Neoclassical Planters, Cachepots and Jardinières

From Wedgwood, a light Blue Jasperware cache pot or jardiniere, date marked 1970. Jasperware, introduced by Josiah Wedgwood in the 1770s, is a type of unglazed stoneware known for i...

A Wedgwood Jasperware Neo-Classical blue and white stoneware vase with a flower frog insert, date marked 1968. The vase is sprig decorated with classical figures and banded with a r...

A beautiful example of classic English transferware, this vintage Spode Copeland Italian cachepot features the maker's iconic 1816 ‘Italian’ pattern—rend...

Early 19th century Italian terra cotta Athenienne stand, probably made by the Piranesi Factory. The design draws its inspiration from the classical incense burner which had a tripod ...

A Wonderful Botanical Heavy Classic Painted White Cast Aluminum Openwork Urn On Pedestal With Interior Tin. Urn 19 1/2" H x 14" Round Pedestal 12" Square x 34" H 3 Available, Each S...

Antique (19th century) French silvered bronze centerpiece bowl or jardiniere by Christofle, 20 by 13 3/4 by 6 inches, features engraved crests paying tribute to the CERCLE NATIONAL D...

This is a lovely large scale neoclassical style tole planter by Decorative Crafts. It is marked. And in very good condition. The planter has gilt swan handles and what appears to be ...

A turquoise urn-style pottery flower or plant pot planter cachepot jardinière, circa early-20th century. A beautiful small urn-like turquoise blue pottery planter...

Early 20th century Italian majolica urn. This gorgeous Italian majolica or maiolica urn or jardiniere is hand decorated with serpents, dolphins an...

A bronzed metal urn attached to a black wood column plinth base with a brown laminated veneered burl, in the Neoclassical design style, circa 1960s. ...

This refined pair of antique Neoclassical cast iron urn planters, dating to the early 20th century, originates from France and reflects the enduring sophistication of classical Europ...

Pair of exquisite monumental centerpieces with bronze work in the the Manner of Pierre-Philippe Thormire, 1751-1843. The pair in the form of reticulated gilt grape vine...

An exceptional example of the celebrated Fleurs Des Siècles collection designed by Jane Hutcheson for Mottahedeh and produced by Vista Alegre, this sculptural floral arrangement comb...

A wonderfully charming early 20th century Italian tole cachepot finished in yellow with delicate gilt embellishments and handsome brass lion paw feet. Equal parts formal and playful,...

White Neoclassical Urn. Large white glazed Italian urn form earthenware vase after the antique with classical figures in draped garments with sigillated urns on either side issuing ...

A remarkable pair of early-20th-century German porcelain compotes, each modeled with a sculptural putto supporting a deeply scalloped flower-f...

A beautiful French 19th-century hand-painted porcelain jardinière / cachepot, made to coordinate with the matching pair of vases. The softly flared form is decorated with a finely de...

Italian creamware lion mask cachepot.. Antique neoclassical creamware soup tureen cachepot with three ringed lion masks supported on tripod tapering legs with lion paw feet on circul...

This is perfect for holiday entertaining! This is a large scale tole cachepot by Maitland-Smith. It is marked. It has a pastoral scene on both sides and gilt feet...

Fine pair of signed Elkington & Co gilt bronze Neoclassical Jardinière/Champagne ice buckets or wine coolers. Depicting new classical Roman figures and subjects with lions and leopar...

Patinated pair of English cast iron jardinaire garden planters featuring a rare demi-lune form. The planters are decorated with floral motif swag on each side centered by a Greco-Rom...

Pair of Wedgwood dark blue and white jasperware vases. Insides of vases have a shiny glazed finish. 6” tall x 5.5” across top x 4.5” across bottom. ...

This impressive pair of French Anduze terracotta garden vases originates from Anduze, a historic pottery center celebrated since the 17th century for its iconic garden urns and planters...

An exceptional example of the celebrated Fleurs Des Siècles collection designed by Jane Hutcheson for and produced by Gorham, this sculptural floral arrangement combines finely paint...

A pair of Maitland Smith planters or jardinières. These pieces feature a classical design with a bowl-shaped upper section supported by four legs, each terminating in a paw foot. The...

A wonderfully charming early 20th century French tole cachepot finished in a rich cinnabar red with delicate gilt embellishments and handsome brass lion head ring handles. Equal part...

Pair of Russian-Style Neoclassical silver-plated bronze and leather cachepots are finely conceived decorative objects that draw directly from late 18th- and early 19th-century Imperi...

1900s Antique Copper Bucket Pot Jardiniere Iron Handle Patinated fair condition. Has bends and dings + fabulous character. 17.5 h x 26 diameter Unrestored vintage antique presentatio...

LARGE Antique English Planter Cachepot Black Metal Lacquer SHELL Decoupage c1890. Direct from southern England, a superb one-of-a-kind antique...

An exceptional example of the celebrated Fleurs Des Siècles collection designed by Jane Hutcheson for and produced by Gorham, this sculptural floral arrangement combines finely paint...

Exceptional very large ormolu and silvered bronze jardinière by Christofle French, 19th Century Height 44cm, width 93cm, depth 59cm This superb jardinière centrepiece was crafted by...

These large, gilt bronze tripod stands have been designed in a majestic French Neoclassical style. Both stands serve to support bowls, raising t...

Pair of antique French gilt tôle & iron tole metal filigree oval planters France, circa 1900s Each one of oval basket form, the flaring woven filigree gilt tôle metal frames, ...

A large and imposing pair of antique glazed green stoneware urns. Dating from circa 1890, this beautifully preserved antique urns features an iridescent green lustre and striking ga...

A beautiful Italian porcelain footed bowl urn by Mottahedeh, in the Neoclassical style, circa early-20th century, Italy. Beautiful as a s...

A Wonderful Botanical Heavy Classic Painted Black Cast Aluminum Openwork Urn On Pedestal With Interior Tin. Urn 19 1/2" H x 14" Round Pedestal 12" Square x 34" H 3 Available, Each S...

This is a neo-classical style tole black and gilt brass planter or plant stand.. it has brass ram appointments and is most likely Italian. The base has brass hooves and is resting on...

With its regal design and antique patina, this small footed urn brings instant character to a mantel or console table. The vessel is shaped of sheet brass to the classic silhouette o...

This striking vintage French rectangular planter dates to the mid-20th century and showcases classic European garden design with refined orn...

A lovely antique early 20th-Century French mustard yellow tole footed jardiniere or cache pot with the original tin removeable liner. Signed "Made In France" on reverse. This gorgeous jardiniere is decorated with a hand painted gilt garland of ribbons and musical instruments and adorned with gilt bronze dolphin shaped...

Beautiful large porcelain jardinière with gilt trim, blue 'fish scale' painted design with a white ground. Made in Italy by Good Friends & Company, probably manufactured in the 1...

Pair of cast iron planters. England, late 19th century.

Vintage solid brass planter with ring handles. The planter is very well made with it’s original laquer finish, the planter was made by Architectural Brass Company in Atlanta, Georgia...

A vintage solid brass cachepot or jardiniére probably from the 1970’s. The piece stands approximately 9 1/2 inches tall, 9 3/4 inches wide and 9 3/4 inches deep. There are no maker ...

A superb Large French Empire neoclassical ormolu bronze figural jardinière, dating to 19th century, distinguished by its refined neoclassical ornament and sculptural presence. Cast i...

Large carved white marble campagna-form garden urn Continental, 19th century Measures: height 60cm, diameter 42cm Crafted from white marble, this fine garden urn is carved in th...

19th Century Old Paris Neoclassic Oval Blue and White Floral Pedestal Centerpiece  France, circa 1875 A splendid 19th-century Old Paris Neoclassic Oval Blue and White Floral Pedesta...

This elegant 18th-century French tôle planter embodies the refined taste of the Neoclassical period, combining graceful decoration with practical d...

A lovely antique French black and gold footed cachepot with the original tin liner. Signed "Made In France". This gorgeous jardiniere has a fine hand painted gilt foliate and grapes ...

A Wonderful Continental / Neoclassical Inlaid Satinwood Square Ormolu Jardiniere, Champagne Wine Cooler With Copper Insert In The Manner Of George III Provenance Sotheby's NYC

Antique Italian Neoclassical Grand Tour Period Green Porphory Circular Shaped Tazza/ Centerpiece on a Rouge Marble Plinth This antique tazza or centerpiece, formed with a wide circu...

Made of solid silver, both silver pieces are fully marked, 800 silver with the maker's mark. This substantial and beautifully-crafted neoclassical centrepiece was made in the 1920s and will look perfect on a hall/lobby table or in the dining room. The large silver tray is mounted on a wooden base and secured with brackets. The outside rail has a tube border with scallop shells. The polished surface of the silver tray is in very fine condition for its age and gives a good mirror to the light. The design motif is continued on the silver collar which slips over a copper liner. The copper liner-basket is cut to an exact outline and fit so that a floral arrangement can be executed elsewhere and then dropped into position. For convenience, this item comes with a cut crystal vase saint Louis of suitable height and shape which sits inside the copper lining. The crystal vase may be 'associated', it cannot be verified that it was originally supplied with the rest of the set, but it is of the right period and style. The Brussels firm of Wolfers Freres...

This handsome pair of French tole cachepots feature hand painted Classical landscapes, and gilt brass loin head and ring handles.

A French green opaline glass cachepot with gilt mounting. 20th century.

A decorative pair of Italian chinoiserie decorated tole planters, executed in flared square form with red japanned surfaces, black-painted interiors, gilt edging, raised plinth bases...

A large bowl made of Blyberg Porphyry from Älfdalen, Sweden, circa 1800.

A wonderfully charming early 20th century French tole cachepot finished in an olive green with delicate gilt embellishments and handsome brass lion paw feet. Equal parts formal and p...

Measures: Height : 29 cm (11,4 in.) ; width : 61,5 cm (24,2 in.) ; depth : 55,5 cm (21,8 in.) Total height : 139 cm (54,7 in.) Important pair of rare Greek...

An exceptional monumental late 19th century majolica urn inspired by the grandeur of classical antiquity. Executed in a striking blue and whi...

The Ceramic Garden Planterette is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. The piece is signed by Glick and stamped with the name of his studio: Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...