Rörstrand a Pair of Swedish Grace Vases, circa 1930

Very nice set of three Evan Jensen vases and a bowl. Extremely rare! Made in Denmark during the 1930s. Patinated bronze in excellent quality. Evan Jensen took it to a whole other le...

Great pair of Art Nouveau dragon vases by August Otto for Johann Maresch. Depicting a dragon circling the vase. Austria, late 19th century. With signature and impressed mark JM / 166...

Rare Just Andersen bronze vase model B2109. The vase is in good original condition with a beautiful original green/brown patination. No issues concerning the condition. Signed "DENMA...

A very unusual pair of lidded urns by Swedish designer Josef Ekberg. Signed with Josef Ekberg's monogram and Gustavsbergs company mark and also dated 1927. Handpainted creamware with luster glaze and gold decorations. Really good condition, with no issues! JOSEF EKBERG He started working as a 12-year-old boy at the Gustavsberg factory in 1898. He continued working there till his death in 1945. In 1908 Joseph Ekberg...

This pair of floor vases were made in Sweden in the 1940s at Ekeby and designed by famous Greta Runeborg. It is made with grace, that makes the curves ...

A pair of Swedish Modern "Chamotte" vases by Gunnar Nylund for Rörstrand. The name Chamotte indicates the large fragments of crushed earthenware pieces that was applied in the glace ...

Set of 2 beautiful stoneware vases with amazing glaze. Made by Hertha Bengtson for Rörstrand, Sweden, 1950s. Excellent condition. Signed 'Bengtson' / 'HB' and 'R' för Rörstrand. Hertha Bengtson (1917-1993) is one of the well-known representatives of the illustrious Swedish ceramic design of the 20th century. She was one of the leading designers for the Rörstrand factory in the 1950s. Bengtson is represented at the Swedish National Museum of Art and Design. Hertha Bengtson was born in Ysane in Blekinge and grew up on a farm with her four brothers. Her parents were Henning and Asta Bengtson. Her father was a jack-of-all-trades and ran both a mink farm and a shop alongside his farm, which was the least of his interests. Her mother, to whom Hertha Bengtson was very close, was a skilled weaver. Hertha Bengtson's interest in textiles and handicrafts came from her mother. From her grandmother she inherited Scanian country textile knowledge and from her grandmother’s neighbour she learned to tat the Scanian way, without patterns. Upon completing her education at a girls’ school, Hertha Bengtson wanted to become a drawing teacher. However, there was no money to continue her formal education. Hertha Bengtson achieved top marks in drawing and handicrafts and therefore gained a place as a handicrafts teacher at one of the region’s elementary schools. During her time at the girls’ school, she had also taken evening classes in porcelain painting. In 1937 she applied to Hackefors’ porcelain factory in Linköping where she became employed as a pattern designer. Hertha Bengtson was interested in all aspects of the factory and when the men were called up for military service at the outbreak of the Second World War, she became head of her department at age 22. Hertha Bengtson wanted to create her own porcelain. She applied to and became employed at Rörstrand’s porcelain factory in 1941, where she started as a pattern designer but quickly became a master designer. Hertha Bengtson’s ability to combine beauty with function was fundamental to her success as a designer. Her breakthrough came with the innovative blue-and-white tableware...

This striking pair of vases was designed by Eva Jancke Björk and produced by Bo Fajans in Sweden in the late 1930s. Both are marked with production numbers on the underside. Each va...