Hardwood Decorative Objects

This stunning original decorative box was expertly crafted in France, circa 1960. The rectangular form, featuring Macassar wood main body, is complemented by a brushed gilded anodize...

Olive burl wood candle holders with brass cups.

We are very pleased to offer this distinctive Maitland-Smith decorative box, designed in the form of a classical gramophone, circa late 20th century. Crafted with a richly finished w...

Mid-Century Modern Red Enamel Cast Iron Pot with Teak Handle by Timo Sarpaneva for Rosenlew of Finland, 1960s Old original Version from Rosenlew of Finland !

Antique crucifix with stunning hand carved details and an amazing patina. This remarkable and good size crucifix with a sculpture of a suffering Christ on the cross is another one...

Vintage Chinese Willow Fisherman Basket, Handcrafted Storage, 1900s Description: Vintage Chinese fisherman basket hand woven from natural willow wood with removable lid. This woven ...

Interior Design Wooden Sculpture Lull No54 – Crafted by Joel Escalona ——— Balance and tension are at the core of these sculptures. The interplay between the smooth, rounded forms and...

Arthur Umanoff for The Design Office of George Nelson for Howard Miller Rosewood Desk or Table Clock. In great shape and running flawlessly! Been in use for about 6 months on my de...

Biomorphic Carved Wood Sculpture in the style of Isamu Noguchi, Unseen Force 20 by Joel Escalona This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towering example of beauty in craftsmanship. Hand and digital machine made; the standing sculpture stands...

Natural Specimen from Wunderkammer stuffed bird (Tichodroma muraria) Wallcreeper on a fruitwood base painted black, with a paper scroll at the base reading: Specimen for laboratories...

Stunning wall clock made of brass, metal and glass. An eye catcher par excellence. Made in Germany. Electric, battery operated clock.

This is a very good quality English Art Deco period lidded Box, of two contrasting woods with a hinged lid and one internal compartment, dating to circa 1925. The box has very in-pe...

With rectangular hinged top with brass strap mounting. When open the front folds down to expose hidden compartments and wells. Case mounted the same as the lid. Side carry handles. I...

Bring a touch of whimsy to your home or office with the charming wooden bird from the Tweety series. Designed by Kateryna Sokolova, this minimalist sculpture is an attractive accent...

Boat Shaped Teak Box signed BAE, 1981 Tamborine Door Blue Velvet on Interior "In nice vintage as found condition with some minor wear to wood surface." "Takes some pressure / forc...

Jacob Jensen Danish Viking Figure, 1960s.

Exceptionally elegant late 19th Century studio easel, Neoclassical with early Amsterdam School influences This rare and elegant late 19th century artist’s easel is an outstanding ex...

Vintage Organic "Free Edge" Wood Jewelry Box (4) visible drawer compartments (1) tray compartment (1) hidden compartment compartments are lined with maroon felt This very organic a...

A Very Good Quality And Attractive Late 18th Century George III Period Satinwood Tea Caddy, With Extremely Unusual And Elegant Butterfly Inlaid Decoration To Hinged Top, Enclosing St...

Pair of interesting and lovely single door walnut cabinets with satinwood decorative inlay, probably Edwardian made in the Sheraton taste. Each has a single pull-out open drawer shelf. Possibly bedside lockers...

Lull No48 Solid Wood Sculpture by Joel Escalona – A Sculptural Accent for Modern Homes ——— Balance and tension are at the core of these sculptures. The interplay between the smooth...

Beautifully handcrafted mid-century modern teak wood bowl with an elegant, organic biomorphic silhouette reminiscent of Carl Auböck's minimalist aesthetic. The sculptural form, featu...

Basket making is an ancient and humble craft, but in the hands of a skilled weaver a simple willow basket can become a truly beautiful work of art. This bent handle basket was made i...

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to the power of the material...

An Art Deco pewter covered small lidded box with green glass cabochon. English. Circa 1930. The box has hand-tooled geometric design to the top with the initial 'C' along with all o...

Lull No1 Contemporary Wooden Sculpture – Decorative Object by Joel Escalona ——— Balance and tension are at the core of these sculptures. The interplay between the smooth, rounded fo...

The initial inspiration for the elemental top collection by Alvaro Uribe for Wooda was wooda’s iconic logo of a tree. We felt it captured the company’s synergy for working with wood ...

Jewelry Box by Cathrine Horsbøll, Denmark, ca. 1910 Jewelry box of oval form in richly figured mahogany, the lid centred with a marquetry medallion of elm root and walnut framing a ...

Georg Petersens Selectform desk organizer, Denmark, c.1960s. Great condition. W 23.5 x D 8.5 x H 6 in

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to the power of the material...

A very rare and large decorative French mid century sculptural wooden tray by the iconic designer and sculptor Alexandre Noll and produced in France, 1950s. In good original conditi...

Planter box exemplifies Mid-Century Scandinavian design principles through its marriage of natural teak and industrial black enameled steel. The rectangular frame creates architectur...

Antique Textile Fragment in Sterling Silver & Hardwood Presentation Box Textile: Circa 600–1400 CE Box: Mid-20th Century A refined and historically rich presentation box housing an...

Painted with Spa Scenes From our Sewing Box collection, we are delighted to offer this Original Spa Sewing Box. The Sewing Box of rectangular form made from Sycamore is extensively decorated with Spa scenes to each side which include; la Sauvenière, la Géronstère, le Tonnelet, les Cascades de Coo and vue du aviny du château dimbles. When opened the box reveals a light pink lined sewing box with multiple compartments for storage and tools. The interior lid is finished with a framed panel of rauch velvet and an outer border of simulated ropework. The Sewing Box also contains four original spa spinners with painted scenes and a central lidded compartment painted with a further spa scene of la place du spa at lo fontaine du pouhon. Beneath the lid is a secret compartment which can be accessed by removing the rear panel which reveals a small handled drawer. The Spa Box...

Sleek and Dark Design in Black Solid Wood Totem, Still Stand No87 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament t...

This French 19th century marquetry-inlaid satinwood and gilt-bronze portico clock, circa 1840s, features a floral-and-foliate-inlaid frieze over f...

This elegant Danish Mid-Century Modern catchall or vide poche is crafted from solid teak, showcasing a beautifully sculptural, domed form set into a circular dish. The design highlig...

A beautifully crafted two-tier paper tray produced by Rainbow Wood Products, showcasing the clean lines and warm organic materials characteristic of mid-century modern desk accessori...

Circa 1890. 19th c large ebonised carved winged serpent gargoyle table lamps Originally hand carved winged serpent gargoyle wall brackets. Wired...

This is a pair of jaw dropping hand carved angles. Each figure is carved with an individual face and pose. Removed from a Church in Europe and brought to the States in the 1990's. Th...

Very long geometric diamond tray. Made in Denmark. There is a swallow chip with some roughness to one corner, and scratches to center. W 26 1/2 x D 6 3/4 x H 1 1/8 in.

Vintage Chinese famille rose porcelain cylindrical vase, decorated with a squirrel perched on a fruiting grape vine, with a dense floral band around the base. Gilt accents. Signed on...

Contemporary Wooden Totem Art Unseen Force No34 Produced by NONO —— This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towerin...

1960s Mid-Century Modern teak bowl designed by Jens H. Quitsgaard for Dansk Denmark.

The cigar box conceived by Valter Costa Lima is an eloquent testament to the union between tradition and innovation. Made of cedarwood, every stroke of this piece is an ode to the Br...

1537 Neapolitan hand carved wood sculpture "the Finger" Beautiful detailed carving

20th century hand carved folk art wooden cat form sculpture or statue. Features a knockdown design with elegant form. Features pointy claws, curled tale an...

Heavily Inlaid with Mother of Pearl and Abalone From our Writing Box collection, we are pleased to offer this stunning Antique Inlaid Writing Box by Hausburg. The Writing Box of rec...

Act fast to claim this exquisite piece of natural history, as our fossils will no longer be available through 1stDibs after October 31. This sculptural stone specimen features an ex...

Simon Randers for Randers Mobelfabrik. Danish "Lovers" sculpture. This abstract sculpture is made of solid old growth teak and displays excellent craftsmanship. Burnished makers mark...

An exceptionally large example of a traditional wassail vessel turned out of lignum vitae. Due to the immense size, it has been turned in three parts. The bowl, stem, and plinth are ...

Magnificent 18th-century Spanish sculpture from the Murcian School, representing an apostle, finely carved in wood, polychromed, gilded, and estofado. The figure displays remarkable ...

Wooden casket with inlays, fully resored with glossy finish, manufactured in Vienna in 1920 attributed to Wiener Werkstätte and Dagobert Peche.

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

1925 Florentine custom made jewelry box with hand made fabric and tapestry

An important early antique Italian Renaissance table box, handcrafted in Northern Italy in the 17th/18th century, cassone chest form, richly inlaid, the top and front panel with fruitwood banding framing...

Top quality and mint condition bust sculpture from the early 1900s with maker's name. This incredibly well carved bust of Jesus is impressive both for its quality and its large size. With His head bowed down like in His final hours on the cross this design is obviously perfect for displaying on a tall stand. In this case a tall and ebonized wooden pedestal was used and thanks to the contrasting colors of this bust and its pedestal they are like a match made in heaven. The master sculptor / artist could not have done a better job in hand carving the exhausted yet serene facial expression of Christ. The large size of this bust combined with the rare sandstone material makes this work of religious art look extra ancient. Because of its size this archetype of Christianity can also be seen and worshipped from further away. Unfortunately we cannot read the name of the skilled artisan who signed this unique sculpture. Thanks to its amazing quality, its excellent condition, its deeper meaning and its powerful presence this work of religious art will never fail to impress, no matter where you decide to have it on display. For it to have come our way felt like a blessing and to be able to offer it to the 1stdibs.mommunity in this amazing condition is an honour for us. Our fair price for this museum worthy sculpture again includes perfect packing and also worldwide delivery from our store to your door in just 4 to 6 days. Total height x width x depth: 74 x 17 x 16.5 inches. Christ bust...

Clean form, warm grain, and the kind of simple craftsmanship that makes a utilitarian object worth keeping out in the open. Works as a waste basket, planter, or catch-all. Excellent ...

Hand-carved solid wood wall panel depicting a whimsical fruit motif in deep relief, framed by an architectural border. The carving shows expressive detailing and a warm, naturally ag...