Set of Four Early 19th-Century Hand-Colored Engravings of Qing Dynasty China

Antique pair of Qing dynasty ancestor portraits depicting a male and a female. Hand painted on silk and framed under glass within a large te...

A substantial 21st-century chinoiserie decorative box attributed to Chelsea House. Made in China, the box is constructed of a weighty cast-composite material and designed in the form...

A finely mounted antique Chinese embroidered silk panel, composed of robe fragments carefully stitched and presented as a vertically oriented decorative textile. The central field d...

A cohesive and finely executed group of three mid-century Myanmar (Burmese) watercolors, including two architectural landmark views and a signed figural street scene by Aung Kyaw, da...

Set of 4 Chinese 19th Century Gouache Pith Paper Miniature Paintings in original ebonised frames C.1840 A charming set of four miniature export paintings executed in gouache on pith...

Set of Four Chinese Paintings in Rosewood Frames, Signed, 19th Century, Oil Canvas Stunning example of Oriental works on canvas on wood. Each in a fine custom rosewood frame, matted...

Chinese Architecture and Court Scenes — Set of Three Hand-Colored Engravings, Ferrario 1815 A refined and visually balanced set of three hand-coloured copperplate engravings depicting Chinese architecture, ceremonial settings, and everyday scenes, engraved for Giulio Ferrario’s celebrated publication “Il Costume Antico e Moderno” (Ancient and Modern Costumes of all the Peoples of the World), published in Florence in 1815. These engravings reflect early nineteenth-century European fascination with China, combining ethnographic curiosity with architectural study and decorative aesthetic appeal. The first plate presents an imposing imperial architectural structure rendered with symmetry and clarity characteristic of Enlightenment-era documentary imagery. The strong horizontal composition and monumental form convey the grandeur of Chinese imperial construction and ceremonial space, appealing strongly to collectors interested in historic architecture and cross-cultural visual narratives. The second engraving shows a temple or pavilion setting within a landscaped environment, integrating architectural design with figures in traditional dress. The subtle coloring and precise engraving create a harmonious composition reflecting both architectural observation and romanticized European interpretation of Chinese environments. The third plate introduces movement and narrative through a lively street or ceremonial setting with figures moving through an urban landscape defined by distinctive rooflines and ceremonial poles. Together the three plates create a compelling visual dialogue between architecture, ceremonial space, and daily life. Interior-designer positioning: This trio works exceptionally well as a panoramic architectural statement piece in luxury interiors. The soft antique palette pairs beautifully with warm taupe walls, dark walnut frames, and generous ivory mats, creating a museum-grade presentation that complements high-end hotel interiors, contemporary Asian-inspired residences, or chinoiserie-influenced design schemes. The elongated horizontal compositions lend themselves perfectly to placement above consoles, sofas, or long corridor walls, adding cultural depth and refined historic character while maintaining calm visual balance. Particularly effective in layered interior concepts combining Asian antiques, natural textures, and understated modern furnishings. Ferrario’s series is widely appreciated for its blend of scholarly ambition and decorative appeal. Produced during a period when European audiences sought visual knowledge of distant cultures, these engravings occupy an important position between documentation and artistic interpretation, making them attractive both for collectors and interior designers seeking authentic historical imagery. Condition report: Overall very good condition for age. Light age toning to margins, occasional faint foxing and handling marks consistent with bound plates. Visible platemarks and original embossed blind stamp present, as issued. Framing tips: Highly effective in dark walnut or ebonized frames with generous ivory or warm off-white mats. Floating mat presentation enhances the architectural lines and preserves visible platemarks. Maintain consistent spacing between frames for a refined gallery-wall effect. Technique: Hand-coloured copperplate engraving Maker: Giulio Ferrario (after Andrea Bernieri and collaborators), Florence, Italy, 1815 Keywords:: Chinese architecture, antique Chinese print...

A rare & important set of four large antique Chinese Qing dynasty hand-painted porcelain plaques; of the "Four Seasons", housed in the original Hongmu wood frames. Each plaque is fin...