. ...

Antique Chinese bronze mask.

Large Betel Nut Box, Maranao, Southern Philippines (Mindanao). Bronze with bordered silver inlay design overall of a symmetrical floral tendril vine pattern referred to as “the okir ...

Asian decorative trinket lidded box in metal silvered hammered and etched with organic floral design. Anglo Raj style oval form betel box. Dimensio...

A vintage Russian Orthodox silver-tone priest's cross. The front side is decorated with a relief depiction of Jesus Christ. Inscription in Church Slavo...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

A bronze Japanese okimono cast in refined and realistic form of a praying mantis attributed to Myochin lineage circa 19th century of Meiji period. The insect features a segmented bod...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

This elegant Homsi Shahrura dallah was produced in the city of Homs, Syria, a centre long celebrated for its skilled metalworkers and finely crafted coffee wares. Dallahs of this typ...

A fine Chinese Export silver cup. By Wang Hing. In .900 silver. With floral repousse decoration to the entire exterior of the cup. With a script 'B' monogram to the base. Fully marked to the base. Simply a wonderful Chinese silver cup...

This impressive Saudi Arabian dallah belongs to the celebrated tradition of coffee pots associated with the workshops of Makkah, where finely crafted vessels played an essential role...

FREE WORLDWIDE SHIPPING Japanese bronze and mixed metals koro by Nogawa, dating to the Meiji period circa 1890. The koro is of octagonal form raised upon elongated bracket feet, ex...

A very rare Ando Jubei (1876-1956) Rose vase on imperial yellow background in excellent condition. In classic form using colored enamels of burgundy, cream, pink and green to depict ...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Rajasthani Mughal Decorative Copper Lidded Betel Spice Pandan Caddy Box. Handcrafted decorative North India round metal Asian copper Mughal Raj, Indian lidded , spice, pandan betel box with latch and a top handle. Of dome form with lotus-shaped finial, with spiralling bosse designs, Delicately and intricately hand-chased and hammered with geometric Anglo-Indian designs. Consuming betel leaves with several ingredients such as wet lime paste, katechu, areca nut, cloves and even tobacco leaves has been popular in India from the fourth century AD. Dimensions: Height: 9 in (22.86 cm)Diameter: 7 in (17.78 cm) The box was probably used to store the betel leaf used in the preparation of paan. Lime paste is mixed with grated areca nut and flavourings and the resulting mixture is rolled in the betel leaf to form a small parcel which can then be chewed. As well as being an integral part of Indian hospitality paan is believed to possess medicinal properties and was also taken as an aphrodisiac. The present box, which was elaborately designed for this purpose, would have been taken out ceremoniously on special occasions. Exquisite conversation museum quality piece with a very nice antique patina. Fine intricate artwork with conical form lid with Moorish pierced designs. Islamic Mughal Indo Persian...

Chinese Cloisonné Bowl Carved Gem Stone/ Serpentine Medallion & Ring Handles China, Later 20th Century An exquisite Chinese cloisonné bowl from the 20th ce...

Vintage Tibetan Gau Box Necklace in Silver with 18K Gold Detail This striking vintage Tibetan gau box necklace is a beautifully crafted statement piece that blends cultural heritage...

Stunning pair of antique Edwardian brass jardinieres having a quality pair of antique brass jardinieres having engraved decoration raised on circular bases. D. 1900

Well cast brass temple lion with fierce open mouth, armored headdress, bold protective stance. Dimensions: 9" W x 4 3/4" D x 11" H Condition: brass imperfection at base of tail th...

This compact Japanese bronze vase charms with its classic silhouette and richly mottled patina in warm reddish-brown tones. The subtle variations in the surface evoke the organic bea...

Beautiful handcrafted tinned copper decorative octagonal betel box with lid and brass latch. The metal is delicately and intricately hand-hammered and repousse with floral and geometric designs. This Vintage brass box...

Antique Very Large Pair of Japanese Bronze Vases - Exquisite Meiji Period Presentation Pieces! These magnificent Japanese bronze vases, dating back to the Meiji Period and dated 190...

A large highly decorative middle eastern copper ewer. Dating from the early 19th century, displaying a charming patination throughout. Measures: Height...

This slender metal container is a 19th-century white brass incense burner, used for storing and burning incense sticks. The small box has a rectangular form and a removable sliding t...

A beautiful pristine condition Ando Jubei wireless cloisonné vase in baluster form. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis vin...

A finely carved marble statue of Ganesh circa 19th century from India. The semi-elephant semi-human Hindu deity is also known as Ganapati and Vinayaka. In the Hinduism, Ganesh has th...

Handcrafted antique 19th century copper Middle Eastern Islamic copper ewer with basin. The Turkish Ottoman style Arabian brass ewer with a rounded body, on short splayed foot, engrav...

A bronze Japanese okimono cast in refined and realistic form of a grasshopper attributed to Myochin lineage circa 19th century of Meiji period. The insect features a segmented body u...

19th Century Dated Persian Qajar Tinned Copper Ewer Ablution Basin Set, Dated 1878. A complete two-piece Islamic ablution set comprising of a tall, elegant ewer (aftabeh) and its m...

This striking Indian brass ghanta temple bell assembly features three bells, each suspended from the trunk of a cast elephant head, forming a visually dynamic and symbolically rich c...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A small bronze mirror from Cambodia, circa 13th-15th Century. In Southeast Asia, The Khmer culture existed between the 9th and 15 centuries, originating in Cambodia and extending t...

A Chinese Cloisonne Tray with Qianlong Mark, Early 20th Century Home decor, Interior design and collectibles. Provenance: Private Victoria Collection. ...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A remarkable pair of Thai Ayutthaya period bronze crowned Buddha mounted on wood display stands. Thailand. 17th/18th Century Dimensions: (approx) Head: 15" High, 7.75" Wide, 6" Deep (tallest) Overall: tbd Provenance / Acquisition: Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 March Fine & Decorative Asian Art Signature Catalog Auction #8155 Lot #78357 Condition Report: Attractive pair with beautifully aged patina, condition commensurate of age, use, and exposure. Scattered areas of desirable verdigris green patina and oxidation throughout to each. Minor loss to front shell point of one example. Small holes scattered throughout and scews/nails through each fixing both examples to wooden bases. Both well preserved and present superbly History: The first Crowned Buddha images or Jambupati Buddha statues are known to have been originated from the Pyu, where the Indian influence of Buddhist arts and non-Theravada Buddhism was extremely felt in those days. There may have been various background stories behind the crowned Buddha statues in the course of history but one of the most popular stories goes by the legend of Jambupati. This particular legend is not known in the home of Buddhism India, however the crowned Buddha statues have been attached to the name Jambupati as the Buddha is believed to have humbled a boastful and arrogant king Jambupati. The story goes on about how the Buddha transformed himself into a mighty king with a crown and jewelry and set himself a majestic yet incomparable palace. Seeing this, the king accepted the great ability of the Buddha and submitted himself to the Dharma and became a Buddhist monk. This particular story has gained a lot of popularity and stood the test of time in Burma as the number of Crowned Buddha statues in Burma is considerably great in amount. There are also other versions of the background story of crowned statues...

Middle Eastern Moorish antique round brass tray. 19th century handcrafted circular brass platter hammered with Islamic Moorish designs. Heavy brass wit...

Antique iron bird sculpture with a nice patina. Removable vented piece, for burning incense, 1960s.

Japanese bronze animal rabbit. Age: Japan, Showa Period, 20th Century Size: Height 15.6 C.M. / Width 8.4 C.M. / Length 14.5 C.M. Condition: Ni...

Pair of vintage patinated bronze bird sculptures by Toyo, Japan, dating to the mid-20th century. Depicting two pheasants in contrasting poses, the figures are rendered with finely mo...

This is an antique Japanese iron articulated sculpture of a spiny lobster. Judging from its advanced craftsmanship and refined construction, it is believed to have been created in th...

Japanese steel teapot with nice design. Age: Japan, Showa Period, Mid-20th Century Size: Height 20.8 C.M. / Width 21 C.M. Condition: Nice condition...

Antique Hindu brass decorative box. This is an antique Mughal style brass Indian ornate locking trinket box container. It has six compartments that lock ...

A Magnificent Japanese Meiji Period Silver-Wire Cloisonné Enamel Vase with Pheasants and Maple Leaves, Attributed to Inaba An exceptional Japanese cloisonné enamel vase from the Mei...